Spy Another Day by Philip Caveney
  

Spy Another Day

Written by Philip Caveney

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May 2012 Book of the Month.

The thrills and spills of Kip's movie adventure in Night on Terror Island were an experience of a lifetime but they have left their mark on him, unlike his friend Beth who despite also being shaken and stirred from their last adventure persuades Kip that a quick visit into the latest movie release - Spy another Day - is just what they need on a dismal November day and much better than doing homework. With the help of the projectionist at the local cinema who has an incredible machine called the Lazarus Enigma, Beth and Kip get their chance. But what should have proved a simple visit ends in disaster when Kip and Beth are separated and find themselves in different parts of the same film. Can they find their way through all the dangers of a spy movie and defeat the evil genius, Doctor Leo Kasabian, before the final credits roll and they are trapped there ...forever? A must-have for any young film fanatic!

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Synopsis

Spy Another Day by Philip Caveney

Kip is reluctant to allow Mr Lazarus to send him into another movie - but Beth has other ideas, particularly when she discovers The Paramount Picture Palace is planning to show the latest film in the Jason Corder series, 'Spy Another Day'. Its star, Daniel Crag, has always been Beth's favourite screen actor. When Mr Lazarus asks her to obtain Corder's ID card, she agrees to go in and Kip feels duty-bound to accompany her.

From the author of the much-acclaimed Alec Devlin and Sebastian Darke series.

Here's the trailer:

Reviews

Praise for Night on Terror Island:

‘A thrilling nightmare of an adventure.’ Julia Eccleshare, Lovereading4kids

‘A thriller, laden with heart-stopping chases and a lot of humour.. a sure-fire winner.’ The Bookbag

‘Great fun, a traditional adventure story with quirky characters and danger lurking around the corner.’ Askews and Holts Library Service

‘A fun idea with lots of action and suspense.’ Armadillo magazine

About the Author

Philip Caveney

"I was born in 1951 in Prestatyn, North Wales. My father was in the R.A.F, so I went through one of those strange, transitory childhoods where the family moved to a new military base every couple of years. The result was that I went through the anxiety of the first day at school over and over again. I still find it hard to establish real friendships.

I was a poor student but I somehow scraped through my 11 Plus (I still have the mathematical ability of a hamster) and while my parents headed off to a new base in Malaya, as it was then called, I opted to go to The Kings School, an austere boarding establishment in Peterborough, East Anglia, a city which was close to our last posting. There I underwent a harsh regime of tyranny and oppression (yeah, I know it sounds melodramatic, but believe me at 11 years of age, that's how it felt). At one stage, I and some of my schoolmates staged a breakout. We were picked up in Lichfield and later we were given 'six of the best' by the headmaster, Mr Wheeler or 'Spoke' as he was far from affectionately known. The pain of the beating was enough to convince me that corporal punishment was not the best way to deal with such behaviour. But bad experiences were a common occurrence there. I vividly remember witnessing a brutal mock hanging staged by the prefects on an unsuspecting youngster, an event which would later find its way into the pages of the novel Burn Down Easy.

It wasn't all bad news. Twice a year I got to fly out to visit my parents in Malaya, where I witnessed sights, sounds and smells that were light years beyond my narrow experience. The subsequent recollections would one day form the basis for an early novel called Tiger, Tiger. The other positive thing was that I began to enjoy my English classes, particularly compositions. I soon proved adept at turning the most boring essay title - 'holidays', 'pets', 'it was a dark and dreary night' - into a succession of horror stories so lurid that looking back I wonder how I had the nerve to do it. Instead of being showered with acclaim for my efforts, my teacher took every opportunity to belittle me, reading out my work in a sneering voice to a sniggering class while I sat there humiliated. But writing was my escape and no matter how much he laid in to me, the purple prose kept flowing copiously. Now, every time I get published, I feel I'm thumbing my nose at that teacher, who's name if memory serves me correctly, was Mr Long. And if he should, by any freak chance, be reading this... Up yours!

At sixteen, after a disastrous showing at the O levels, I left school and went directly to Kelsterton Art College in North Wales. After years of discipline, here was my chance to kick up the traces and in 1968, there was already a tried and tested route to rebellion. I grew my hair long, coaxed a beard from my chin and naturally joined a rock 'n' roll band. I started out drumming with them but somehow graduated to being their singer. They were called Hieronymous Bosch (cool name, we thought) and the more observant of you may have noticed that my novel Bad To The Bone was dedicated to them. Not surprisingly, it's based around a rock 'n' roll band only their singer is a woman. Freudians, make of this what you will.

The band kept threatening to get somewhere but never really did. In my last year at college, I started a first novel, a little thing called Nathan Storm. It never did get published but it found me an agent. What happened was, around 1973, the band's bass player, Steve and I went to London to seek our fortune. Fortune's being in somewhat short supply, we ended up sleeping in a Hillman Imp for a couple of weeks. Every night we would park up behind Doctor Barnardo's in Ilford and the kids there would sneak out stolen sandwiches for our supper (now that's poverty for you!). Anyhow, I got the address of an agent from somebody I met who had the dubious honour of being 'Diddy' David Hamilton's wardrobe assistant; and one fine day I took my manuscript up to the agents offices in Tottenham Court Road.

I chose an unusual approach. Overcome with shyness, I went in, dumped the manuscript on the receptionist's desk, then before she could even ask me what my business was, I legged it out again. I didn't stop running till I reached the nearest tube station. Luckily, I had the presence of mind to leave a friend's phone number where I could be reached, should stardom beckon.

It didn't. But the agent, a lovely lady named Janet Freer, phoned me back and assured me that though the manuscript was unsellable, she'd detected 'a spark' of something worth nurturing. (Whatever happened to agents like that?) Anyhow, she told me to bring her my next effort. By this time I'd taken up residence in London, in a proper house and everything. Just as well, it's hard to keep clean in a Hillman Imp. I even had a job of a sort, as a (get this!) Literature Collation and Distribution Officer (i.e. clerk) for a marine electronics firm called Kelvin Hughes. Needless to say, I was the world's most inept LCDO, the job was pretty much a front for my desperate attempts to break in to publishing. An electric typewriter and all the A4 paper I needed. Heaven!

After two years toil, I had finished my next magnum hopeless, a kind of spooky occult adventure entitled Magic Sam. I took it up to Janet who deliberated at length and informed me that though it was a definite improvement on my first novel, it still fell a bit short of the mark. Curses!

This was my lowest point. I really wasn't sure if I could put myself through such torture again. After much soul-searching I decided I still wanted this more than anything else in the world, even a recording contract. So gritting my teeth, I went back out to bat for one last time, and eventually (in 1977) came up with a manuscript called The Sins Of Rachel Gurney (later changed to The Sins Of Rachel Ellis, for reasons I will recount elsewhere.) I took it in to Janet and headed homewards feeling distinctly pessimistic about the whole venture. Then, a week or so later, I got a telegram telling me to ring her urgently. Why a telegram? Well, it may seem unlikely, but at this stage in my career I was so poor, I didn't actually have a telephone at home. I ran out to the nearest phone box clutching my last few pennies and phoned her number with a trembling finger.

Down the crackling line, I could hear her distinctive Canadian tones saying eleven words I'll never forget."

"Good news, kid. I think I finally got you a deal..."

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Book Info

Format

Paperback
240 pages
Interest Age: From 9

Author

Philip Caveney
More books by Philip Caveney

Author's Website

www.philip-caveney.co.uk/

Publisher

Andersen Press Ltd

Publication date

3rd May 2012

ISBN

9781849394178

Categories

Publisher Profile

Andersen Press Ltd is an imprint of Andersen Press

logo Andersen Press is one of the leading independent children’s publishers, publishing some of the biggest names in the world of children's books including the much-loved picture book characters the Little Princess and Elmer the patchwork elephant. Andersen Press is the home of many award-winning authors and illustrators including Melvin Burgess, Rebecca Stead, Satoshi Kitamura, Tony Ross, David McKee, Chris Judge and Jeanne Willis. Founded in 1976 by Klaus Flugge it won the Bologna Best Children’s Publisher prize in the European Category in 2016, the company’s 40th anniversary year.

Publisher's Website

www.andersenpress.co.uk


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