Understanding to Kill a Mockingbird A Student Casebook to Issues, Sources, and Historic Documents by Claudia Durst Johnson
  

Understanding to Kill a Mockingbird A Student Casebook to Issues, Sources, and Historic Documents

Written by Claudia Durst Johnson
Illustrated by
Part of the The Greenwood Press Literature in Context Series

RRP £50.00

Synopsis

Understanding to Kill a Mockingbird A Student Casebook to Issues, Sources, and Historic Documents by Claudia Durst Johnson

To Kill a Mockingbird is a novel of such profound power that it has affected the lives of readers and left and indelible mark on American culture. This rich collection of historical documents, collateral readings, and commentary captures the essence of the novel's impact, making it an ideal resource for students, teachers, and library media specialists. Drawing on multi-disciplinary sources, the casebook places the issues of race, censorship, stereotyping, and heroism into sharp perspective. Through these documents, the reader also gains a taste for the historical events which influenced the novel as well as the novel's relevance in today's world. Among the documents which speak most eloquently are testimony from the Scottsboro Case of the 1930s, memoirs and interviews with African Americans and whites who grew up in Alabama in the 1930s, and news stories on civil rights activities in Alabama in the 1950s. Most of the documents presented are available in no other printed form. Study questions, project ideas, and bibliographies are also included for ease of use in further examination of the issues raised by the novel. Thirteen historical photographs complement the text. Following a literary analysis of issues raised by the novel, the casebook opens with testimony and newspaper articles from the 1930s Alabama Scottsboro Case. The significant parallels of this case to the novel paint a social and historical background of the novel. Memoirs and interviews with African Americans and whites who grew up in Alabama in the 1930s further complete the historical landscape. Articles and news stories from the 1950s depict the increasingly tense, volatile environment in which the novel was written and published. Documents examine the stereotypes of the poor white, the African American, and the southern belle; and how the novel allows the reader to walk around in the shoes of those who have been stereotyped. More current articles examine the legal, literary, and ethical ramifications of the novel. These articles include a debate between lawyers over whether Atticus Finch was a hero, and discussion of attempts to censor the novel.

Reviews

Will be useful to teachers and student researchers, as both journey toward a richer understanding of Lee's novel and the complex ideas society is still exploring. - VOYA

About the Author

CLAUDIA DURST JOHNSON is Professor of English at the University of Alabama, where she chaired the English Department for 12 years. She is the author of the forthcoming volumes in the Greenwood Press Literature in Context series, Understanding the Scarlet Letter and Understanding Huckleberry Finn. She is also author of To Kill a Mockingbird: Threatening Boundaries (1994), American Actress. Perspective on the Nineteenth Century (1984), (with Vernon E. Johnson) Memoirs of the Nineteenth-Century Theatre (Greenwood, 1982), The Productive Tension of Hawthorne's Art (1981), and (with Henry Jacobs) An Annotated Bibliography of Shakespearean Burlesques, Parodies, and Travesties (1976), as well as numerous articles on American literature.

More books by this author

Other Formats

Book Info

Format

Hardback
248 pages

Author

Claudia Durst Johnson
More books by Claudia Durst Johnson

Publisher

Greenwood Press an imprint of ABC-CLIO

Publication date

22nd November 1994

ISBN

9780313291937


I am so pleased to have signed my kids up as they are reading a much wider range of books and even choosing books out of their comfort zone.

Angela East

I have told all my friends, family & teachers to see for themselves just how great the site is. Without fail, they are hugely impressed.

Alexander Boxall – age 11

I love Lovereading as it provides an honest opinion and showcases a range of fiction. Suited to both parents & kids alike, it’s a must-use.

Georgie Rowe – age 16

I love Lovereading4kids because I get an opportunity to put my opinion forward and to try new books

Elosie Clarkson – age 11

It has introduced my children to books we hadn’t come across before. Real children’s reviews gives a great insight into what others think to

Lorraine Woods

I love lovereading4kids because I’ve read amazing books I would never have picked up, and its opened doors to new genre’s I now love.

Harriet Cunningham

We love Lovereading4kids because they put books in front of us we wouldn’t otherwise have read. They make us more adventurous readers!

Emily Jacques

Love “Lovereading4kids” as my son gets to hear about & read new books before his mates which keeps him interested in reading=a very happy Mum

Liz Evans
Lovereading

Lovereading 4 schools