Bebop to Cool Context, Ideology, and Musical Identity by Eddie S. Meadows
  

Bebop to Cool Context, Ideology, and Musical Identity

Written by Eddie S. Meadows
Illustrated by

Synopsis

Bebop to Cool Context, Ideology, and Musical Identity by Eddie S. Meadows

Bebop music is more than a jazz movement that seemed to have burst suddenly upon the jazz scene-it is an outgrowth of the sociocultural environment dating from the 1920s through the 1940s. In this consideration of the period and its music, noted jazz scholar Eddie S. Meadows traces the cultural and ideological context that produced Bebop and advocates that Cool Jazz was a reaction to Bebop, a natural outgrowth of its predecessor. Unlike most jazz research on the subject, ^IBebop to Cool^R features insider perspectives on both the social context of the music and the music itself, as a means of capturing the musical aesthetics and the cultural spirit of the time. The volume includes the perspectives of Marcus Garvey, W. E. B. DuBois, and other leaders of the Harlem Renaissance; also discussed here for the first time is the role that Islam played in the music's development. Finally, in identifying and discussing the work of such significant musicians as Miles Davis, Dizzy Gillespie, Thelonious Monk, Charlie Parker, and Stan Getz, Meadows demonstrates their unique musical identities within the respective genres that compose the revolutionary Bebop and Cool Jazz movements.

Reviews

?Meadows undertook a huge challenge when he set out, first, to describe and analyze modern jazz in terms of the historical context musically, socially, politically, and culturally and, second, to explore the characteristics of modern jazz as it existed in the middle of the 20th century....Meadows provides some balance to those who look at jazz history primarily as a musical development without adequate attention to the world in which it exists. The author achieves a major goal by providing a context in which to view the world of modern jazz. Essential. Upper-division undergraduates through faculty and professionals.?-Choice

About the Author

EDDIE S. MEADOWS is Professor of Music and Graduate Advisor in the School of Music and Dance at San Diego State University. Specializing in African-American music, particularly jazz, his publications include Jazz Reference and Research Materials, Jazz Research and Performance Materials: A Select Annotated Bibliography, and, as co-editor, California Soul: Music of African Americans in the West.

More books by this author

Other Formats

Book Info

Format

Hardback
416 pages

Author

Eddie S. Meadows
More books by Eddie S. Meadows

Publisher

Greenwood Press an imprint of ABC-CLIO

Publication date

30th June 2003

ISBN

9780313300714


At @HHSHaringey we love @lovereading4kids because our pupils can practice reviewing & get free upcoming books before anyone else!

Helen Swinyard – Heartlands High

LoveReading4Kids is a modern and creative way of emphasising the value and importance of books in this digital age #booksforlife

Amrit Bunet – Teen

I have told all my friends, family & teachers to see for themselves just how great the site is. Without fail, they are hugely impressed.

Alexander Boxall – age 11

We love Lovereading4kids because they put books in front of us we wouldn’t otherwise have read. They make us more adventurous readers!

Emily Jacques

I love finding new books to read. My mummy and me look at the new ones coming out. I have written reviews of some of them!

Jessica Cobbin – age 7

We love Lovereading4kids because they put books in front of us we wouldn’t otherwise have read. They make us more adventurous readers!

Emily Jacques

I am so pleased to have signed my kids up as they are reading a much wider range of books and even choosing books out of their comfort zone.

Angela East

Lovereading4kids is great, we get books really early never late. We love to read and review, and think you would like it too. The excitement

Jasmine Harris-Hart, age 12
Lovereading

Lovereading 4 schools
****