Shortlisted for the prestigious 2008 Kate Greenaway Medal. A glorious adventure fantasy told in words and loads of Chris Riddell’s fabulous pictures, this tells how Ottoline, who loves solving puzzles, and her friend Mr Munro, a cat with a distinct personality and a number of foibles, set out to resolve the mystery of the lapdogs who are being stolen from all over town. A beautiful book to read or even just to hold. The latest Ottoline story is just out as well - Ottoline goes to School.
- Winner of the 2007 Nestle Children's Book Prize Gold Award (6-8 category)
- Shortlisted for the 2008 Red House Children's Book Award (Books for Younger Readers)
Miss Ottoline Brown lives in a stylish apartment in Big City with a small hairy creature called Mr Munroe. Together, they look after the Brown family's eclectic collections and dabble in a spot of detective work. So, they are the first to the scene of the crime when a string of high society dog-nappings and jewel thefts hits Big City.
Chris Riddell, the 2015-2017 UK Children's Laureate, is an accomplished artist and the political cartoonist for the Observer. His books have won a number of major prizes, including the 2001, 2004 and 2016 CILIP Kate Greenaway Medals. Goth Girl and the Ghost of a Mouse won the Costa Children's Book Award 2013. His includes the bestselling Ottoline books, The Emperor of Absurdia, and, with Paul Stewart, the Muddle Earth books, the Scavenger series and the Blobheads series.
Chris has been honoured with an OBE in recognition of his illustration and charity work. Chris lives in Brighton with his family.
Chris Riddell on John Tenniel : "Before I knew a thing about him, John Tenniel was a hero of mine, or rather, I should say, his white rabbit was. As a child I copied Tenniel’s illustrations from Alice’s Adventures in Wonderland obsessively, particularly his drawing of the White Rabbit in waistcoat and frock coat, umbrella tucked under one arm and a pocket watch in paw, a look of suppressed panic in his eye. I loved analysing the shading, intricate lines of cross-hatching, the folds of the sleeve, the tilt of the head, that wide-eyed rabbit stare. Tenniel was one of the reasons I became an illustrator."
