Eating Out by Helen Oxenbury
  

Synopsis

Eating Out by Helen Oxenbury

The reissue of a classic first storybook to celebrate Helen Oxenbury's work. Mum is too tired to cook so Dad offers to take the family out for supper. But the youngest person present can't sit still and has to go to the toilet at the wrong time. Then someone falls over him when he decides to hide under the table. A warm and funny depiction of a child's first trip to a restaurant - which quickly turns into a disaster. Helen Oxenbury's First Storybooks perfectly describe the small but memorable events of childhood. The words are a delight and are perfect for reading aloud, and the pictures warm, affectionate visions of a child's world, which parents and children will instantly recognize and love.

About the Author

Helen Oxenbury

Helen Oxenbury is an English author and illustrator. She won the Kate Greenaway medal in 1999 for illustrating 'Alice's Adventures in Wonderland' and also in 1969 for 'The Quangle Wangle's Hat' and 'The Dragon of an Ordinary Family'. 'We're Going on a Bear Hunt' won the Nestle Smarties Book Prize in 1989, 'Farmer Duck' was winner of the British Illustrated Children's Book of the Year and the Smarties Prize and 'Three Little Wolves and the Big Bad Pig' (Egmont) was highly commended and a Greenaway runner up.

Helen on winning the Kate Greenaway Award It’s almost impossible to answer this without using all the usual clichés, and yet there’s no getting round the fact that, of course, winning this award is a great honour.
It was my illustrations to Lewis Carroll’s ALICE IN WONDERLAND that won me last year’s (2000) Kate Greenaway Award. I worked on this for at least two years and, by the time I finished, I’d lost any perspective on the work. Also, knowing that ALICE had been illustrated by some great illustrators of the past, particularly John Tenniel, added to the awesome nature of the task. It became such a long, complex and often worrying process that, come the end, my only wish was to hand it in, breathe a sign of relief and move on.
From conversations I’ve had with other illustrators, I don’t think I’m alone in this reaction. One almost always starts with a vision of how the artwork will best serve the text. Yet, completion is often accompanied by disappointment and a sense of anticlimax. The finished product never lives up to one’s expectations.
Taking this into account, you can imagine how genuinely and very pleasantly surprised I was to hear that ALICE had won the award. However despairing I might have felt about the work, it must have struck a chord with someone somewhere! To have it taken out of my hands at last meant the work was no longer hampered by these misgivings. It could now stand alone and be judged objectively.
Children today are so visually literate; illustrations help to make words less daunting. Picture books are a child’s entrée into the world of books in general. In dealing specifically with children’s book illustrations, the Kate Greenaway Award recognises the significance of this medium and so nurtures a love of reading in successive generations.
There is, increasingly, a plethora of children’s picture books available. So, it must be a harrowing procedure, drawing up a shortlist of prospective winners for the Award. It is, perhaps, just as well that the judges are all librarians who, as a matter of course, eat, drink and breathe children’s books. They must be in a good position to evaluate the range, quality and popularity of material on offer. Being aware of this adds to my delight in winning.
Lastly, I’d just like to say that though this is the second time I have won the Kate Greenaway Award – the first time being years ago and the beginning of my career as an illustrator – it is almost more of an honour to have won it this time round. It’s extraordinary how the work never gets any easier. With every project I embark on I try and push out my boundaries by exploring new techniques, approaches etc. One’s aim is to make the next book better than the last which is both challenging and endlessly interesting. The more I know, the more there is to know and now, when a drawing isn’t quite right, it sticks out like a sore thumb. So, to win again is a great morale booster and a snub to the destructive power of self-criticism.

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Other Formats

Book Info

Format

Hardback
24 pages
Interest Age: From 3

Author

Helen Oxenbury
More books by Helen Oxenbury

Publisher

Publication date

7th February 2013

ISBN

9781406341508


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