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Find out moreThe Classics never go out of fashion. Find new editions of old favourites, plus some abridged and re-told tales in this section.
This is a wonderful adventure of three boys from very different worlds. At the heart of the story is the relationship between Huckleberry Finn and Tom Sawyer, white and advantaged in America’s south and a slave named Jim. Their adventures together are masterfully imagined and brilliantly portrayed – you can’t fail as a reader to be transported into America’s deep south of the 19th century. As Darren Shan says in his Introduction, ‘It’s the trip of a lifetime. Millions have made it before you, and millions will after you... Enjoy the ride’. In this terrific pocket size Puffin Classics edition there’s lots of additional material at the end of the book including an author profile, a guide to who’s who in The Adventures of Huckleberry Finn plus many related activities to do beyond the book. PLEASE BE AWARE THIS IS AN UNABRIDGED VERSION OF ONE OF THE GREATEST CLASSIC CHILDREN'S BOOKS OF THE 20TH CENTURY BUT GIVEN THERE ARE SOME RACIAL UNDERTONES IT MAY BE CONSIDERED UNSUITABLE FOR CHILDREN TO READ ALONE BUT INSTEAD BE OPEN TO DISCUSSION WITH AN ADULT. IF YOU WOULD LIKE A SIMPLIFIED AND SHORTENED VERSION OF THE STORY THEN CLICK HERE.
Chosen by Jacqueline Wilson. Step into the shoes of Sara, a girl with a lively imagination who although well-mannered is absolutely no angel, as fate determines her fortune. Transformed from princess to pauper join Sara in her battle to assuage her fears and conquer her hardships? It’s a story where triumph finally over adversity and is proof that if a character such as Sara can triumph then anything is possible for the reader. For Adeline Yen Mah, The Little Princess was a book that changed her life and had a profound effect upon her, both through stimulating her imagination but also on a personal level for she encountered similar hardships as she grew up, but in a very different world. In this terrific pocket size Puffin Classics edition there’s lots of additional material at the end of the book including an author profile, a guide to who’s who in The Little Princess plus many related activities to do beyond the book.
Follow the yellow brick road with Dorothy and her dog Toto into a magical world that unfurls before you. A classic with more magic on every page than almost any other book and appropriately enough the contemporary author who comes closest to these magical qualities has written an Introduction to this classic – Cornelia Funke. She wasn’t lucky enough to read this timeless classic as a child but hopes that children today will be luckier than her and have the chance to follow the yellow brick road while still a child. She says, ‘a great story like this, changes all the time with the readers it finds’. How true. This terrific pocket size Puffin Classics edition there’s lots of additional material at the end of the book including an author profile, a guide to who’s who in The Wizard of Oz plus many related activities to do beyond the book.
A truly timeless adventure of a horse with an unbreakable spirit and a bond that eventually goes almost full circle. Animal lovers will love the story of Black Beauty even though the tears will be almost as frequent as the smiles. An essential read. This is the paperback edition but if you’re looking for a gift purchase then look no further than the Everyman’s Library edition. We also rate very highly a new edition from Oxford Children’s Books.
What a ride. No child can fail to laugh and cry in equal measure as they jump on for the ride of a lifetime with Black Beauty. His unbreakable spirit, strong will and determination to survive in spite of all that’s thrown at him is not to be missed. With an Introduction by bestselling novelist, Meg Rosoff, who discovered the novel at the age of 11 deep in the basement of the family home. She remembers with warmth Black Beauty’s dignified voice shining through on every page. It’s book that will satisfy a child’s hunger for horse books for he or she will want to read it over and over again until as meg says, she could ‘recite whole scenes’. This terrific pocket size Puffin Classics edition there’s lots of additional material at the end of the book including an author profile, a guide to who’s who in Black Beauty plus many related activities to do beyond the book.
What a fantastic way to introduce young children to classic literature. Retellings of some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment:What is it about Jane Austen? How did a fairly ordinary woman who lived two hundred years ago, and who nobody took that much notice of in her own short lifetime, become so famous? We feel it’s because she questioned. She explored what really mattered in life and relationships. She was one of the first women to write about what women really wanted. That’s a question which is just as important today as it was then, which may be why her books are just as popular now as they ever have been.Jane was an intelligent, witty and observant writer who loved stories. From a very early age she was encouraged to read and write, and wrote her first novel in her teens. Though Jane never really left home, the fact that she didn’t marry and have children gave her the time to write and the freedom to move within the different circles of people she described so vividly.And though she was only aware of some of what was happening in the wider world, Jane lived in exciting times, in many ways not unlike our own. After long centuries when little had changed in England, people were starting to think more about important social issues like freedom, personal responsibility, and the relationship between love and duty. Tastes in art, architecture and literature were changing rapidly, from a more formal and rigid ‘classicism’ to a freer and more adventurous ‘romanticism’.The year of Jane Austen’s birth, 1775, was also when the great landscape painter John Turner was born, when the American Revolution began, and when James Watt invented the steam engine, the machine which would transform the Victorian landscape. In Jane’s lifetime the French Revolution took place, Britain lost its American colonies, and a new British colony was established at Botany Bay in Australia. Ludwig van Beethoven, Josef Haydn and Leopold Mozart were all composing; William Wordsworth, John Keats and Percy Shelley were writing their best-known poetry. What a time to be alive! To take a look at the other classic novels published by Real Reads click here.
Will Elinor’s sense be strong enough to support both sisters, or will Marianne’s sensibility bring tragedy? This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment:What is it about Jane Austen? How did a fairly ordinary woman who lived two hundred years ago, and who nobody took that much notice of in her own short lifetime, become so famous? We feel it’s because she questioned. She explored what really mattered in life and relationships. She was one of the first women to write about what women really wanted. That’s a question which is just as important today as it was then, which may be why her books are just as popular now as they ever have been.Jane was an intelligent, witty and observant writer who loved stories. From a very early age she was encouraged to read and write, and wrote her first novel in her teens. Though Jane never really left home, the fact that she didn’t marry and have children gave her the time to write and the freedom to move within the different circles of people she described so vividly.And though she was only aware of some of what was happening in the wider world, Jane lived in exciting times, in many ways not unlike our own. After long centuries when little had changed in England, people were starting to think more about important social issues like freedom, personal responsibility, and the relationship between love and duty. Tastes in art, architecture and literature were changing rapidly, from a more formal and rigid ‘classicism’ to a freer and more adventurous ‘romanticism’.The year of Jane Austen’s birth, 1775, was also when the great landscape painter John Turner was born, when the American Revolution began, and when James Watt invented the steam engine, the machine which would transform the Victorian landscape. In Jane’s lifetime the French Revolution took place, Britain lost its American colonies, and a new British colony was established at Botany Bay in Australia. Ludwig van Beethoven, Josef Haydn and Leopold Mozart were all composing; William Wordsworth, John Keats and Percy Shelley were writing their best-known poetry. What a time to be alive! To take a look at the other classic novels published by Real Reads click here.
Winner of the 1958 CILIP Carnegie Medal | Francesca Simon, Guest Editor February 2021: "I first read Philippa Pearce’s Tom's Midnight Garden as an adult, staying up all night to finish it, and sobbing at the end. It’s about Tom, sent away to relatives while his brother is sick, who discovers that when the grandfather clock strikes 13 that the modern world disappears and he is transported back to the magnificent Victorian garden which once existed at the back, and meets Hatty, the girl who once lived there. I envy anyone reading this book for the first time." ......................................... This is one of the most touching and magical children’s books I’ve ever read and it’s one that’s stayed as fresh in my mind as if I’d just read it yesterday. Tom’s imaginary garden is beautifully portrayed and the characters and situations within are richly satisfying and the poignancy of the moments are cherished. Children will love the story and it is as relevant now as it was some 40 years ago when it was first published.
Winner of the 1958 CILIP Carnegie Medal | Winner of the 1958 CILIP Carnegie Medal A classic time slip story in which Tom, staying in big house now divided into flats, manages to get into the garden at night and make friends with a little girl. But who is the girl? Can she really be the old woman in Tom’s waking life? This is one of the most touching and magical children’s books I’ve ever read and it’s one that’s stayed as fresh in my mind as if I’d just read it yesterday. Tom’s imaginary garden is beautifully portrayed and the characters and situations within are richly satisfying and the poignancy of the moments are cherished. Children will love the story and it is as relevant now as it was some 20 years ago when it was first published. (9-11 key age range)
Can somebody so selfish, so harsh and so horribly lonely ever change his ways? In one terrifying night, poor Scrooge is haunted by four ghosts. Will he change his ways? Weep and laugh as you read this much-loved Christmas story. This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment: What the Dickens does Dickens mean to you? Oliver’s empty bowl? Christmas ghosts? Exciting television dramas? Big books full of long words?Charles Dickens’ stories aren’t just classics because they’re old – they’re classics because they are fascinating, exciting and humorous, and because they show a great understanding of something that time can never change – human nature.Charles Dickens was a brilliant story-teller who had experienced every aspect of life in Victorian England. As a child he saw the misery of debtors’ prisons and, like Oliver Twist and David Copperfield, survived London’s dangerous streets. As an adult, he moved in high circles, amongst top politicians debating in parliament. Largely self-educated, he possessed the genius and the imagination to become the greatest writer of his age.A hundred and fifty years ago, anyone who could read read Dickens. Even Queen Victoria read Dickens. His work, often serialised in newspapers, was easily available. The exciting plots and lifelike characters appealed, as they do today, to young and old, rich and poor. Today, reading Dickens’ original novels is more of a challenge, as many of the things he described and the words he used to describe them are no longer part of our everyday experience.However, the things he wrote about – poverty, justice, cruelty, responsibility and love – are just as important today as they were all those years ago. A message from Gill Tavner:How many times have you heard somebody speak fondly about a Dickens, Austen or Hardy novel that they read in school or studied for an exam, yet they have not read another since? As an English Teacher and Head of English, I have witnessed the enjoyment experienced by children of all ages and abilities when guided sensitively through a daunting text. However, only the most confident readers will broaden their reading of classics independently of a teacher, either as children or in their adult life. Most people therefore deprive themselves of the delights offered by some of the most influential writers and thinkers. What a loss for them. What a loss for our society.Surely there is a way to make an abridged version an enjoyable and enriching rather than simply informative reading experience? Surely this is an important distinction if we aim to nurture keen, confident readers? In Real Reads we believe we have found an answer to these problems. For many readers, Real Reads will develop a confidence and enthusiasm to address the original, something we try to nurture in the ‘Taking Things Further’ section of every Real Read. For others, who might never have tackled the originals, Real Reads make accessible great stories, great characters and important moral debates which they might otherwise never have encountered. To take a look at the other classic novels published by Real Reads click here.
In this gripping tale of kidnapping, shooting and murder, Charles Dickens shows the threats to a vulnerable boy’s existence and asks the eternal question: which is more powerful, good or evil? This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment: What the Dickens does Dickens mean to you? Oliver’s empty bowl? Christmas ghosts? Exciting television dramas? Big books full of long words?Charles Dickens’ stories aren’t just classics because they’re old – they’re classics because they are fascinating, exciting and humorous, and because they show a great understanding of something that time can never change – human nature.Charles Dickens was a brilliant story-teller who had experienced every aspect of life in Victorian England. As a child he saw the misery of debtors’ prisons and, like Oliver Twist and David Copperfield, survived London’s dangerous streets. As an adult, he moved in high circles, amongst top politicians debating in parliament. Largely self-educated, he possessed the genius and the imagination to become the greatest writer of his age.A hundred and fifty years ago, anyone who could read read Dickens. Even Queen Victoria read Dickens. His work, often serialised in newspapers, was easily available. The exciting plots and lifelike characters appealed, as they do today, to young and old, rich and poor. Today, reading Dickens’ original novels is more of a challenge, as many of the things he described and the words he used to describe them are no longer part of our everyday experience.However, the things he wrote about – poverty, justice, cruelty, responsibility and love – are just as important today as they were all those years ago. A message from Gill Tavner:How many times have you heard somebody speak fondly about a Dickens, Austen or Hardy novel that they read in school or studied for an exam, yet they have not read another since? As an English Teacher and Head of English, I have witnessed the enjoyment experienced by children of all ages and abilities when guided sensitively through a daunting text. However, only the most confident readers will broaden their reading of classics independently of a teacher, either as children or in their adult life. Most people therefore deprive themselves of the delights offered by some of the most influential writers and thinkers. What a loss for them. What a loss for our society.Surely there is a way to make an abridged version an enjoyable and enriching rather than simply informative reading experience? Surely this is an important distinction if we aim to nurture keen, confident readers? In Real Reads we believe we have found an answer to these problems. For many readers, Real Reads will develop a confidence and enthusiasm to address the original, something we try to nurture in the ‘Taking Things Further’ section of every Real Read. For others, who might never have tackled the originals, Real Reads make accessible great stories, great characters and important moral debates which they might otherwise never have encountered. To take a look at the other classic novels published by Real Reads click here.
A disappearing father, an unhappy marriage, a handsome suitor and a bank robbery all bring challenges to Louisa’s life. Will she be able to control her powerful emotions, or will they lead her to ruin? This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment: What the Dickens does Dickens mean to you? Oliver’s empty bowl? Christmas ghosts? Exciting television dramas? Big books full of long words?Charles Dickens’ stories aren’t just classics because they’re old – they’re classics because they are fascinating, exciting and humorous, and because they show a great understanding of something that time can never change – human nature.Charles Dickens was a brilliant story-teller who had experienced every aspect of life in Victorian England. As a child he saw the misery of debtors’ prisons and, like Oliver Twist and David Copperfield, survived London’s dangerous streets. As an adult, he moved in high circles, amongst top politicians debating in parliament. Largely self-educated, he possessed the genius and the imagination to become the greatest writer of his age.A hundred and fifty years ago, anyone who could read read Dickens. Even Queen Victoria read Dickens. His work, often serialised in newspapers, was easily available. The exciting plots and lifelike characters appealed, as they do today, to young and old, rich and poor. Today, reading Dickens’ original novels is more of a challenge, as many of the things he described and the words he used to describe them are no longer part of our everyday experience.However, the things he wrote about – poverty, justice, cruelty, responsibility and love – are just as important today as they were all those years ago. A message from Gill Tavner:How many times have you heard somebody speak fondly about a Dickens, Austen or Hardy novel that they read in school or studied for an exam, yet they have not read another since? As an English Teacher and Head of English, I have witnessed the enjoyment experienced by children of all ages and abilities when guided sensitively through a daunting text. However, only the most confident readers will broaden their reading of classics independently of a teacher, either as children or in their adult life. Most people therefore deprive themselves of the delights offered by some of the most influential writers and thinkers. What a loss for them. What a loss for our society.Surely there is a way to make an abridged version an enjoyable and enriching rather than simply informative reading experience? Surely this is an important distinction if we aim to nurture keen, confident readers? In Real Reads we believe we have found an answer to these problems. For many readers, Real Reads will develop a confidence and enthusiasm to address the original, something we try to nurture in the ‘Taking Things Further’ section of every Real Read. For others, who might never have tackled the originals, Real Reads make accessible great stories, great characters and important moral debates which they might otherwise never have encountered. To take a look at the other classic novels published by Real Reads click here.
Can one lonely little boy show the strength and determination to survive the dangers that lie ahead? Charles Dickens presents a world of colourful characters to amuse us, astonish us, disgust us and move us to tears. This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment: What the Dickens does Dickens mean to you? Oliver’s empty bowl? Christmas ghosts? Exciting television dramas? Big books full of long words?Charles Dickens’ stories aren’t just classics because they’re old – they’re classics because they are fascinating, exciting and humorous, and because they show a great understanding of something that time can never change – human nature.Charles Dickens was a brilliant story-teller who had experienced every aspect of life in Victorian England. As a child he saw the misery of debtors’ prisons and, like Oliver Twist and David Copperfield, survived London’s dangerous streets. As an adult, he moved in high circles, amongst top politicians debating in parliament. Largely self-educated, he possessed the genius and the imagination to become the greatest writer of his age.A hundred and fifty years ago, anyone who could read read Dickens. Even Queen Victoria read Dickens. His work, often serialised in newspapers, was easily available. The exciting plots and lifelike characters appealed, as they do today, to young and old, rich and poor. Today, reading Dickens’ original novels is more of a challenge, as many of the things he described and the words he used to describe them are no longer part of our everyday experience.However, the things he wrote about – poverty, justice, cruelty, responsibility and love – are just as important today as they were all those years ago. A message from Gill Tavner:How many times have you heard somebody speak fondly about a Dickens, Austen or Hardy novel that they read in school or studied for an exam, yet they have not read another since? As an English Teacher and Head of English, I have witnessed the enjoyment experienced by children of all ages and abilities when guided sensitively through a daunting text. However, only the most confident readers will broaden their reading of classics independently of a teacher, either as children or in their adult life. Most people therefore deprive themselves of the delights offered by some of the most influential writers and thinkers. What a loss for them. What a loss for our society.Surely there is a way to make an abridged version an enjoyable and enriching rather than simply informative reading experience? Surely this is an important distinction if we aim to nurture keen, confident readers? In Real Reads we believe we have found an answer to these problems. For many readers, Real Reads will develop a confidence and enthusiasm to address the original, something we try to nurture in the ‘Taking Things Further’ section of every Real Read. For others, who might never have tackled the originals, Real Reads make accessible great stories, great characters and important moral debates which they might otherwise never have encountered. To take a look at the other classic novels published by Real Reads click here.
Mysteries abound in this superb novel featuring Pip, an escaped convict, the ghostly Miss Havisham, a mysterious benefactor. Pip’s life will never be the same again. But who has given Pip his great expectations? This and the other retellings by Real Reads are a fantastic way to introduce young children to some of the best-known and best-loved classics; beautifully presented and skilfully retold (and condensed – 64 pages in total) and illustrated, they are true to the original plot, capture something of the flavour and tone of the original work, while simplifying the narrative and dialogue. They’re primarily aimed for younger readers – 8-13 year olds but are also a great ‘quick fix’ for teenagers and adults. The Lovereading comment: What the Dickens does Dickens mean to you? Oliver’s empty bowl? Christmas ghosts? Exciting television dramas? Big books full of long words?Charles Dickens’ stories aren’t just classics because they’re old – they’re classics because they are fascinating, exciting and humorous, and because they show a great understanding of something that time can never change – human nature.Charles Dickens was a brilliant story-teller who had experienced every aspect of life in Victorian England. As a child he saw the misery of debtors’ prisons and, like Oliver Twist and David Copperfield, survived London’s dangerous streets. As an adult, he moved in high circles, amongst top politicians debating in parliament. Largely self-educated, he possessed the genius and the imagination to become the greatest writer of his age.A hundred and fifty years ago, anyone who could read read Dickens. Even Queen Victoria read Dickens. His work, often serialised in newspapers, was easily available. The exciting plots and lifelike characters appealed, as they do today, to young and old, rich and poor. Today, reading Dickens’ original novels is more of a challenge, as many of the things he described and the words he used to describe them are no longer part of our everyday experience.However, the things he wrote about – poverty, justice, cruelty, responsibility and love – are just as important today as they were all those years ago. A message from Gill Tavner:How many times have you heard somebody speak fondly about a Dickens, Austen or Hardy novel that they read in school or studied for an exam, yet they have not read another since? As an English Teacher and Head of English, I have witnessed the enjoyment experienced by children of all ages and abilities when guided sensitively through a daunting text. However, only the most confident readers will broaden their reading of classics independently of a teacher, either as children or in their adult life. Most people therefore deprive themselves of the delights offered by some of the most influential writers and thinkers. What a loss for them. What a loss for our society.Surely there is a way to make an abridged version an enjoyable and enriching rather than simply informative reading experience? Surely this is an important distinction if we aim to nurture keen, confident readers? In Real Reads we believe we have found an answer to these problems. For many readers, Real Reads will develop a confidence and enthusiasm to address the original, something we try to nurture in the ‘Taking Things Further’ section of every Real Read. For others, who might never have tackled the originals, Real Reads make accessible great stories, great characters and important moral debates which they might otherwise never have encountered. To take a look at the other classic novels published by Real Reads click here.