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Find out moreEach month we feature a small selection of books that are due to be published officially in the coming months. You can download and print off an opening extract of these 'not even on the presses' books and decide whether your children will like it enough to pre-order it and be sent it the minute it’s published.
If you’ve ever looked at a furry ball of purry cat asleep in the sunshine and wondered what they are getting up to in their dreams, then you’ve got something in common with Philip Ardagh. In these exciting, comic and purr-fectly written little adventures, he imagines his feline star, Furry Purry Beancat exploring one of her other eight lives while asleep. In the first story, she finds herself on a pirate ship, a pirate ship’s cat. She arrives at a particularly exciting moment too as the ship is under attack from fellow pirates. With her captain locked up in his cabin, things look bleak, but Furry Purry Beancat soon discovers that the ship’s rats are a resourceful bunch and together they turn the tide in favour of their own pirate crew. It helps that one of the opposing pirates, a huge chap called Ten-Tun, falls for Beancat, but really, who wouldn’t? The little story is packed with incident and adventure as well as some gloriously comic moments thanks in the main to the young rats. It’s irresistible reading, made even more so by fabulous black and white illustrations by Rob Biddulph. All in all, this is a real treat, and it’s great to know that there will be eight more Furry Purry Beancat stories to come.
After stories set in jungles and on the Russian steppes, Katherine Rundell has chosen the streets of Prohibition New York for her latest, but it’s just as full of the sense of peril and freedom from rules that characterises her earlier books, with central character Vita facing possibly the greatest danger yet. Newly arrived from England, Vita is determined to win back her family home, the fabulous Hudson Castle, acquired from her grandfather in a distinctly shady way by mob boss Victor Sorrotore. This will involve breaking and entering – and legend has it the castle is impregnable – and safe cracking, but Vita is fortunate enough to have as associates an extremely talented pickpocket and two fearless young circus performers. Rundell revels in setting her characters these kind of challenges and also in exploring the kind of physical and mental daring required to undertake them. She likes to equip her protagonists with right and with love too, the latter proves a formidable weapon for Vita. Beautifully written and full of scenes that both thrill and enchant, The Good Thieves is Rundell at her classy best. Readers who are captivated by Katherine Rundell’s wild children will also enjoy Stop the Train or The Middle of Nowhere by Geraldine McCaughrean, or books by classic children’s writers such as Joan Aiken and Eva Ibbotson.
A Julia Eccleshare Pick of the Month August 2020 | When Abi’s newly forged family moves to an eccentric new home which is totally covered in ivy, strange things begin to happen to her and to her step-brothers Louis and Max. With their parents either away or too busy to notice, Abi finds herself falling into the books she is reading – she can feel the damp of the sea and taste the salt on her fingers - while Louie tempts an unusual and dangerous animal companion into his bedroom from the ivy. Can Abi and Max help Louie get rid of his dangerous new friend and will things get back to normal when their parents come home? Hilary McKay’s storytelling is vivid; she makes magic seem real while also showing why believing in it is so important.
Shot-through with a vital message about the importance of giving voice and rightful representation to women who’ve been silenced by centuries of patriarchy, this smart novel melds an intriguing art history mystery with Parisian amour. While Khayyam is clear about what she wants to do with her life - become a respected art historian - her identity is more complex. She’s “French American. Indian American. Muslim American. Biracial. Interfaith.” As such, “Others look at me and try to shove me into their own narrative to define who and what I am. But I’m not a blank page that everyone else gets to write on. I have my own voice.” This statement weaves through the whole novel, which sees Khayyam in Paris for the summer, still reeling from a relationship gone awry back home in Chicago, and from her Young Scholar Prize essay being dismissed as “the work of a dilettante, not a future art historian”. When she happens to run into a cute Parisian boy, who happens to be a descendent of bi-racial French writer Alexandre Dumas, Khayyam and said cute boy (also called Alexandre) embark on an intellectual voyage that leads them to Leila, a nineteenth-century Muslim woman connected to Dumas and Byron. Leila’s forgotten life and silenced voice is revealed through her letters, with Khayyam frequently asserting her desire to right the wrong of “the entire world dehumanizing and erasing this woman who had a life, who mattered.” Through Khayyam the novel also addresses issues around representation and cultural appropriation as she wrestles with determining who has the right to tell Leila’s story, including herself. As Khayyam’s findings hot up, so too does her love life. First there’s the spark between her and Alexandre, then there’s the simmering presence of her Chicagoan ex. With Paris vibrantly evoked as her stage - its history, architecture, secret gardens and food - Leila’s personal life and intellectual prowess combine to create a life-changing summer. This comes hugely commended - and recommended - for its portrayal of an intelligent young woman who refuses to bow to expectations, and who’s determined to give voice to the voiceless. Like Khayyam, it’s smart, thoughtful and inspirational.
Having super-powers is not necessarily all that – well, super – if you are 9 ¼ years old and coping with a new school and no friends, not to mention an annoying super-powered little sister. That’s Pizazz’s situation and, as she describes her life, we see just how frustrating it would be if you have to keep breaking off from things you’re enjoying to go and thwart an evil genius’s wicked plan. Her super-powers don’t help her make new friends, nor, when she’s made eco monitor at school and trying to save a local park from developers do they help there either – at least, not initially. Sophy Henn’s story is great fun, narrated at super-hero speed and in a wonderfully direct and distinctive voice by Pizazz, who is exactly the kind of super-hero we all want to be with right now: funny, honest, self-aware, and able to tell a really good story. I can’t wait for more from Pizazz and expect that she’ll soon have legions of fans. Sophy Henn’s artwork is snazzy and comic and absolutely on the ball, just like her new character. This is a series to recommend to fans of Clarice Bean or Sibéal Pounder’s Bad Mermaids.
It’s more than 150 years since the publication of Alice in Wonderland and it is delighting today’s readers as much as it ever has. Both a tribute to and a celebration of Lewis Carroll’s story, this collection includes new adventures by eleven favourite contemporary children’s authors, each of whom has been inspired by Alice. With such an extraordinary set of characters and scenes to take as starting points, the stories are wonderfully varied. Pamela Butchart chooses to write about the Queen of Hearts in a follow up story, while Swapna Haddow picks the Mock Turtle. There’s an environmental message in Lauren St John’s lively story ‘Plum Cakes at Dawn’, while Robin Stevens puts the real Alice into her Oxford set story. Together they make for a sparkling collection, one well worth tumbling back down the rabbit hole to enjoy.
August 2020 Book of the Month | A Julia Eccleshare Pick of the Month August 2020 | When best friends Betty and Maud have a sleepover in a teeny weeny pop up tent in the garden, Duck and Penguin have to go too. But while the girls are expecting to have loads of fun, Duck and Penguin are not! They don’t like each other, they don’t like sleepovers, they don’t like the onesies the girls dress them in and they especially don’t like sleeping in a teeny weeny tent. When the girls hurry back to the house, Duck and Penguin are left alone to face the scary dark and the creatures in it. How will they manage? Luckily, all ends happily and Duck and Penguin are even converted to camping – almost! Lovely illustrations of this atmospheric night time adventure which blends reality and make believe in a most engaging way.
It’s Superhero Day at school and Milly is ready in her costume – she’s used all the tinfoil, a tea towel and her brother Joe’s pants and really looks the part. She knows that she doesn’t have any superpowers though, or has she? As the day goes on, we see Milly being a hero in all sorts of ways: she’s super kind for example when she helps William, super clever when she works out a way to help Archie, and a super friend when she works with Iqbal on his show and tell. Gwen Millward’s illustrations are very appealing and the story is full of incident and great fun to read. At the same time, it will give young readers real insight into what actually makes us super, and how powerful it is to help and work with our friends.
A Julia Eccleshare Pick of the Month August 2020 | Penny, the notorious dog-napper, has a host of dogs already but there is one very special dog she is determined to get her hands on. Quick, clever, a master of disguise and very good at problem solving, he is the dog she wants. And he is covered in spots so should be easy to find. Penny’s assistant Pat sets out to find the dog. Can the dog-nappers catch their prize or will they be outwitted by the super-smart dog? Emma Lazell’s energetic and vivid illustrations inject this simple story with great energy.
A Julia Eccleshare Pick of the Month August 2020 | August 2020 Debut/Book of the Month | Warm-hearted and mysterious The Unadoptables is a wonderfully entertaining adventure with a cast of fascinating characters set in a brilliantly evoked old-world Amsterdam and the surrounding countryside. Following the clues from the only possessions she was left with when she was abandoned as a baby and guided by her ‘Book of Theories’, the imaginative Milou leads her four friends – the least adoptable children in the very horrible Little Tulip Orphanage – to her family home where she is sure she will find her parents. Travelling through a freezing night the children arrive at their destination. But there is not the welcome they had expected. Where are Milou’s parents? And what is the mystery they need to solve? The creative ways in which the five children manage first to escape from the evil clutches of their matron and her evil accomplice Rotman and then to make a new life for themselves bamboozling neighbours and unravelling the mystery is vivid and captivating.
The Complete Jane Austen Children's Collection (Easy Classics) | Part of Sweet Cherry Publishing’s Jane Austen series, Gemma Barder’s breezy adaptation of Pride and Prejudice has been thoughtfully re-written and fine-tuned for a young readership. “A single man of good fortune must want a wife! And we have five daughters!” Mrs Bennet declares with delight on discovering “that a rich man called Mr Bingley had rented the largest house in her neighbourhood”. Propelled by their mother’s dogged devotion to see them married to rich suitors, it’s not long before the Bennet sisters meet Mr Bingley and the eldest of them - Jane - is invited to dance by the man himself! While smart, straight-talking Lizzy is drawn to Mr Bingley’s wealthy, handsome friend, Mr Darcy, she’s understandably enraged when she overhears him describing her as merely “tolerable”. But first impressions and surface appearances can be deceptive… The comic complexities of the novel’s plot and themes - among them love, integrity, class, snobbery, societal constraints and conventions - are handled with lively age-appropriate lucidity, often delivered through dialogue that dances off the tongue, which makes it great for reading aloud. This adaptation is sure to keep young readers entertained, while offering plenty of scope for further discussion of the themes, and acting as a springboard to future enjoyment of the original novel.
One of the real treats of working in the book world is being one of the few who get to read books before they are officially published.
Uncorrected proofs, as they are termed, are the editions of the books produced in small numbers and sent to book reviewers and the book buyers of large book chains. Well through Lovereading4kids you can now get on the inside track with our ‘Exclusive Pre-publication’ genre.
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