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Very cleverly this gentle story links the astonishing tale of the migration of the tiny swift to find a safe nesting site in Africa, with the story of Leila, who also must travel thousands of miles to find a safe home. The parallel migrations mirror each other in the perils of the journey but also in the hope engendered by the welcome they receive in their new home. The passage of the brave bird and the places and people who mark the passing of the seasons by his journey is evocatively told and really highlights to young readers both the physical distance and the challenges of climate and geography. All of which subtly underscores the challenge for Leila and the physical and social challenges she will face. It is thought provoking but wonderfully hopeful too. As if the miracle of nature and the endeavours of the swift can act as an inspiration for human endurance and kindness as shown by the kindness of the welcome for Leila from other children. Manuela Adreani’s gorgeous, stylish illustrations are the perfect foil for the simple yet powerful text. With many cross curricular uses for older children as well this is a very worthwhile purchase.
The title of this highly empathetic and nuanced novel continues to cleverly resonate when we see chapters headed “the bulimic,” “the cool girl,” “the girlfriend,” “the popular girl”, “the best friend” and so on. At first, we do not identify these first-person narrators, but they soon begin to mesh and enable us to have a real depth of understanding of the main characters and emphasises the conflicting roles that girls feel themselves forced to inhabit. Taking place over a timeline that spans just a week, a high school is rocked and divided by the revelation that Mike, a popular high achiever and ‘golden boy’ student, has given his girlfriend, Maya, a black eye. Subsequent rumours result in split opinions about Maya: some believe that Mike should be expelled, while others think he might not have been her abuser. Maya’s best friend, Junie, from whom she’s become distanced due to Mike’s isolating behaviour, is also dealing with anxiety and obsessive-compulsive disorder which she copes with by cutting and Maya’s relationship anxiety has also prompted bulimia. This is an unflinching, hard-hitting novel which certainly does not glamorise disordered behaviour, but enables us to understand how these negative coping mechanisms arise and to appreciate the challenges the girls face as they learn to trust and help each other again. Ultimately this is an empowering novel which advocates honesty, self-belief and the value of friendship. It will resonate deeply and provoke valuable discussion of important real-life issues.
Four very different characters take centre stage in this unusual and beautifully illustrated book. There’s a horse, wise and reliable; a boy, Christopher Robin-like in his curiosity and kindness; a mole, driven by an optimism, and love of cake; and a fox, vulnerable and in need of love and understanding. The story of their friendship is told through Charlie Mackesy’s evocative pen and ink sketches. Most but not all are accompanied by three or four lines of text, not so much a narrative but rather meditations, little flashes of insight into the human condition: “We have such a long way to go,” sighed the boy. “Yes, but look how far we’ve come,” said the horse. It’s a book full of tenderness and compassion, with much to make readers smile and more yet to prompt a sense of forgiveness, even of ourselves. Though simple enough for the youngest children, words and pictures will resonate just as much with adult readers. A very special book.
Interest Age 5-8 | There’s poignancy as well as humour in this new story from Jonathan Meres. Young Frank is desperate for a new bike, but he knows that money doesn’t grow on trees, so when his big sister offers to pay him to help with her paper round, he agrees. Despite the 6.00am starts, it’s actually good fun and both Frank and Lottie are excited when they make friends with an old lady as they deliver papers to her care home. Their friendship proves very important as the story reaches its end. There’s lots to enjoy here, the story is short but very rewarding and Meres’ understanding of his readers is spot on.
December 2019 YA Debut of the Month | This compelling, nuanced tale is set in the town of Lucille in a future society where evil, the ‘monsters’, have been eliminated in an epic struggle by the ‘angels’ to create a better world for their children to grow up in. Jam, our selectively-nonverbal, black, trans heroine, is one of those children. When she accidentally spills her blood onto her mother’s painting, a creature called Pet emerges. Looking like a monster but here to hunt a monster preying on the family of her best friend, a boy named Redemption. But the identities of the victim and the predator are still unknown and Jam and Redemption have to face what their society fails to acknowledge: that monsters exist and hide in plain sight- that evil still resides in humanity. One of the huge strengths of this book is that Jam’s trans status is not there to score diversity points. The story does not centre around gender identity, but also does not ignore the impact upon the character and plot in a very natural, unforced way. Dialogue is used extremely creatively too. Emezi Jam speaks aloud in quotation marks and sign language is indicated with italics and when Jam and Pet speak telepathically, Emezi uses no punctuation marks whatsoever. On top of that, dialects, phrases, and cultural traditions from across African American communities appear throughout, giving a real flavour and authenticity to the narrative. Emezi has spoken of her inspiration being teenagers discomforted by the monsters in plain sight in our current society. This is a thought-provoking reading experience that could inspire valuable discussion in a lot of classroom contexts.
Longlisted for the UKLA Book Awards 2020 | February 2019 Book of the Month | A Julia Eccleshare Pick of the Month February 2019 | Interest Age Teen Reading Age 9 | Cleverly set within a gripping adventure, Lark is a deeply touching story of the special bond between brothers. Older brother Nicky narrates the story of the day he and his younger brother Kenny set out on a simple day out on the moors. Proposed by their father as a way of filling time while they wait nervously for their mum to return from her new life in Canada, it is meant to a fun day out tinged with a bit of nostalgia as they are retracing a walk that he used to enjoy. But the simple walk which begins in a light hearted way soon becomes a deadly dangerous adventure as the weather conditions close in, the boys get completely lost and Kenny has to show exceptional courage and intelligence to make sure he can get Kenny home safely. Anthony McGowan maintains the intensity of the story throughout while also keeping the writing simple.
Longlisted for the UKLA Book Awards 2020 | Elise lives alone in her grey house, afraid of everything and never going out. Then a paper plane flies in through the window and a little boy wants it back. As a friendship develops, colour and happiness come back to Elise. This compassionate, charming story will bring insights into the lives of older people isolated in their communities.
Longlisted for the UKLA Book Awards 2020 | On his twelfth birthday, Elvis decides it is time to discover the truth about his birth. With his adoptive dad and a splendidly eccentric family friend they embark on a trip which leads to some very unexpected answers. The use of language in The Boy who Hit Play makes it very special indeed. Readers will relish this unique book.
Longlisted for the UKLA Book Awards 2020 | May 2019 Book of the Month | Starring four little animals that children will be quick to identify with, The Suitcase is a touching story about friendship and an excellent way to start conversations about how we respond to people we don’t know and the importance of kindness. A stranger arrives pulling a suitcase and tells the other animals that inside is his home. Curious – and suspicious too – they force it open while he’s asleep and dreaming of his long journey. Inside the animals find a teacup – now broken – and a photo of a small house. The image of the broken teacup is upsetting and young readers will be happy to see the animals’ response and how they find ways to make the stranger their friend. The message here is powerful and profound and beautifully served by the simplicity of the telling.
Highly Commended in the UKLA Book Awards 2019 | Anyone familiar with the story of poor old Humpty Dumpty will be intrigued by Dan Santat’s story of what happens after that fall. In his version the king’s men do manage to put Humpy together again but the cracks are still there, and not just on the outside: a shadow of his former self, Humpty is too afraid to climb back up onto the wall where he used to love to sit and watch the birds. At last though he finds a way to enjoy the skies again and in a surprise ending flies away himself. A powerful story of recovery and overcoming fear this will resonate with all readers. The illustrations are full of clever jokes but portray Humpty’s emotional state perfectly while the sequence that sees him soar away on golden wings is glorious.
Longlisted for the UKLA Book Awards 2020 | January 2019 Debut of the Month | Everyone, children too, knows what it’s like when sadness unexpectedly comes to call, that sense of gloom that is hard to explain, and almost impossible to shake off. The situation is very skilfully depicted in this picture book, which also provides ideas and strategies for ways to cope. A young child is shown opening the door to a doleful, shapeless creature and the two become so close they are almost one. But the invisible narrator has suggestions for ways to help Sadness, so that one day, when the child wakes, it’s gone. The story is very affecting and will be useful to children who have a particular sadness in their lives as well as those who feel it for no reason they can articulate. An important and rather beautiful book.
June 2019 Debut of the Month | Shortlisted for the Klaus Flugge Prize 2019 | In this wonderfully warm role reversal story a little girl assigns herself the role of parent and spends a day ‘looking after’ her daddy. She makes sure he’s up early, that he gets lots of exercise and keeps a watchful eye on him in the supermarket. The pictures tell a quite different story to the text though and it’s clear who’s really in charge. What’s also clear is just how much fun the two have together and how much love there Is between them. The illustrations are realistic and full of tenderness. This is Eve Coy’s first picture book and she is very talented. The Klaus Flugge Judges said: the images tell their own stories; really good interplay between text and illustration; I smiled all the way through.
Dad cries, particularly when he is drinking, which is most of the time. When mum knows it is best to leave, Louis must try to understand his new life and help his younger brother. Before he can do these things, Louis needs to start to like himself. This is a profound and beautiful book in which text and pictures come together perfectly.
Longlisted for the UKLA Book Awards 2020 | | Pitch perfect characterisation in a powerful story that shows how talent and support can turn a life around. This first book in the four part Run series is a world class middle grade story with all the witty tenderness of Louis Sachar and a whole lot of heart, humour and edge-of-your-seat action. Castle Cranshaw (better known as Ghost) discovered his talent for running the night he and his mom fled his violent dad. “Running isn’t anything I ever had to practice. It’s just something I knew how to do”, he explains. Hassled at school for his Mom-made haircuts, and constantly trying to avoid “altercations” that wind up making his school file bulge, Ghost’s life takes an upward turn when he spontaneously races a budding elite sprinter at a training session and wins. The coach, a former Olympic gold medalist, immediately invites him to join the team and they form a heart-melting bond fuelled by friendly sparring. Coach is exactly the mentor Ghost and his diverse bunch of talented teammates need. Ghost’s voice is endearingly authentic, honest and funny - pitch-perfect for his age and the novel’s readership. His “No! Don’t do it!” decisions and ensuing scrapes are evoked with intensity and humour (just wait for the “silver bullet” incident). Truly I cannot wait to spend more time in the company of Coach, Ghost and his teammates, each of whom will feature in future books in the series.
Smart, incisive, brimming with the breath of human experience and written with engaging age-appropriate verve, this clever concept (“a tale told in ten blocks”) is perfectly executed. For the chorus of kids whose lives play out on these impeccably-written pages, the walk home from school represents a rare time of freedom; a period of limbo between being under the watchful eyes of teachers and parents. Unsupervised, the kids reveal their true selves, most of them dealing with hidden heartache and anxieties alongside goofing around, self-reflecting and navigating their way through Middle School. As always with Jason Reynolds, the characterisation is ingeniously vivid, with deep insights expressed through, for example, the different ways kids open their lockers. Many of the stories are intensely poignant, such as that of the Low Cuts crew whose bad behaviour is fuelled by a desperate love for their sick parents. The moment it turns out that Bit the hustler is a “son who was scared. A son who loved his mum” is shatteringly powerful. There’s much humour too, such as the laugh-out-loud scene in which smelly Gregory is slathered in VaporRub by friends seeking to beautify him before he visits a girl he’s keen on. Bittersweet, hard-hitting and powerfully perceptive, these pitch-perfect reader-centric stories shine a light on oft-overlooked lives and ring with empathy and authenticity.
Winner of the Klaus Flugge Prize 2019 | Shortlisted for the CILIP Kate Greenaway Medal 2019 | Already shortlisted for the Kate Greenaway Medal, Julian is a Mermaid is an outstanding picture book, surely destined to become a classic. Julian is out with Nana when he notices three women dressed as mermaids. In his heart of hearts – we see it described over three fabulous wordless spreads – Julian knows he is a mermaid too and while Nana takes a bath he sets out to transform himself into one. Nana’s response is life-affirming and the two head out to join the mermaid party. The illustrations dazzle and as a celebration of individuality, the imagination, freedom and love, it can’t be beaten. The Klaus Flugge judges said: it reminded me of Sendak, it’s hard to believe it’s a debut; the illustrations say things that words would struggle to express; delivers an important message without feeling didactic.
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