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Find out moreThe books in this section cover a range of PSHE topics including LGBTQ+ issues, teen relationships and health related themes. There are both fiction and non-fiction titles and cover age ranges from Toddler to Older Teen.
Through the tangled identity struggles of authentic characters you’ll truly care about, Alice Oseman’s Loveless extends an understanding hand to aromantic asexuals (people who experience little-to-no romantic or sexual attraction, also known as aro-ace) while guiding all readers through fears of being alone and dealing with the pressure to hook up. Moreover, it’s a thoroughly entertaining, gripping page-turner that shows finding happiness isn’t dependent on romantic love. Georgia is desperate to experience her first kiss before she and her two best friends head to Durham University. After being made to feel “weird” and “disgusting” when she confesses to her peers that she’s never kissed anyone, Georgia seizes an opportunity to snog the one and only crush she’s ever had. When this goes spectacularly wrong in a scene that sizzles with tension and scorching comic timing, it hits her that “I hadn’t ever fancied anyone,” that the reality of kissing and romance “disgusts me.” But still she resolves to “try harder. I wanted forever love. I didn’t want to be loveless.” At Durham, while still struggling to find love, Georgia finds new friends in her outwardly confident, sexually active roommate, and Sunil, president of her college’s LBGTQ society. Sunil’s compassion and personal experiences help her discover who she is, to realise that she’s not alone in not feeling sexual or romantic attraction. Georgia’s journey to discovery is far from smooth, though, with many friendship-threatening, edge-of-your-seat errors made along the way.
July 2020 Book of the Month | With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times.
June 2020 Debut of the Month | Telling the affecting story of sixteen-year-old Cal’s battles with homophobic bullies, family upheavals, mental health and heartbreak, this hard-hitting page-turner pulls no punches from the opening coming-out scene that results in Cal’s mum needing medical attention and an almighty clash with his dad. Reeling from strife at home and school, along with a series of ill-advised one-night stands, Cal’s life seems to take an upward turn when he falls for handsome, wealthy Matt. But since the course of passion and romance rarely runs smooth, thank goodness Cal’s best friend Em and her joyous Scotch-drinking, straight-talking nan are there when he needs them. Exploring themes of homophobia, self-harm, complex family dynamics, friendship, and intergenerational bonds with clarity and sensitivity, Fall Out is underpinned by a warm message of hope and the possibilities of starting afresh. As Cal says, “You can’t pave over the faults; you can’t wash away the past but sometimes, when you make mistakes, you get a second chance.”
June 2020 Debut of the Month | Falling in love, riding out change, figuring out what you want to do with your life – Ciara Smyth’s pitch perfect debut simmers with romance and deep-rooted dilemmas, delivered through witty dialogue and affecting emotional detail. Seventeen-year-old Saoirse (pronounced ‘Seer-sha’- be sure to get it right) is on the cusp of crossing the Irish Sea to read history at Oxford. Except she’s not sure she wants to go. She has more than enough on her plate dealing with her dad’s remarriage, getting over breaking-up with her girlfriend, and coming to terms with her mum’s debilitating illness. She just wants to spend her summer watching horror movies and kissing girls – no strings attached. To that end, Saoirse goes to a mate’s end-of-exams party and gets it on with his cousin Ruby. Irresistibly drawn to Ruby’s good looks and good heart, Saoirse accepts her challenge to embark on a summer romance with all the serious bits left out, in finest romcom tradition. But, as Ruby sagely points out, “the thing about the falling in love montage…is that when it’s over, the characters have fallen in love”. Super smart and funny (“If you are a girl inclined to deface school property, may I suggest the classic penis and balls, as you will avoid suspicion due to stereotyping”), Saoirse is a lead fans of contemporary YA will love and root for - flaws and all - and her journey is a thoroughly entertaining, thought-provoking rollercoaster ride.
June 2020 Debut of the Month | At seventeen, Brooklyn hipster Cal is a successful social media journalist accustomed to living in the public eye, with a whopping 435,000 followers on the FlashFame app. But even Cal isn’t ready for the unforgiving media storm he’s thrust into when his pilot dad is shortlisted for NASA’s Orpheus mission to Mars. Initially dead against leaving Brooklyn, Cal begins to wonder whether “maybe Clear Lake, Texas, has a story out there just waiting for me to uncover.” And then there’s handsome Leon, one of the other “Astrokids”, who’s set his heart pounding before they’ve even met. On arrival, and immediately thrust into the spotlight by StarWatch reality TV show, Cal finds himself “admitting I like our new home, even this town”, which in turn “feels like I’m abandoning my old life.” Maybe this is down to his contradictory nature - Cal is anything but a straightforward teenager. He doesn’t think like one. He doesn’t speak like one. Indeed, his thought processes and dialogue can seem out of kilter with his age. He needs everything just-so, but at the same acts impulsively. For example, he can’t stop himself from broadcasting news about his dad to his followers, which - as predicted - results in him facing the wrath of StarWatch. Cal’s settling-in has a lot to do with his rollercoaster romance with Leon. It’s starts out with the thrust of a rocket launch (“This crush is strong. This crush is too powerful. This crush will be the end of me”), and then comes a crash to earth alongside tragedy striking the mission. In the aftermath of this, Cal finds himself working to expose Starwatch’s agenda, both to clear his name and save the mission, and the truths revealed sure ain’t pretty. Covering mental health issues (via Leon’s depression and Cal’s mom’s anxiety) alongside a whirlwind coming-of-age gay love story, The Gravity of Us is an entertaining YA debut that gives many underrepresented folk a chance to see themselves on the page, with the added kick of space exploration and media ruthlessness.
June 2020 Debut of the Month | At once amusing and affectionate, this early Middle Grade novel combines real-world alienation with actual aliens! Harriet feels terribly out of sorts when she moves in with Gran while her dad works away, but before she’s even had chance to say goodbye to him, she learns that her hearing aid enables her to understand alien languages, such as that spoken by the Sock Muncha she finds beneath her new bed. What’s more, Harriet discovers that Gran is part of a secret intergalactic organisation that’s working to protect Planet Earth from an invasion of Sock Munchas. Harriet runs into conflict when she’s taken on as Gran’s apprentice: how can she possibly banish her new alien friend, given that he was bullied by other Sock Muncha’s and isn’t at all like them? Alongside the action-packed alien adventure, there’s much sensitivity around making friends and making everyone feel welcome. For example, Harriet’s unquestioning acceptance of new friend Robin’s non-binary identity, which she describes as “kind of awesome.” What a sweetly empowering debut this is from a hearing aid-wearing comedian, actor and Ambassador for Action on Hearing Loss and the British Tinnitus Association.
This compelling read tells a familiar story of the authority figure ( a popular teacher here) who behaves inappropriately and when his victim comes forward, she is not believed and her life takes a real turn for the worse, including in this case, work being marked down and university applications scuppered by the same teacher in revenge for her speaking out. What makes this book stand out is the complexity and authenticity of Marin’s internal dialogue and the fact that the dilemmas she faces and the choices she makes are all too believable. The book really gets to the heart of how difficult it is for girls and women to make sense of this kind of violation, and brilliantly explores the way they doubt themselves and the way that predators exploit these feelings. Marin’s experience opens her eyes to things that had previously passed unnoticed- the casual sexism of classmates and the institutional sexism of a school dress code and of an English curriculum which featured only male authors and even her own lack of awareness of what life is like for outsiders. While English teachers will celebrate Marin’s decision to express her protest in print via her student newspaper editorials, librarian’s will relish the feminist book club she also sets up ( and the excellent book recommendations that are given) This is an important book for both sexes to read and one which will hopefully start lots of conversations about equality, sexual harassment, and those unwritten social norms that govern our behaviour.
February 2020 Debut of the Month | Set in a world that’s become “a walking graveyard”, this edge-of-your-seat thriller teems with cinematic chills and the tender love between two teenage boys. Indeed, author Darren Charlton has hit the nail on the head in describing his debut as The Walking Dead meets Brokeback Mountain. “Clock it. Kill it. Rid the world of it” - this is how encounters with the zombie Restless Ones must be handled, a mantra soon-to-be-sixteen-year-old Peter struggles to follow. Too trusting, and infinitely better with a darning needle than an axe or gun, he’s something of a liability to the community, especially as another winter sets in, for “winter was the one season every Lake Lander feared. Not because Montana was about to get colder than an eagle’s gaze. But because the Dead could make it across the lake’s frozen waters.” When the community comes under serious threat during their annual First Fall party, Peter winds up as zombie bait with his at-one-with-the-wilds boyfriend Connor responsible for wrangling the Restless Ones like a post-apocalyptic cowboy. On the mainland, the young lovers uncover an earth-shattering secret and it’s not long before Connor’s situation is seriously comprised, leading to Peter stepping-up and standing tall. Gripping and graphically gory, this dynamic debut is dystopian horror with a difference, for it pulsates not only with terror and visceral violence, but also with love, affection and emotional atmosphere.
January 2020 Debut of the Month | There’s love, friendship and challenging prejudice aplenty in this debut novel by a LGBTQ+ parenting expert. Introverted Izzy has just started Year 8 and is wildly excited when her favourite teacher announces auditions for a Christmas production of Guys and Dolls. Though shy, she’s come to love acting because on stage she “could be whoever I wanted.” And Izzy’s not the only member of her family who wants - and needs - to be who they really are, as she discovers when her dad tells the family he’s transgender and is about to begin transitioning. Though he gently explains, “It’s nothing to be ashamed of, it’s nothing dirty, I’m not ill”, Izzy’s older sister reacts angrily, her little brother accepts it in the same way he understands Spider Man and Peter Parker’s different identities, while Izzy feels quiet worry about how their lives will change. The family’s journey is honestly and sensitively portrayed as they endure hurtful prejudice alongside many heart-melting moments, such as the gorgeous scene in which the three siblings think-up their new name for Dad. This is at once an important support tool for children in similar situations, and a barrier-breaking, empathy-inducing story for all.
November 2019 Debut of the Month | At once amusing and affectionate, this early Middle Grade novel combines real-world alienation with actual aliens! Harriet feels terribly out of sorts when she moves in with Gran while her dad works away, but before she’s even had chance to say goodbye to him, she learns that her hearing aid enables her to understand alien languages, such as that spoken by the Sock Muncha she finds beneath her new bed. What’s more, Harriet discovers that Gran is part of a secret intergalactic organisation that’s working to protect Planet Earth from an invasion of Sock Munchas. Harriet runs into conflict when she’s taken on as Gran’s apprentice: how can she possibly banish her new alien friend, given that he was bullied by other Sock Muncha’s and isn’t at all like them? Alongside the action-packed alien adventure, there’s much sensitivity around making friends and making everyone feel welcome. For example, Harriet’s unquestioning acceptance of new friend Robin’s non-binary identity, which she describes as “kind of awesome.” What a sweetly empowering debut this is from a hearing aid-wearing comedian, actor and Ambassador for Action on Hearing Loss and the British Tinnitus Association.
Shortlisted for the CILIP Carnegie Medal 2020 | August 2019 Debut of the Month | Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
June 2019 Book of the Month | Cleverly and playfully-formed, this is a sophisticated, thought-provoking novel of love, heartbreak and second chances. Eugene and Tatiana are 27 and 24. They’re both unsettled by a fortuitous encounter on the Paris Metro ten years after they last met, and the significance of the moment is made potently clear when the omniscient narrator interjects, “Look how shaken they are to see each other again. Look at their eyes”. Throughout, the all-knowing narrator directs readers’ responses in this way, introducing episodes with foreshadowing commentaries that tell us what to watch out for. It’s the narrator who announces “it’s time to go back about ten years into the past, back where it all began.” And so we’re presented with the origin of their connection, when Tatiana was a self-conscious bookish fourteen-year-old, and Eugene was the enigmatic, pessimistic seventeen-year-old friend of her older sister’s boyfriend. The narrative slips between the frisson of their re-acquaintance and the tragedy that struck their teenage years. In some ways, reading this is like observing an intense play. In others, it’s like being granted access to Eugene and Tatiana’s innermost thoughts, anxieties and desires through their impassioned soliloquies. In every way, it’s a unique and emotionally honest portrait of the grip and ache of young love.
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