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Brian Conaghan was born and raised in the Scottish town of Coatbridge but now lives in Dublin. He has a Master of Letters in Creative Writing from the University of Glasgow. For many years Brian worked as a teacher and taught in Scotland, Italy and Ireland. His novels include The Boy Who Made it Rain, When Mr Dog Bites, which was shortlisted for the 2015 Carnegie Medal, and The Bombs That Brought Us Together, published in 2016, winning the 2016 Costa Children's Book Award.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
September 2019 Book of the Month | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Longlisted for the UKLA Book Awards 2020 | Winner of the An Post Irish Book Awards Teen & Young Adult Book of the Year 2018 | Longlisted for The CILIP Carnegie Medal 2019 | Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
May 2017 Book of the Month | Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
Shortlisted for the 2015 CILIP Carnegie Medal Dylan Mint has Tourette's. His life is a constant battle to keep the bad stuff in - the swearing, the tics, the howling dog that seems to escape whenever he gets stressed. But a routine visit to the hospital changes everything. Overhearing a hushed conversation between the doctor and his mum, Dylan discovers that he's going to die in March. So he makes a list of things he must do before he dies: first, he wants to have real sex with gorgeous Michelle Malloy; second, he's got to find his autistic best friend Amir a new best bud; third, he's got to get his dad back home from the army so they can say goodbye properly. It's not a long list, but it's ambitious, and he doesn't have much time. Sometimes you've just got to go for it - no holding back - and see what happens...
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Moya. The M Word. Whisper it. Conceal it. But, please, never mention it ... Maggie Yates tells her best mate Moya everything. She tells her about Mum losing her job - how Mum's taken to crying in secret. She even tells her about her foolproof plan to cheer Mum up: find her a fella with cash to splash. Moya's with her every step of the way. I'll help, she smiles. Though you're surfing a rainbow if you think someone like that exists round here. But at the back of her mind Maggie knows that Mum's crying is more than sadness. That there are no easy fixes. And that she shouldn't be speaking to Moya any more. Because Moya died months ago. An unforgettable novel about grief and healing from Costa Children's and Irish Book Award-winner Brian Conaghan
September 2019 Book of the Month | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Longlisted for the UKLA Book Awards 2020 | Winner of the An Post Irish Book Awards Teen & Young Adult Book of the Year 2018 | Longlisted for The CILIP Carnegie Medal 2019 | Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
May 2017 Book of the Month | Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
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