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Brian Conaghan was born and raised in the Scottish town of Coatbridge but now lives in Dublin. He has a Master of Letters in Creative Writing from the University of Glasgow. For many years Brian worked as a teacher and taught in Scotland, Italy and Ireland. His novels include The Boy Who Made it Rain, When Mr Dog Bites, which was shortlisted for the 2015 Carnegie Medal, and The Bombs That Brought Us Together, published in 2016, winning the 2016 Costa Children's Book Award.
April 2021 Book of the Month | Multi-award-winning Brian Conaghan specialises in misfits, characters on the edge looking in, and he has a wonderful ear for authentic dialogue and for giving us male protagonists with emotional depth. He creates characters that rapidly find a place in your heart and who will make you laugh out loud and shed a few tears. This is the first time that he has written for a younger audience and does so without losing any of his trademark authenticity or sharp, wisecracking dialogue. Brian’s older teen fans will also find this an enjoyable read. Lenny blames himself and his size for everything. He believes his Mum and Dad blame him too. His beloved older brother is in a Young Offenders Institute as a result of defending Lenny against some thugs beating him up. His coping strategy is to hide and his favourite bunking off school place is a canal side bench. Tossing his IrnBru can into the canal introduces him to Bruce- another outsider- living in a cardboard home hidden away on the bank. Despite this traumatic start the pair strike up a life-changing friendship. The reader will gradually get to hear their stories as Lenny is able to talk to Bruce, unlike his parents or teachers and inveigles him into helping to avoid a school dilemma and then to accompany him on an epic journey to see his brother. But Bruce is no pushover and Lenny has to face up to some stiff challenges in return and in so doing discovers courage, resilience and talents that he would not have believed he had. We eventually learn Bruce’s heart-breaking story too, but without any saccharine ending we feel there is hope and a future for both. Warm hearted and memorable this should go to the top of your wishlist for school libraries and every child's bookshelf. Find more books with Positive Images of Disability.
Longlisted for the UKLA Book Awards 2021 | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
September 2019 Book of the Month | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Longlisted for the UKLA Book Awards 2020 | Winner of the An Post Irish Book Awards Teen & Young Adult Book of the Year 2018 | Longlisted for The CILIP Carnegie Medal 2019 | Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
May 2017 Book of the Month | Winner of the Costa Book Awards, Children's Book category, 2016 | Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience.
Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
Shortlisted for the 2015 CILIP Carnegie Medal Dylan Mint has Tourette's. His life is a constant battle to keep the bad stuff in - the swearing, the tics, the howling dog that seems to escape whenever he gets stressed. But a routine visit to the hospital changes everything. Overhearing a hushed conversation between the doctor and his mum, Dylan discovers that he's going to die in March. So he makes a list of things he must do before he dies: first, he wants to have real sex with gorgeous Michelle Malloy; second, he's got to find his autistic best friend Amir a new best bud; third, he's got to get his dad back home from the army so they can say goodbye properly. It's not a long list, but it's ambitious, and he doesn't have much time. Sometimes you've just got to go for it - no holding back - and see what happens...
April 2021 Book of the Month | Multi-award-winning Brian Conaghan specialises in misfits, characters on the edge looking in, and he has a wonderful ear for authentic dialogue and for giving us male protagonists with emotional depth. He creates characters that rapidly find a place in your heart and who will make you laugh out loud and shed a few tears. This is the first time that he has written for a younger audience and does so without losing any of his trademark authenticity or sharp, wisecracking dialogue. Brian’s older teen fans will also find this an enjoyable read. Lenny blames himself and his size for everything. He believes his Mum and Dad blame him too. His beloved older brother is in a Young Offenders Institute as a result of defending Lenny against some thugs beating him up. His coping strategy is to hide and his favourite bunking off school place is a canal side bench. Tossing his IrnBru can into the canal introduces him to Bruce- another outsider- living in a cardboard home hidden away on the bank. Despite this traumatic start the pair strike up a life-changing friendship. The reader will gradually get to hear their stories as Lenny is able to talk to Bruce, unlike his parents or teachers and inveigles him into helping to avoid a school dilemma and then to accompany him on an epic journey to see his brother. But Bruce is no pushover and Lenny has to face up to some stiff challenges in return and in so doing discovers courage, resilience and talents that he would not have believed he had. We eventually learn Bruce’s heart-breaking story too, but without any saccharine ending we feel there is hope and a future for both. Warm hearted and memorable this should go to the top of your wishlist for school libraries and every child's bookshelf. Find more books with Positive Images of Disability.
Longlisted for the UKLA Book Awards 2021 | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
September 2019 Book of the Month | Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
Longlisted for the UKLA Book Awards 2020 | Winner of the An Post Irish Book Awards Teen & Young Adult Book of the Year 2018 | Longlisted for The CILIP Carnegie Medal 2019 | Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
Heart wrenching, honest, funny and bold, this exceptional novel about the life, loves and agonies of a young carer, and the love between a mum and her sons, is a storytelling triumph. Seventeen-year-old Bobby Seed is a devoted son and big brother and an all-round firework of wit and charm, wise and strong beyond his years. He’s also a young carer to his mum who’s suffering from debilitating MS. Bobby has to “brush his mother’s locks every day, sort out her medicine, sponge her clean three times a week, ooze positivity” even when all he wants to do is “punch the shit out of a walk or wail in the shower”. In his situation “the worry of death never leaves you”, but that doesn’t stop the brilliant banter between Bobby and his mum. Theirs is a beautiful, tender relationship. Bobby does what he does for her “because she’s my Mum. That pure and simple”. Bobby’s spirits are kept up by best friend Bel and attending Poztive support group for young carers. It’s there he falls for Vespa-riding Lou, who helps him fulfill his mum’s unexpected birthday request as her deterioration quickens. But then comes the ultimate request. Can he do what Mum needs to alleviate her excruciating pain and loss of function? Always warm and witty, and never sentimental, this raw portrait of real-life ravages is suffused in the magic of the human heart. Bobby is an unforgettable, inspirational character – we could all do with taking a leaf from Bobby’s book of strength and wit - and author Brian Conaghan is a writer of the highest rank.
May 2017 Book of the Month | Winner of the Costa Book Awards, Children's Book category, 2016 | Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience.
Winner of the Costa Book Awards, Children's Book category, 2016 Charlie’s life should be pretty miserable: he lives in Little Town, where everyone spies on everyone else, and the population is caught between their oppressive rulers and violent criminals who run the black market. A bombing campaign and invasion by their neighbours in the Old Country makes things even worse. Somehow though Charlie remains positive. He makes friends with Pav, a refugee from the Old Country, and together they turn an old shed into a homely refuge until circumstances leave Charlie owing favours to the terrifying Big Man, and facing an awful choice. Decent, determined and brighter than he makes out, Charlie finds a solution. Charlie’s voice and outlook keep the tone light despite the darkness of setting and subject matter. Hugely entertaining and highly original. Sally Gardner’s Maggot Moon and Meg Rosoff’s How I Live Now are more examples of brilliant, thought-provoking dystopian fiction, while After Tomorrow by Gillian Cross offers similar insight into the refugee experience. ~ Andrea Reece The Costa Judges said “Reflecting the disorder that conflict brings, Bombs shines a light in the darkest corners, finding humour in the most extraordinary circumstances.”
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