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Robert MacFarlane is the author of Underland, Mountains of the Mind, The Wild Places, The Old Ways and Landmarks. Underland won the Wainwright Prize and the Stanford Dolman Travel Book of the Year Award, whilst Mountains of the Mind won the Guardian First Book Award and the Somerset Maugham Award and The Wild Places won the Boardman-Tasker Award.
Two of his books have been adapted for television by the BBC.
He is a Fellow of Emmanuel College, Cambridge, and writes on environmentalism, literature and travel for publications including the Guardian, the Sunday Times and The New York Times.
Chosen by Cressida Cowell, Guest Editor May 2020 | Winner for the CILIP Kate Greenaway Medal 2019 | One of Our Books of the Year 2017 | A book to make you think and feel, this is an important, beautiful, spellbinding treasure. Words from nature are disappearing, being removed, left to one side to be forgotten. Some words are in real danger of being lost forever, this book reveals those words, sings them, shows them, reminds us how to love them. Spell-weavers Robert MacFarlane and Jackie Morris have created a bewitching ode to nature, reminding us of the danger of absence, highlighting beauty, whispering to our soul. It feels as though the words, the poems, and vividly beautiful pictures are as one, the essence of the word, of the being, escapes the page to wrap itself around you. ‘The Lost Words’ is suitable for all ages, and should find a special place in all homes, all libraries, all schools, all hearts. Do read the spell-poems out loud, listen, look, feel, touch, allow your awareness to open and receive these gifts. I found myself entranced, I fell completely under the spell of ‘The Lost Words’, I simply can’t recommend it highly enough. Our Guest Editor, Cressida Cowell said; "We need our children to have a connection with the natural world, and the language to describe it is crucial. Robert and Jackie’s book is not only a truly beautiful book, it’s an important one too."
Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb - it is an aftertime song. It is dark, ever so dark, nimble and lethal. It is a triumphant libretto of mythic modernism for our poisoned age. Ness is something else, and feels like it always has been' Max Porter, author of Lanny Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving towards the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back. What happens when land comes to life? What would it take for land to need to come to life? Using word and image, Robert Macfarlane and Stanley Donwood have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect.
This sumptuous and comprehensive evaluation showcases Smith's 1815 hand-coloured map, A Delineation of the Strata of England and Wales, with part of Scotland, and illustrates the story of his career, from apprentice to fossil collector and from his 1799 geological map of Bath and table of strata to his detailed stratigraphical county maps. The introduction places Smith's work in the context of earlier, concurrent and subsequent ideas regarding the structure and natural processes of the earth. The book is then organized into four geographical sections, each beginning with four sheets from the 1815 strata map, accompanied by related geological cross sections and county maps (1819-24), and is followed by displays of Sowerby's fossil illustrations (1816-19) organized by strata. Interleaved between the sections are essays by leading academics that explore the aims of Smith's work, its application in the fields of mining, agriculture, cartography, fossil collecting and hydrology, and its influence on biostratigraphical theories and the science of geology. Concluding the volume are reflections on Smith's later work as an itinerant geologist and surveyor, plagiarism by his rival - President of the Geological Society, George Bellas Greenough - receipt of the first Wollaston Medal in 1831 in recognition of his achievements, and the influence of his geological mapping and biostratigraphical theories on the sciences, culminating in the establishment of the modern geological timescale.
Brought to you by Penguin The Lost Spells is an audio treasure, a new collection of 'spells' - acrostic poetry and artwork - by writer Robert Macfarlane and artist Jackie Morris. For those who loved The Lost Words - this is its little sister. Captivatingly read, calling to forest, field, riverbank, ocean and also to the heart, these 'spells' summon back what is often lost from sight and care. From Jay to Jackdaw, Oak to Barn Owl, Silver Birch to Grey Seal, they evoke the special spirit of each plant and creature. Above all, they celebrate a sense of wonder at nature's power to amaze, console and bring joy. Across a bewitching natural soundscape by renowned wildlife recordist Chris Watson, readers Yrsa Daley-Ward, Johnny Flynn and Julie Fowlis bring the magic of both nature and language to listeners in an immersive and unique audio experience. Praise for The Lost Words: 'Gorgeous to look at and to read. Give it to a child to bring back the magic of language' Jeanette Winterson, Guardian 'Breathtaking, magical... Jackie Morris has created something that you could spend all day looking at' New Statesman 'Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty' Observer (c) Robert Macfarlane, Jackie Morris 2020 (P) Penguin Audio 2020
The duo that produced the cultural phenomenon that took the publishing world by storm in 2017, winning awards and sparking dozens of fundraising campaigns to get The Lost Words into every primary school, have now produced a book very different in form, but absolutely kindred in spirit and every bit as essential a purchase. This is a pocket-sized treasure containing twenty-one new ‘spells’- poems inspired by the natural world around us. These animals, birds, trees and flowers may be relatively common but are often underappreciated and ignored. Whereas The Lost Words had a formal triptych structure to its spells, this collection is freer and ranges from celebratory to elegiac and sorrowful. As the introduction says “Loss is the tune of our age, hard to miss and hard to bear.... But there has always been singing in dark times—and wonder is needed now more than ever.” Acrostic poems with the letters picked out in gold, feature most in this collection, as does the poet’s amazing facility with kennings and descriptive word play shown to great comic effect in Woodpecker “Chisel-gouger, head-banger, bark-stripper, nerve-shredder” Structured as a dialogue with badger one can see how much this lends itself to reading and performing aloud as indeed is the author’s intention with all the collection. The lyrical consonant tones or staccato beats of these beautiful spells is absolutely matched by the harmonious fluidity of the watercolour images that grace each page. From the challenging gaze of the red fox to the eyelike whorls of silver birch bark to the balletic wings of the swift wrapping around the words, the images fix the words indelibly into your mind. Lockdown saw a widespread recognition of the necessity for contact with the natural world to maintain health and well-being. This book is the perfect walking companion with a glossary identifying each species depicted, allowing this small but powerful book to do double-duty as an artful field guide. As Macfarlane writes In Goldfinch, apparently composed while sitting at his grandmother’s deathbed, "God knows the world needs all the good it can get right now“.
With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak 'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. 'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. 'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading. Inspired by Robert Macfarlane Curated by Jennie Orchard
With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak 'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world's most beloved novelists, nonfiction writers, essayists and poets. 'You will see books taking flight in flocks, migrating around the world, landing in people's hearts and changing them for a day or a year or a lifetime. 'You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. 'And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading. Inspired by Robert Macfarlane Curated by Jennie Orchard
A beautiful gift for the intrepid explorer in your life by one of the most acclaimed and beloved nature writers working today, the internationally bestselling, prize-winning author of Landmarks, The Lost Words and The Old Ways A SUNDAY TIMES BESTSELLER WINNER OF THE WAINWRIGHT PRIZE 2019 WINNER OF THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARD 2020 'You'd be crazy not to read this book' The Sunday Times A Guardian Best Book of the 21st Century In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implications, Underland is a work of huge range and power, and a remarkable new chapter in Macfarlane's long-term exploration of landscape and the human heart. SHORTLISTED FOR THE RSL ONDAATJE PRIZE 2020 'Macfarlane has invented a new kind of book, really a new genre entirely' The Irish Times 'He is the great nature writer, and nature poet, of this generation' Wall Street Journal 'Macfarlane has shown how utterly beautiful a brilliantly written travel book can still be' Observer on The Old Ways 'Irradiated by a profound sense of wonder... Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent on Landmarks 'It sets the imagination tingling...like reading a prose Odyssey sprinkled with imagist poems' The Sunday Times on The Old Ways
Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song. It is dark, ever so dark, nimble and lethal. It is a triumphant libretto of mythic modernism for our poisoned age. Ness is something else, and feels like it always has been' Max Porter, Booker-longlisted author of Lanny and Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. Ness has lichen skin and willow-bones. Ness is made of tidal drift, green moss and deep time. Ness has hagstones for eyes and speaks only in birds. And Ness has come to take this island back. What happens when land comes to life? What would it take for land to need to come to life? Using word and image, Robert Macfarlane and Stanley Donwood have together made a minor modern myth. Part-novella, part-prose-poem, part-mystery play, in Ness their skills combine to dazzling, troubling effect. Robert Macfarlane is the author of The Lost Words with Jackie Morris, The Old Ways and Underland, among other books. Stanley Donwood is an artist and the author of Slowly Downward and Household Worms. His next books are There Will Be No Quiet and Bad Island.
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