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T.E. Carter taught high school English for ten years and created a YA reading program to engage students in YA literature, collaborating with YALSA and the ALA on strategies. Now, she works as a Certified Professional Resume Writer (CPRW) and contributes blog posts to career sites, offering advice on resume writing, job searches, and professional branding. Her interest in the topics of this story stems from her experience as a rape crisis counselor and her graduate studies in psychology. She has a BA in English/writing, as well as two Master’s degrees in education and reading instruction. She is a member of SCBWI.
“There are some things that shape every minute of forever”, and seventeen-year-old Lexi knows that more than most. Five years ago her life was thrown into turmoil by her older brother’s horrific actions, actions that left her traumatised, stigmatised and excruciatingly conflicted: “How do you condemn your own brother?” Now Lexi’s goal is to “survive a full school year - 180 days - hiding behind a new name, new home, new persona”, this time living with her aunt. Seeing as her “history always finds a way to suffocate everyone in its path,” Lexi fears getting close to anyone, but she strikes up a friendship with Ryan who’s also “wrapped in secrets”, and then embarks on a magnificent romance with Marcus, who shares her experience of being an outcast. I loved the powerfully positive portrayal of both Marcus and Ryan - it was refreshing to encounter such compassionate, non-judgmental, luminously 3D teen boy characters. The novel is brilliant in its portrayal of relatable real-life, coming-of-age universals - fitting in, standing out, anxieties, friendships, falling in love - within the context of Lexi’s agonising situation. Her story is impressively honest in its portrayal of life’s darknesses, and also shot-through with heart and hope as she finds friends she can truly trust, and her own inner strength to survive.
May 2018 Debut of the Month | | An unflinching novel about brutally toxic masculinity, male collusion and how justice systems and society at large are still appallingly rigged against women. Life is tough for Ellie and her dad in their decrepit ghost town. Ellie’s mom ran out on them when she was still a baby, she’s cripplingly lonely and her dad never fulfilled his dream of becoming a filmmaker. Convinced – and told by her peers - that she’s ugly, Ellie’s dream is “to be pretty. That’s part of what makes a girl,” she remarks. “Girls who are pretty are likeable. Pretty is power.” So when privileged Caleb tells her she’s pretty, she craves him, even though she also “hated how he made me feel uncomfortable”. His attention legitimises and comforts her, even when he dumps her, even when he’s humiliates her. And then it’s too late. He and his family are monstrous, and Ellie can’t escape. The brotherhood of abuse portrayed here will sicken and shock, while your heart will ache for Ellie, for her dad, and for the love and friendships she deserved to enjoy. Relentlessly raw and unusually framed, this is perhaps best recommended for fans of crime fiction with conscience. Bold in its bleakness, this steers well clear of any kind of happy-ever-after Hollywood ending. In real life baddies don’t always get what they had coming. In real life not everyone has a best friend to turn to. On a positive note, this might just enrage to the point of inspiring readers to take a stand on issues of systemic misogyny, and it makes a strong case for the need to take time to truly get to know people, to find friends you can open up to.
“There are some things that shape every minute of forever”, and seventeen-year-old Lexi knows that more than most. Five years ago her life was thrown into turmoil by her older brother’s horrific actions, actions that left her traumatised, stigmatised and excruciatingly conflicted: “How do you condemn your own brother?” Now Lexi’s goal is to “survive a full school year - 180 days - hiding behind a new name, new home, new persona”, this time living with her aunt. Seeing as her “history always finds a way to suffocate everyone in its path,” Lexi fears getting close to anyone, but she strikes up a friendship with Ryan who’s also “wrapped in secrets”, and then embarks on a magnificent romance with Marcus, who shares her experience of being an outcast. I loved the powerfully positive portrayal of both Marcus and Ryan - it was refreshing to encounter such compassionate, non-judgmental, luminously 3D teen boy characters. The novel is brilliant in its portrayal of relatable real-life, coming-of-age universals - fitting in, standing out, anxieties, friendships, falling in love - within the context of Lexi’s agonising situation. Her story is impressively honest in its portrayal of life’s darknesses, and also shot-through with heart and hope as she finds friends she can truly trust, and her own inner strength to survive.
May 2018 Debut of the Month | | An unflinching novel about brutally toxic masculinity, male collusion and how justice systems and society at large are still appallingly rigged against women. Life is tough for Ellie and her dad in their decrepit ghost town. Ellie’s mom ran out on them when she was still a baby, she’s cripplingly lonely and her dad never fulfilled his dream of becoming a filmmaker. Convinced – and told by her peers - that she’s ugly, Ellie’s dream is “to be pretty. That’s part of what makes a girl,” she remarks. “Girls who are pretty are likeable. Pretty is power.” So when privileged Caleb tells her she’s pretty, she craves him, even though she also “hated how he made me feel uncomfortable”. His attention legitimises and comforts her, even when he dumps her, even when he’s humiliates her. And then it’s too late. He and his family are monstrous, and Ellie can’t escape. The brotherhood of abuse portrayed here will sicken and shock, while your heart will ache for Ellie, for her dad, and for the love and friendships she deserved to enjoy. Relentlessly raw and unusually framed, this is perhaps best recommended for fans of crime fiction with conscience. Bold in its bleakness, this steers well clear of any kind of happy-ever-after Hollywood ending. In real life baddies don’t always get what they had coming. In real life not everyone has a best friend to turn to. On a positive note, this might just enrage to the point of inspiring readers to take a stand on issues of systemic misogyny, and it makes a strong case for the need to take time to truly get to know people, to find friends you can open up to.
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