About the Author
Featured books by T. E. Carter
I Stop Somewhere
13+ readers YA readersMay 2018 Debut of the Month | In a Nutshell: Intense exposé of extreme misogyny and male privilege An unflinching novel about brutally toxic masculinity, male collusion and how justice systems and society at large are still appallingly rigged against women. Life is tough for Ellie and her dad in their decrepit ghost town. Ellie’s mom ran out on them when she was still a baby, she’s cripplingly lonely and her dad never fulfilled his dream of becoming a filmmaker. Convinced – and told by her peers - that she’s ugly, Ellie’s dream is “to be pretty. That’s part of what makes a girl,” she remarks. “Girls who are pretty are likeable. Pretty is power.” So when privileged Caleb tells her she’s pretty, she craves him, even though she also “hated how he made me feel uncomfortable”. His attention legitimises and comforts her, even when he dumps her, even when he’s humiliates her. And then it’s too late. He and his family are monstrous, and Ellie can’t escape. The brotherhood of abuse portrayed here will sicken and shock, while your heart will ache for Ellie, for her dad, and for the love and friendships she deserved to enjoy. Relentlessly raw and unusually framed, this is perhaps best recommended for fans of crime fiction with conscience. Bold in its bleakness, this steers well clear of any kind of happy-ever-after Hollywood ending. In real life baddies don’t always get what they had coming. In real life not everyone has a best friend to turn to. On a positive note, this might just enrage to the point of inspiring readers to take a stand on issues of systemic misogyny, and it makes a strong case for the need to take time to truly get to know people, to find friends you can open up to. ~ Joanne Owen
Other books by T. E. Carter
I Stop Somewhere
13+ readers YA readersMay 2018 Debut of the Month | In a Nutshell: Intense exposé of extreme misogyny and male privilege An unflinching novel about brutally toxic masculinity, male collusion and how justice systems and society at large are still appallingly rigged against women. Life is tough for Ellie and her dad in their decrepit ghost town. Ellie’s mom ran out on them when she was still a baby, she’s cripplingly lonely and her dad never fulfilled his dream of becoming a filmmaker. Convinced – and told by her peers - that she’s ugly, Ellie’s dream is “to be pretty. That’s part of what makes a girl,” she remarks. “Girls who are pretty are likeable. Pretty is power.” So when privileged Caleb tells her she’s pretty, she craves him, even though she also “hated how he made me feel uncomfortable”. His attention legitimises and comforts her, even when he dumps her, even when he’s humiliates her. And then it’s too late. He and his family are monstrous, and Ellie can’t escape. The brotherhood of abuse portrayed here will sicken and shock, while your heart will ache for Ellie, for her dad, and for the love and friendships she deserved to enjoy. Relentlessly raw and unusually framed, this is perhaps best recommended for fans of crime fiction with conscience. Bold in its bleakness, this steers well clear of any kind of happy-ever-after Hollywood ending. In real life baddies don’t always get what they had coming. In real life not everyone has a best friend to turn to. On a positive note, this might just enrage to the point of inspiring readers to take a stand on issues of systemic misogyny, and it makes a strong case for the need to take time to truly get to know people, to find friends you can open up to. ~ Joanne Owen
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