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Katya Balen read English at university and then completed an MPhil researching the impact of stories on autistic children's behaviour. She has worked in a variety of special-needs schools and is the co-founder of Mainspring Arts - a not-for-profit organisation that provides creative opportunities for neurodivergent adults.
October 2020 Book of the Month | Raw, lingering and stirringly lyrical, October, October had me hooked from opening to end. Conjured in language that crackles and smoulders like an autumn bonfire, this is a book of bones and bark, of frost and flame, captivating in the manner of Skellig or Stig of the Dump as it undulates towards a wondrous homecoming of the heart. “We live in the woods and we are wild… Just us. A pocket of people in a pocket of the world that’s small as a marble. We are tiny and we are everything and we are wild.” October has everything she wants living in the woods in the house her father built. Her mother left when October was four and she’s adamant that, “I don’t want her. She’s not wild like we are.” This year October’s euphoria at the onset of autumn is sullied when she discovers a dead owl and a motherless baby owl: “my heart won’t stop bruising my ribs.” So, she rescues the baby, names it Stig and declares it her first ever friend. Calamity strikes when the woman “who calls herself my mother” arrives as a birthday surprise - her beloved dad breaks his spine after falling from a tree and October must stay with this woman – her mother – in London while he recuperates. In the chaotic city, October is a bird with clipped wings. Torn from her wild world, she implodes, becomes a “firework of fury”, until she strikes up a bond with a boy named Yusef and discovers mudlarking, which makes her once more “a wild animal skulking and prowling for food”, “a pirate hunting for treasure.” An unforgettable story, an unforgettable heroine – it’s no exaggeration to hail this a future classic.
Longlisted for the UKLA Book Awards 2021 | Highly Commended in the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In.
Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
September 2019 Debut of the Month | Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
Katya Balen's October, October is a very special new addition to the shelf and deserves classic status - The Times Children's Book of the Week A classic in the making for anyone who ever longed to be WILD. October and her dad live in the woods. They know the trees and the rocks and the lake and stars like best friends. They live in the woods and they are wild. And that's the way it is. Until the year October turns eleven. That's the year October rescues a baby owl. It's the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October's mother comes back. The year everything changes. Written in Katya Balen's heart-stoppingly beautiful style, this book is a feast for the senses, filled with the woodsmoke smell of crisp autumn mornings and the sound of wellies squelching in river mud. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul.
An inspiring fantasy story from Katya Balen, author of The Space We're In and October, October. Margot wants her parents to take her birdwatching like they promised but they're too busy and she ends up at the zoo with her auntie and her annoying cousins. There, she sees a strange bird and takes one of its beautiful silver feathers home. Little does she know, that this is the start of a magical adventure in the moonlight... This magical story features black-and-white illustrations by Pham Quang Phuc. The Bloomsbury Readers series is packed with book-banded stories to get children reading independently in Key Stage 2 by award-winning authors like double Carnegie Medal winner Geraldine McCaughrean and Waterstones Prize winner Patrice Lawrence. With black and white illustrations and online guided reading notes written by the Centre for Literacy in Primary Education (CLPE), this series is ideal for home and school. For more information visit www.bloomsburyguidedreading.com. Book Band: Dark Blue (Ideal for ages 9+)
Longlisted for the UKLA Book Awards 2021 | Highly Commended in the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In.
October 2020 Book of the Month | Raw, lingering and stirringly lyrical, October, October had me hooked from opening to end. Conjured in language that crackles and smoulders like an autumn bonfire, this is a book of bones and bark, of frost and flame, captivating in the manner of Skellig or Stig of the Dump as it undulates towards a wondrous homecoming of the heart. “We live in the woods and we are wild… Just us. A pocket of people in a pocket of the world that’s small as a marble. We are tiny and we are everything and we are wild.” October has everything she wants living in the woods in the house her father built. Her mother left when October was four and she’s adamant that, “I don’t want her. She’s not wild like we are.” This year October’s euphoria at the onset of autumn is sullied when she discovers a dead owl and a motherless baby owl: “my heart won’t stop bruising my ribs.” So, she rescues the baby, names it Stig and declares it her first ever friend. Calamity strikes when the woman “who calls herself my mother” arrives as a birthday surprise - her beloved dad breaks his spine after falling from a tree and October must stay with this woman – her mother – in London while he recuperates. In the chaotic city, October is a bird with clipped wings. Torn from her wild world, she implodes, becomes a “firework of fury”, until she strikes up a bond with a boy named Yusef and discovers mudlarking, which makes her once more “a wild animal skulking and prowling for food”, “a pirate hunting for treasure.” An unforgettable story, an unforgettable heroine – it’s no exaggeration to hail this a future classic.
Katya Balen's October, October is a very special new addition to the shelf and deserves classic status - Times Children's Book of the Week A classic in the making for anyone who ever longed to be WILD. October and her dad live in the woods. They know the trees and the rocks and the lake and stars like best friends. They live in the woods and they are wild. And that's the way it is. Until the year October turns eleven. That's the year October rescues a baby owl. It's the year Dad falls out of the biggest tree in their woods. The year the woman who calls herself October's mother comes back. The year everything changes. Written in Katya Balen's heart-stoppingly beautiful style, this book is a feast for the senses, filled with the woodsmoke smell of crisp autumn mornings and the sound of wellies squelching in river mud. And, as October fights to find the space to be wild in the whirling chaos of the world beyond the woods, it is also a feast for the soul.
Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
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