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Katya Balen read English at university and then completed an MPhil researching the impact of stories on autistic children's behaviour. She has worked in a variety of special-needs schools and is the co-founder of Mainspring Arts - a not-for-profit organisation that provides creative opportunities for neurodivergent adults.
Interest Age 8+ Reading Age 8 | Winner of this year’s Yoto Carnegie Medal, Katya Balen is a lyrical story teller who is gifted at reflecting on difficult situations and emotions and exploring how children can navigate them. In Birdsong, Annie is slowly recovering from a terrible car crash which has left her with damage to her hand that prevents her from playing her beloved flute. Without access to her natural solace of making music Annie retreats into a silent and all-consuming rage against everything that has caused this to happen, including her mother. Furiously exploring the scruffy scrubland outside her new flat Annie meets Noah who introduces her to the blackbirds’ nest he is protecting. Gradually Annie begins to take an interest and the blackbirds’ wonderful song reignites her love of music and enables her to express herself through it once more. Katya Balen’s careful and sparing use of words and her eloquent expressions makes this a beautiful as well as a moving book to read.
April 2022 Book of the Month | A Julia Eccleshare Pick of the Month April 2022 | No two children could be more different than Zofia and Tom. Noisy Zofia lives happily with her dad as her Mum died when she was born. She buzzes with a wild energy that makes her irresistible but also something of a handful. Quiet, anxious Tom lives with his mum. He is full of fears largely caused by his scarily violent father who is now in prison. He longs to be more outgoing but doesn’t know how to manage it. They are about to start living together and also to become half siblings to a new baby in a blended family that neither of them wants to be part of. Each tells their story in a series of contrasting short episodes that brilliantly capture their contrasting characters and their journey towards this enormous change in their lives. Kayta Balen has a rare gift for understanding what it feels like to be a child and creating characters that reflect that that vividly.
Winner of the Yoto Carnegie Medal 2022 | Shortlisted for the UKLA Book Award 2022 ages 7-10 | Raw, lingering and stirringly lyrical, October, October had me hooked from opening to end. Conjured in language that crackles and smoulders like an autumn bonfire, this is a book of bones and bark, of frost and flame, captivating in the manner of Skellig or Stig of the Dump as it undulates towards a wondrous homecoming of the heart. “We live in the woods and we are wild… Just us. A pocket of people in a pocket of the world that’s small as a marble. We are tiny and we are everything and we are wild.” October has everything she wants living in the woods in the house her father built. Her mother left when October was four and she’s adamant that, “I don’t want her. She’s not wild like we are.” This year October’s euphoria at the onset of autumn is sullied when she discovers a dead owl and a motherless baby owl: “my heart won’t stop bruising my ribs.” So, she rescues the baby, names it Stig and declares it her first ever friend. Calamity strikes when the woman “who calls herself my mother” arrives as a birthday surprise - her beloved dad breaks his spine after falling from a tree and October must stay with this woman – her mother – in London while he recuperates. In the chaotic city, October is a bird with clipped wings. Torn from her wild world, she implodes, becomes a “firework of fury”, until she strikes up a bond with a boy named Yusef and discovers mudlarking, which makes her once more “a wild animal skulking and prowling for food”, “a pirate hunting for treasure.” An unforgettable story, an unforgettable heroine – it’s no exaggeration to hail this a future classic.
Book Band: Dark Blue (Ideal for ages 9+) | An inspiring fantasy story from Katya Balen, author of The Space We're In and October, October. Margot wants her parents to take her birdwatching like they promised but they're too busy and she ends up at the zoo with her auntie and her annoying cousins. There, she sees a strange bird and takes one of its beautiful silver feathers home. Little does she know, that this is the start of a magical adventure in the moonlight... This magical story features black-and-white illustrations by Pham Quang Phuc.
October 2020 Book of the Month | Shortlisted for the Yoto Carnegie Medal 2022 | Shortlisted for the UKLA Book Awards 2022 ages 7-10 | Raw, lingering and stirringly lyrical, October, October had me hooked from opening to end. Conjured in language that crackles and smoulders like an autumn bonfire, this is a book of bones and bark, of frost and flame, captivating in the manner of Skellig or Stig of the Dump as it undulates towards a wondrous homecoming of the heart. “We live in the woods and we are wild… Just us. A pocket of people in a pocket of the world that’s small as a marble. We are tiny and we are everything and we are wild.” October has everything she wants living in the woods in the house her father built. Her mother left when October was four and she’s adamant that, “I don’t want her. She’s not wild like we are.” This year October’s euphoria at the onset of autumn is sullied when she discovers a dead owl and a motherless baby owl: “my heart won’t stop bruising my ribs.” So, she rescues the baby, names it Stig and declares it her first ever friend. Calamity strikes when the woman “who calls herself my mother” arrives as a birthday surprise - her beloved dad breaks his spine after falling from a tree and October must stay with this woman – her mother – in London while he recuperates. In the chaotic city, October is a bird with clipped wings. Torn from her wild world, she implodes, becomes a “firework of fury”, until she strikes up a bond with a boy named Yusef and discovers mudlarking, which makes her once more “a wild animal skulking and prowling for food”, “a pirate hunting for treasure.” An unforgettable story, an unforgettable heroine – it’s no exaggeration to hail this a future classic.
Longlisted for the UKLA Book Awards 2021 | Highly Commended in the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In.
Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
September 2019 Debut of the Month | Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
Interest Age 8+ Reading Age 8 | Winner of this year’s Yoto Carnegie Medal, Katya Balen is a lyrical story teller who is gifted at reflecting on difficult situations and emotions and exploring how children can navigate them. In Birdsong, Annie is slowly recovering from a terrible car crash which has left her with damage to her hand that prevents her from playing her beloved flute. Without access to her natural solace of making music Annie retreats into a silent and all-consuming rage against everything that has caused this to happen, including her mother. Furiously exploring the scruffy scrubland outside her new flat Annie meets Noah who introduces her to the blackbirds’ nest he is protecting. Gradually Annie begins to take an interest and the blackbirds’ wonderful song reignites her love of music and enables her to express herself through it once more. Katya Balen’s careful and sparing use of words and her eloquent expressions makes this a beautiful as well as a moving book to read.
From the author of October, October, winner of the Yoto Carnegie Medal 2022, comes a life-affirming story about blended families and learning to find room in your heart for new life and new love. Tom is still quiet and timid, even though his dad has been gone for nearly two years now. Zofia is the opposite. Inside her there's a raging storm that makes her want to fight the whole world until she gets what she wants. And what she wants is for scaredy-cat Tom to get out of her life. Tom hates loud, unpredictable Zofia just as much, but he's moving into Zofia's house. Because his mum and Zofia's dad are in love ... and they're having a baby. Tom and Zofia both wish the stupid baby had never happened. But then Tom's mum gets ill, and it begins to look horribly like their wish might come true ... A story of learning to trust, trying to let go and diving into the unknown with hope in your heart, with a stunning cover illustrated by CILIP Kate Greenaway Medal winner Sydney Smith.
April 2022 Book of the Month | A Julia Eccleshare Pick of the Month April 2022 | No two children could be more different than Zofia and Tom. Noisy Zofia lives happily with her dad as her Mum died when she was born. She buzzes with a wild energy that makes her irresistible but also something of a handful. Quiet, anxious Tom lives with his mum. He is full of fears largely caused by his scarily violent father who is now in prison. He longs to be more outgoing but doesn’t know how to manage it. They are about to start living together and also to become half siblings to a new baby in a blended family that neither of them wants to be part of. Each tells their story in a series of contrasting short episodes that brilliantly capture their contrasting characters and their journey towards this enormous change in their lives. Kayta Balen has a rare gift for understanding what it feels like to be a child and creating characters that reflect that that vividly.
Winner of the Yoto Carnegie Medal 2022 | Shortlisted for the UKLA Book Award 2022 ages 7-10 | Raw, lingering and stirringly lyrical, October, October had me hooked from opening to end. Conjured in language that crackles and smoulders like an autumn bonfire, this is a book of bones and bark, of frost and flame, captivating in the manner of Skellig or Stig of the Dump as it undulates towards a wondrous homecoming of the heart. “We live in the woods and we are wild… Just us. A pocket of people in a pocket of the world that’s small as a marble. We are tiny and we are everything and we are wild.” October has everything she wants living in the woods in the house her father built. Her mother left when October was four and she’s adamant that, “I don’t want her. She’s not wild like we are.” This year October’s euphoria at the onset of autumn is sullied when she discovers a dead owl and a motherless baby owl: “my heart won’t stop bruising my ribs.” So, she rescues the baby, names it Stig and declares it her first ever friend. Calamity strikes when the woman “who calls herself my mother” arrives as a birthday surprise - her beloved dad breaks his spine after falling from a tree and October must stay with this woman – her mother – in London while he recuperates. In the chaotic city, October is a bird with clipped wings. Torn from her wild world, she implodes, becomes a “firework of fury”, until she strikes up a bond with a boy named Yusef and discovers mudlarking, which makes her once more “a wild animal skulking and prowling for food”, “a pirate hunting for treasure.” An unforgettable story, an unforgettable heroine – it’s no exaggeration to hail this a future classic.
Book Band: Dark Blue (Ideal for ages 9+) | An inspiring fantasy story from Katya Balen, author of The Space We're In and October, October. Margot wants her parents to take her birdwatching like they promised but they're too busy and she ends up at the zoo with her auntie and her annoying cousins. There, she sees a strange bird and takes one of its beautiful silver feathers home. Little does she know, that this is the start of a magical adventure in the moonlight... This magical story features black-and-white illustrations by Pham Quang Phuc.
Longlisted for the UKLA Book Awards 2021 | Highly Commended in the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In.
Shortlisted for the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In. The Branford Boase judges said : ‘an important book, beautifully written’; ‘so powerful, it enables us to see right into Frank’s mind’; ‘the insight into the family relationships is excellent’.
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