About
The Empress Synopsis
Queen Victoria's Golden Jubilee, 1887.
At East London's Tilbury Docks, Rani Das and Abdul Karim, step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen; the other forges an astonishing entanglement with the ageing Queen Victoria who finds herself enchanted by stories of an India over which she rules, but has never seen.
Through narrative, music and song, The Empress blends the true story of Queen Victoria's controversial relationship with her Indian servant and 'Munshi' (teacher), Abdul Karim, with the experiences of Indian ayahs who came to Britain during the 19th century.
With private romance being mapped onto world history, the action cuts between the ship and different royal residences, offering bright contrasts as well as surprising affinities. In doing so, the play uncovers remarkable unknown stories of 19th-century Britain and charts the growth of Indian nationalism and the romantic proclivities of one of Britain's most surprising monarchs.
The Empress, which premiered at Stratford-upon-Avon's RSC in 2013, is published here as a Methuen Drama Student Edition with commentary and notes by Professor Jane Garnett, Wadham College, University of Oxford, UK.
A Preview of The Empress is available here.
To support further study of The Empress, you can find a Q&A with playwright Tanika Gupta and Prof. Jane Garnett available as part of Bloomsbury's Lit in Colour Partnership.
There is also a classroom poster for The Empress, exploring themes and historical facts found throughout the play.
About This Edition
| ISBN: |
9781350190573 |
| Publication date: |
24th March 2022 |
| Author: |
Tanika Gupta |
| Publisher: |
Methuen Drama an imprint of Bloomsbury Publishing PLC |
| Format: |
Paperback |
| Pagination: |
152 pages |
| Series: |
Student Editions |
| Suitable For: |
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| Other Genres: |
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Press Reviews
Tanika Gupta Press Reviews
Gupta's play records the rage felt at the injustices of imperial domination. - Guardian
The epic journey of the five characters in The Empress is not only magical and intoxicating, but historically enlightening. - Birmingham Mail
Author
About Tanika Gupta
Tanika Gupta was born in London the year after her parents arrived from Calcutta. Over 20 years, she has written over 20 stage plays that have been produced in major theatres across the UK.
She has written 30 radio plays for the BBC and several original television dramas, as well as scripts for EastEnders, Grange Hill and The Bill.
She has taught drama and run workshops in South Africa, Australia, New Zealand, Cuba, India, USA, the Netherlands, Germany, Argentina, Chile and across the UK. She is a fellow of Rose Bruford College, runs courses for the Arvon Foundation and has led playwriting workshops in many UK universities, as well as for the National, Royal Court, Hampstead and Young Vic theatres and Theatre Royal Stratford East.
She has been writer-in-residence at the National Theatre and Soho Theatre, a fellow at the Playwright's Studio in Glasgow and a writing tutor in HMP Winchester. She has won numerous awards for her work and is presently a visiting lecturer at Royal Holloway, University of London, and the Royal Central School of Speech and Drama.
Some of her theatre credits include: A Doll's House (Lyric Hammersmith) Red Dust Road - adaptation of Jackie Kay's memoir (NT Scotland) ; Bones (Central School for Speech and Drama) Hobson's Choice (Manchester Royal Exchange); Lions And Tigers (Globe Theatre. Winner of the James Tait Black Prize for Drama 2018); A Short History of Tractors in Ukrainian (Hull Truck Theatre); Anita and Me (Birmingham Rep); Love N Stuff (Theatre Royal Stratford East); The Empress (Royal Shakespeare Company); Wah! Wah! Girls - A British Bollywood Musical (Sadler's Wells).
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Professor Jane Garnett is Fellow and Tutor in Modern History at Wadham College, Oxford, UK. Dr Garnett's research is on intellectual, cultural and religious history, predominantly of the nineteenth and twentieth centuries, including the study of gender and visual culture over wider periods. She was Consultant Editor for Women on the Oxford Dictionary of National Biography (1994-2004), as well as acting as Associate Editor for Victorian Women Philanthropists.
