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Especially compiled for Young Adults, this section is awash with wonderful worlds to escape to, great stories and characters you’ll love. Please note that some of these books have more adult content and are generally suitable for 16+ readers. The books in this section might also be given a secondary age range. Some are suitable for 13+ year olds reading above their age and looking for a challenging read. Please note, content & subject matter will be suitable for a 13 year old. Non-Fiction in this section is often fascinating and educational to a wider age range.
July 2021 Debut of the Month | Opening with the arresting scene of a body being discovered, the third in a month, Chris Whitaker’s The Forevers is a thought-provoking page-turner founded on a killer concept - if you could get away with anything without consequence, if the world was about to end, what would you do? “The dead girl lay face down, ashen hair fanned out like she’d been posed. Some kind of terrible masterpiece Mae knew she’d never forget”. This is the grim reality of Mae’s present. At seventeen, she thinks back to ten years earlier, when news of the asteroid first broke - a ticking timebomb that’s set to explode. There’s no avoiding the terrible truth - “She was seventeen years old. She would die in one month”, for the Earth was “so broken not a thing would survive.” Amidst increasing rumbles and tremors, amidst people’s preparations for death, the discovery of the body of Mae’s popular peer Abi provokes questions - Did she jump? Was she pushed? The sense of time running out, and the brutal psychological impact of knowing that the end is nigh, is masterfully evoked in all its heart-stopping starkness, while the dynamics between the young adult characters are authentically realised. All in all, this near-dystopian thriller has thought-provoking bite.
Never one to shirk from tackling complex topics head on, Melvin Burgess’s Three Bullets imagines future England as a horrific entity in which the controlling body, The Bloods, will stop at nothing to attain their vision of Britain as a country of white Christians. Mixed-raced and trans, Martina (Marti) fits the The Bloods’ definition of “abnormals”. In her own words, “You won’t like me, not many people do”, and she’s certainly a complex, contradictory character throughout the novel. When her house is bombed, killing her mum, Marti and her little brother Rowan go on the run with Maude, who was taken into their fold after her own family were killed. Maude is the kind of person who “stuck to her word, for you or against you, which I liked. She had principles, which I kind of admired because I don’t have any myself,” Marti acknowledges. In addition, Maude can “shoot a gun, she knows first aid, she can drive. She’s pretty. She’s white. She has contacts and perfect tits”. The fear, violence and tension of living in a society at war, a country in which the ERAC (Evangelical Realignment Centre) exists to fix “idolaters and heretics and believers in equal rights” is evoked in all its horrific brutality. And amidst this, Marti is set on saving the father she assumed was dead, set on finding the software he created that might hold the key to transforming their world. Marti’s voice is unique and her will to survive like nothing The Bloods could have possibly imagined, as felt by readers as her story rips and races at breakneck speed.
July 2021 Book of the Month | What a blooming brilliant concept - an adopted Brooklyn teenager with an uncanny gift for giving life to plants inherits an old mansion from her birth family and becomes embroiled in an ancient ancestral curse. The book’s botanical and mythic insights are endlessly fascinating and interwoven with green-fingered dexterity, and the plot is 100% page-turning as it conjures a fast-blossoming story that twists with the grip of snaking vines. Bri’s inherited house, with its massive grounds and apothecary, is in quaint, curious, countrified Rhinebeck. On arrival, she follows a trail of clues left by her aunt Circe and discovers a deadly Poison Garden. Then she reads a letter from Circe declaring that “fate has a way of catching up to us. You must decide if you can continue this work, because you are the only one that can.” Turns out it’s no coincidence that Bri’s full name (Briseis) and those of her birth mom and aunt (Selene and Circe) are powerful women from Greek myth. Alongside the uncoiling magical mystery, I adored the loving banter between Bri’s moms, and the intrigue of her friendship with local boy Karter. Then there’s super stunning, super rich Marie, a girl with mysteries of her own and a driver called Nyx - a name that might also set bells a-ringing. This Poison Heart is contemporary YA fantasy at its finest and confirms Kalynn Bayron’s talent for coming up with killer concepts and spinning new gold from timeless old tales (I also adored Cinderella is Dead). What’s more, the epic ending leaves scope for a sequel - I truly hope that’s the case.
Adapted for a younger readership from the author’s celebrated adult book of the same name, this illustrated history of the Silk Roads, bound in a majestic gold and blue package, is the perfect present for fledging historians. The book’s journey leads armchair adventurers along thrilling, far-reaching roads, taking in the history of ancient Persia, Constantinople, Rome, Attila the Hun, the emergence of Islam, Viking slavery, Genghis Khan, Columbus - and more - from a holistic perspective. “You might even think of the Silk Roads as the world’s central nervous system, linking all the organs of the body together”, the author suggests in the introduction, and his engaging exploration of the interplay between politics, science, religion and trade certainly gives this book far greater tang than your standard textbook. Indeed, generously spiced with exquisite illustrations and maps that inform as they enthrall, young history buffs will undoubtedly devour this pitch-perfect treasure, and grown-ups will get much from it too.
Natalia Gomes’s dual-narrative story of survival, survivor’s guilt, friendship and rebuilding one’s life and identity is a potent, authentic feat of YA fiction. US-born Alice is a dedicated bookworm who believes “there’s nothing like the smell of a library”, and considers running to be a form of “voluntary torture.” In contrast, Jack lives to run - it’s freeing, exhilarating, a means of “creating your own music.” Unsurprisingly then, despite attending the same school, Alice and Jack’s paths have barely crossed, until their chance encounter on Leicester Square at the precise moment a bomb explodes. A bomb that kills 22 people, and leaves them forever changed. Their initial floods of thought and feelings are powerfully evoked in all their heart-stopping intensity, especially as Jack runs through all the imminent athletic adventures he had planned and realises, “My legs are gone. There’s nothing from my thighs. It’s all gone.” As his “thoughts are heavy and they hurt. My memories hurt. My past hurts”, Alice is gripped by anger and also feels driven to find Jack, while he dreams of her, “the girl with the yellow polka dot umbrella.” The ebbs and flows of their struggles and friendship are stirringly evoked. As Jack begins to feel hope when he’s fitted with prostheses (“I’m finally starting to feel like the old Jack. Maybe it’s time to start putting my old life back together again”), Alice struggles with PTSD, with survivor’s guilt, and with debilitating panic attacks. Then they switch roles again, with Jack slipping into depression as Alice finds solace in a therapy group. He realises he was being overly optimistic about his road to recovery - it’s a marathon, not a sprint, which hits him hard given that’s he’s already set himself on taking up his London marathon place. But Alice is there for Jack, every step of the way, and he for her, and therein lies the heart of this novel - the power of friendship to heal and keep a person going when all feels lost.
Bold and brutally, brilliantly honest, Melvin Burgess’s multi-award-winning (and multi-layered) Junk presents the definitively frank account of why young people might head down a drug-taking path - and remain there. A love triangle, of sorts, between its two main characters and their addiction to heroin, once read Junk is never forgotten. It strikes deep with unflinching power, never shirking from truths that need to be told, which it does from multiple compelling viewpoints, and with incredible empathy. Smart and thoughtful Tar has been blighted by abuse at the hands of his parents. In contrast, middle class Gemma has attentive parents, which has driven them to strictness, and drives her to leave home. Both on the streets of Bristol, Tar and Gemma fall in together, and fall in love, though it’s not long before they tumble into a spiral of drug-related devastation. In a novel packed with agonising episodes, perhaps most poignant of all is witnessing Tar and Lily convince themselves they’re in control of their heroin addiction, but since it’s exactly that - an addiction - they are not, and their story will cut to your soul.
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuvre his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - ; every choice Coriolanus makes could lead to favour or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute... and must weigh his need to follow the rules against his desire to survive no matter what it takes. Three books, four films and one worldwide phenomenon, The Hunger Games changed the face of global YA. The Ballad of Songbirds and Snakes was a global number one hit in hardback. Don't miss the book that *everyone* will be talking about this summer.
When a fascist majority has control of Parliament, certain groups of people are considered illegal, from there we follow a family looking to escape the patrols, finding others in underground hideaways, where they can work to fight back. 'The Fifth’ by Chris Sykes is a split narrative, focussing on siblings Jenny and Jack, separated early in the book, and their paths as part of rebel forces. The story is set in York, and as a northerner I liked to be able to follow the characters down recognisable streets made unfamiliar in the author’s world. I found that this book is well-written and, although it begins as a dystopian thriller, soon develops strong sci-fi elements that aren’t to be missed by science fiction fans. Dealing with a host of delicate subjects (with a trigger warning that also includes a message of hope at the start of the book which I appreciated) I feel that the author navigates this story well. It is very well-written and I was immersed in the character development of both Jenny and Jack, following on with Jenny’s missions and hoping for improvements for Jack. This story is action packed, with twists that I could never have predicted and I would recommend for readers in the older YA market. I was eager to find out exactly what was happening and wanted to read the book in one sitting. Charlotte Walker, A LoveReading4Kids Ambassador
Shortlisted for the CLiPPA (CLPE Children’s Poetry Award) 2021 | Nikita Gill brings together exciting new poets, all well known to poetry audiences but many making their first appearance in print; the judges hail this as a book to excite young people about all the potential of poetry, curated with skill and passion.
Shortlisted for the CLiPPA (CLPE Children’s Poetry Award) | 2021 Shortlisted for the 2021 Branford Boase Award | Shortlisted for CILIP Carnegie Medal 2021 | Winner of the UKLA Book Awards 2021 | March 2020 Debut of the Month | This debut novel was inspired by the author’s work creating Run the World, an organisation that empowers women and girls from marginalised backgrounds through sport and storytelling and the authenticity of this, at times harrowing story, is palpably evident. As is the skill of the accomplished writing which makes great use of typography and layout to really make every word count. This speeds the reader through the narrative, but it also cuts deep to reveal the emotions experienced by our narrator. Amber Rai is only ‘truly alive’ when running and shows great potential. But her alcoholic, abusive, misogynistic father refuses to allow her on the track. She has seen her older sister Ruby denied university and married off against her will and her downtrodden, abused mother is literally powerless to help, trapped as much by illiteracy and lack of English as the violence of her equally illiterate, unemployed husband. Amber has friends and teachers who believe in her, but she cannot explain what really goes on at home. She is a complex and believable character with very real flaws that she painfully recognises: ‘inflicting pain on others/halves your own hurt’. But the story is cleverly structured on The Anatomy of a Revolution and inspired by her reading about revolutions for history, Amber, Ruby and her mother gradually empower each other to take small steps to freedom. This is an important, rewarding, highly empathetic read which, despite the dark subject matter, offers hope but no simplistic solutions.
Two teenagers. Fifteen years. One chance to stop a bullet. As mind-blowing as a Christopher Nolan epic with the gritty realism of Top Boy, Femi Fadugba’s impressive debut is a breathtakingly ambitious exploration of free will, the physics of time-travel and the capacity of two teenagers to see a future worth fighting for.
Life in a small Tennessee town is not easy. Cash lost his mother to an opioid addiction and his Papaw is dying slowly from emphysema. Dodging drug dealers and watching out for his smart but troubled best friend, Delaney, is second nature to Cash. But when Delaney manages to secure both of them full scholarships to an elite school in Connecticut, Cash will have to grapple with his need to protect and love Delaney, and his fears about abandoning his old life.
Friendship and family in all their complicated forms, domestic abuse, bullying, finding the strength to confront the truth - Yasmin Rahman’s This is My Truth packs a whole lot of big themes into its compassionate pages. The harrowingly authentic scenes of an abusive marriage show how male bullies operate in the domestic sphere - the control, the pathetic physical intimidation and harm they conceal from family and friends. This is powerfully important stuff, powerfully and honestly portrayed by the author of the acclaimed All the Things We Never Said. As Amani faces the stresses of her impending GCSEs (exacerbated by the pressure to become a vet like her abusive, controlling father), she finds an outlet in doing what she really loves - making films, “practically the only thing that brings me joy.” But alongside making playful pastiche movies with her little brother Ismail (their relationship is a thing of beauty), she documents the Bad Nights by filming her face while listening to her father abuse her mother. Meanwhile, Amani’s best friend – super-smart, super-confident Huda - stands up to bullies, but hides secret struggles of her own. Huda lives with loving foster parents, but with their own baby on the way, she’s scared she’ll be pushed out. As a result of their secrecy, Amani and Huda are envious of each other’s home lives, until Huda witnesses an abusive outburst. Though it (rightfully) doesn’t shirk from the brutal reality of bullying and abuse, This is My Truth is ultimately a story of hope and survival as the seeds of future flourishing are sown.
Winner of the Everything with Words’ YA Competition 2019, Rebecca Henry’s The Sound of Everything is an authentically gritty, involving coming-of-age novel that speaks to young people who struggle with feeling unseen, unheard and unloved. Shipped from foster home to foster home, frequently betrayed, and having “never had a dad that I could call Daddy”, it’s no wonder Kadie (aka Goldilocks) has trust issues. The only thing she’s sure of in this world is music - listening to it, and creating it. It’s the “only thing that keeps my head straight.” To protect herself, she’s set out three rules: “1. Don’t count on anyone. 2. Act. Always act. 3. Be prepared to lose everything.” Constantly in trouble at school, though told she has potential, Kadie bonds with a boy called Lips, aka Dayan, the name he reserves for use by special people, of which Kadie is one. Dayan records with his AMD mandem (Amalgamandem) and she’s happy to be invited to hang out with them, while remaining ever-mindful of the fickleness of group dynamics: “one day you’re in the group, the next you’re invisible.” But, just as things start to take an upturn, everything explodes in the aftermath of hideous online trolling and trouble with her foster sister. What’s unique about this novel is the author’s considered, long-game exposition of Kadie’s complex character - it’s not rushed, not forced too soon to serve the plot. And, true to life, her problems aren’t easily solved either - it really is powerfully authentic all round, from Kadie’s voice and interactions, to its portrayal of mental health problems, among them self-harm. At times Kadie will have you pulling your hair out at her own-worst-enemy outbursts, but mainly, though, you’ll warm to her. You’ll will her to find her way. Appropriately enough for a girl named Goldilocks, there is - ultimately - a glint of gold among the grit. I don’t want to spoil it, so let’s just say she finds what might turn out to be her “just right” and begins to learn to open up to people she can trust.
Shortlisted for the YA Book Prize 2021 | With characteristic vision and grace Meg Rosoff has done it again in this exquisite novel that merits a place alongside I Capture the Castle, Bonjour Tristesse and The Lost Estate (Le Grand Meaulnes) for its coming-of-age, loss-of-innocence excellence. Though contemporary, it feels timeless and elementally affecting, much like the Great Godden’s impact on the family whose story it tells. With an idyllic seaside summer stretching ahead, the tingling anticipation of The Great Godden’s unnamed teenage narrator is deliciously palpable: “This year is going to be the best ever: the best weather, the best food, the best fun. The actors assembled, the summer begins.” But there are still two more actors to take to the stage - enter the Godden brothers in a shiny black car. The narrator’s older sister Mattie is immediately smitten by magnetic, handsome, self-assured Kit: “She was desperate to lose her virginity, and what sort of person would say no to Mattie? Surely not some movie star’s kid, fresh off the plane?” Though Mattie is certainly attractive, it’s obvious that charmer Kit has the upper hand of any situation, but might he also be a trouble-maker, as his curt, less-of-a-looker brother warns? Such wonderings underpin some of this novel’s essence. With the stage fully set and summer speeding towards the climax of a wedding, it poses fundamental questions about motivation, and the nature of agency, of lust, of the desire to be seen for who you are. Quivering with unease, passion and paranoia, it also reveals how past experiences engrave themselves upon us, creating fault-lines that may crack and cause future ructions. Sophisticated, seductive and smoothly readable, this is a summer story par excellence, and a coming-of-age tale for all times. Find out more about the YA Book Prize including all the shortlisted titles.
June 2021 Debut of the Month | Faridah Àbíké-Íyímídé’s Ace of Spades is an explosively exceptional debut. An incisively subversive, edge-of-your-seat thriller that takes the genre to jaw-droppingly unexpected extremes as it exposes horrific, deep-rooted institutionalised racism. The action centres around an elite high school in the white part of town. It has an all-white student population, except for our two principle characters - musician and scholarship student Devon, and privileged aspiring Yale alumnus Chiamaka. Devon (Von to his proud, hardworking Ma) can’t wear his hair in twists or cornrows here, and Chiamaka, of Nigerian and Italian heritage, feels compelled to hide her natural hair, and has adopted a “kill or be killed” stance - to achieve the success she’s set on, Chiamaka knows she’ll have to be tougher than tough. Devon and Chiamaka are sent reeling when an anonymous texter, Aces, starts revealing their deepest, darkest secrets, and it doesn’t take much to realise why they’re being targeted - the colour of their skin. And so a cruel cat-and-mouse game unfolds - two mice trapped in a destructive nightmare and a malicious cat motivated by racism, with homophobia weaponised too. While there are shocks aplenty (of the rare, ingeniously interwoven variety), the story is compellingly complex, with finely considered character exposition, and no simplified, clear-cut dichotomies drawn between who we can trust, and who should be top of our suspect list. The mounting tension is powerfully palpable, as is the embedded racism Devon and Chiamaka are subjected to - it runs deeper and wider than they (or readers) can possibly anticipate. Turns out, no one can be trusted; that there’s more than one cat in this hideous game. Oh, and there are romantic entanglements too, all of which means Ace of Spades delivers on all fronts - mystery, romance and tackling important issues in explosive style. What more could a reader ask for? *** Find a must-read letter from Faridah to her readers, attached to the extract.
The premise of this fascinating book is two teenagers from opposite sides of the world who form a connection through odd circumstances. Natalie has just lost her Mum to cancer and struggles to find a calm place in the world, whilst her brother reacts by rebelling and joining a hate filled far right anti-refugee protest and action group. Sammy has had to leave his home in Eritrea on the chance of a new life in Europe – running from conscription into the army - which is a form of slavery in his home country. Both characters have huge issues to face. Sammy’s seem more obviously dangerous and overwhelming, though Natalie’s are equally as difficult - without the imminent danger. Told through a narrative poem using both voices to alternately express their fears, dilemmas and friendships this is a book you really can’t put down. You have to know if Sammy and Natalie do get to meet. As the plot carries you along you also want to know more about the plight of refugees and the horrific characters that exploit them in many many ways. Natalie’s decision to swim the channel to raise funds for the refugee charities creates a counterpoint in the narrative. The detail of her struggles and training plan seem an unlikely text for poetry - but it works! The author says “I wanted to make sense of what I was seeing, I wanted to do something that would help build empathy and understanding.” She has most emphatically succeeded in this aim. This is such a profound story of hope, grief, and strength - I do recommend it to all. Be aware you will weep, too.
June 2021 Debut of the Month | New life, love, friendship and unexpected talents and dreams blossom in the wake of a teenage girl’s life-saving heart transplant. Everything I Thought I Knew, Shannon Takaoka’s enthralling debut, provokes thought and all the feels, and comes highly recommended for fans of Nicola Yoon and Sara Barnard. Seventeen-year-old Chloe was on track to attend a top US college - until she collapses and discovers she’s in urgent need of a heart transplant. Thankfully for her, she’s able to get one in time and makes a good recovery, though eight months on, things feel a bit weird. First up, Chloe’s developed a new desire to surf, which she does in secret from her worried parents in the company of attractive surf teacher, Kai. Then there’s the strange dreams that haunt her. Propelled by her new friend, Jane (a rebel to Chloe’s good girl), she begins to wonder if the source of all this weirdness might be connected to the person her new heart came from. Threaded with themes of identity (figuring out who you are, and who you might be), this is a moving and heartfelt read, with plenty of funny moments too.
June 2021 Debut of the Month | Caroline O'Donoghue’s All Our Hidden Gifts is an accomplished debut - the first in what’s set to be an exhilarating quartet exploring friendship, love, responsibility, and the repercussions of supernatural gifts. Thrilling, funny, and tingling with the intrigue of ancient magic, tarot cards, and a troubling disappearance, it’s a multi-layered, myth-infused inclusive mystery that will have fans of edgy contemporary YA utterly enthralled. Witty, endearingly self-effacing Maeve (“if I think I’ll get a laugh for it, I’ll do it”), goes to a posh private school in Ireland. Having driven away her best friend Lily in an attempt to find popularity, she’s accepted her lot in life as an ungifted individual. All that changes, though, when she finds an old pack of tarot cards in school and becomes the centre of attention after discovering a gift for delivering uncannily accurate readings. Maeve’s fate switches yet again when she finds a mysterious card in the pack - the menacing Housekeeper - and then Lily vanishes. Reeling with mystery, drama and real-life issues, this tackles themes of intolerance, bigotry and justice with timely, thought-provoking dynamism. What’s more, it’s an absolute page-turner.
June 2021 Book of the Month | Honest, authentic and (ultimately) uplifting, Holly Bourne’s The Yearbook will strike a powerful chord with young women on the brink of leaving secondary school. Realistically raw in its portrayal of toxic relationships (from poisonous school peers to abusive partners), with an underdog protagonist readers will wholeheartedly root for, and a sweet, slow-burning romance that will melt the most cynical of hearts, this is classic contemporary YA. Budding journalist Paige lives a lonely, isolated life - “the undeniable truth was that I was invisible as well as unlovable. Nobody could see me see me at all, let alone look at me and see the potential to store their heart there. People don’t fall in love with wallpaper. Or silence.” At the same time, her parents’ marriage shows the jeopardies of falling in love with the wrong person. She and her mum walk on eggshells around her erratic, coercively controlling dad who flips from jolly joker to enraged monster over the tiniest thing. At least Paige has the school newspaper to keep her occupied - until it’s hijacked by malicious narcissists from the official Leavers’ Committee who want to create a yearbook. As Paige’s family life disintegrates, she realises that the infiltrators steering the yearbook are re-writing history. The same goes for Paige’s dad and his ilk - people who think “they’re the hero of their own story, but, actually, in the pursuit of being so important, they’re often the villain of everyone else’s”. Thankfully, though, hope comes in the form of her independent-minded aunt Polly (“she seemed to genuinely care for me”) and soul-lifting Elijah, who supports Paige’s quest to find her voice and speak the truth after they meet through a copy of To Kill a Mockingbird.
Potently pertinent, William Hussey’s The Outrage wears its messages loud and proud on its sleeve. Think a YA LBGTQ+ version of The Handmaid’s Tale meets The Wizard of Oz; speculative fiction underpinned by aspects of present-day realities, and a belief in the importance of representation: “To see yourself reflected as a human being, with worth and dignity? I really think that has the power to change minds. Even save lives.” Deeply in love with his boyfriend Eric, the son of the chief inspector of Degenerate Investigations, aspiring filmmaker Gabe doubts he’ll ever be able to make the kind of movies he loves. Not in this England. Not living in the aftermath of the Outrage. In this society, it’s illegal to be gay, libraries have been shut down, and families who’ve contributed to the country have been put on “repatriation trains”. Sound familiar? The Outrage’s version of England certainly chimes with recognisable elements of the current political and cultural climate. And, through their discussions of trans rights, Windrush scandal-esque “send them home” policies, and the effects of climate change, the characters are powerful mouthpieces for big issues as they journey the gripping plot. Talking of which, Gabe, Eric and their fellow Rebel friends attend Mosley Grammar school. Though they’re excused from national service as a result of their Special Educational Exemption, they have a whole lot to hide when Protectorate Investigations arrive for their “annual scare-the-shit-out-of-the-kids assembly”. Then, everything unravels when Gabe and Eric are seen doing a whole lot of stuff they shouldn’t have been doing - under this regime, at least. A spirit of resistance surges as Gabe fights for a freer future in this most hostile of environments. Oh, and if that’s not enough, there’s romantic love, movie love, parental love, and love between friends who’ll always have each other’s backs, plus a powerful, heart-melting Wizard of Oz motif replete with Toto, Scarecrow and a quest to reach the Emerald City of the Emerald Isle - where the grass really is greener. All in all, a thought-provoking, page-turning reminder that “difference is good...defiance is essential” from the inventive author of Hideous Beauty.
The teenage years are such a vibrant and vivid time in your life. Adventure, friendships, self-discovery are all there in spades, but there’s frustration too, impatience and a strong desire to be understood.
This section of fantastic books for teens and young adult readers is filled with stories that reflect all of these feelings in settings that will give flight to your imagination. Be inspired by tales of self-discovery, run the rocky road of first romance, battle big issues in mysterious worlds, beat the bleak future of dystopian regimes, or laugh out loud at the ridiculousness of it all. There’s something here for all tastes and moods from half-god heroes to horseback holidays and literally everything in between.
You can download a free Opening Extract of each book, usually about the first chapter. Read it on your screen, or print it off and enjoy anywhere. We give you enough of a book to see whether it’s your sort of thing.