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"Eugene Gladstone O’Neill was born on the 16th October, 1888, in the Barrett hotel which would later become part of Times Square. During the painful childbirth his mother was administered morphine and subsequently became addicted to it for several years.In his youth O’Neill was sent away to the Catholic boarding school St. Aloysius Academy for Boys in the Riverdale area of the Bronx. Here he found solace in books from the realities of both the tough schooling and distant parents. Although an unexceptional student he went on to study at Princeton University, though only for a year. Leaving without qualifications, O’Neill went to sea for several years. Here he found himself turning frequently to alcohol to cope with the conditions at sea which led to alcoholism, and, in turn, depression. He did though develop a deep love for the sea and its people despite everything and it became a major theme throughout his writing career.O’Neill married for the first time in 1909. However, it only lasted 3 years and in 1912-13 he spent time recovering from tuberculosis at a sanatorium. After a long period of recuperation, he decided to enrol at Harvard University, but again left after only a year. In 1914 O’Neill’s first play, the one-act ‘Bound East For Cardiff’, was performed at a small theatre in Provincetown, Massachusetts. It was obvious to everyone that O’Neill was prodigiously talented and several of his plays would now progress from small theatres to the fabled Broadway.By 1920, and on his second marriage, ‘Beyond The Horizon’ reached Broadway and won him a coveted Pulitzer Prize. His other play that year? ‘The Emperor Jones’ was a huge commercial success.In 1922 his Mother passed and naturally somewhat dulled the sensation of a second Pulitzer Prize, this time for his play ‘Anna Christie’. Incredibly his ideas and pen continued to generate hit plays and in 1928 he received his third Pulitzer Prize, for the play ‘Strange Interlude’. O’Neill abandoned his second wife and family in 1929 in favor of an actress from San Francisco. Shortly after they married and moved to the Loire Valley in France that same year. On the 26th October 1931, ‘Mourning Becomes Electra’ debuted at the Guild Theatre on Broadway. It retold the ‘Oresteia’ by Aeschylus. Shortly thereafter he began a lengthy period of literary inactivity.In 1936 O’Neill was awarded the Nobel Peace Prize for Literature and he now moved to California. By the 1940’s his own health was being undermined with a Parkinson’s-like trembling in his hands which rendered writing very difficult. Disenchanted he rushed to complete three more, largely autobiographical, plays, ‘The Iceman Cometh’ (1939), ‘Long Day’s Journey Into Night’ (1941) and ‘A Moon for the Misbegotten’ (1943). It was a momentous period for his writing as he pushed himself to complete these great works before his hands would fail.On the 27th November 1953 O’Neill, now 65, was lying in bed in Room 401 of the Sheraton Hotel in Boston. He knew he was dying, “I knew it. I knew it. Born in a hotel room and died in a hotel room.” Three years after his death in defiance of Eugene’s instructions that it be allowed to wait 25 years ‘Long Day’s Journey Into Night’ was staged. The play won O’Neill a posthumous Pulitzer Prize in 1957, it was his fourth."
Eugene O'Neill (Author), Eric Meyers (Narrator)
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The Foundations of Fiction - Modernism
"In this series we turn the pages of classic short stories to put together the literary building blocks of how a particular genre or theme began, how it built its foundations to become the well-loved and well-worn genre that it is today.Do authors have the same ideas at more or less the same time? Or can they sniff out an opportunity as to which way the tastes of an audience are moving. Success undoubtedly builds success and in literary terms we can more politely say that imitation is the sincerest form of flattery, and the surest way to reach a hungry readership is to build on the fortune and flair of your literary colleagues. It’s a reality that the term ‘modernism’ was first used for stories well over a century ago. Like fine wines they have aged remarkably well. In this volume the talents of Virginia Woolf, F Scott Fitzgerald, Katherine Mansfield, James Joyce are testament to the craft, imagination and literary chops these authors have brought to prose in one of its most enduring literary movements. 01 - Foundations of Fiction - Modernism - An Introduction2 - Bliss by Katherine Mansfield3 - Bernice Bobs Her Hair by F Scott Fitzgerald4 - The Legacy by Virginia Woolf5 - The Dead by James Joyce6 - Here We Are by Dorothy Parker7 - Odour of Chrysanthemums by D H Lawrence8 - If I Were A Man by Charlotte Perkins Gilman9 - Tomorrow by Eugene O'Neill10 - Friday by Zona Gale11 - The Defense of Strikerville by Damon Runyon12 - Rooms by Gertrude Stein13 - The Mark on the Wall by Virginia Woolf14 - The Garden Party by Katherine Mansfield15 - Eveline by James Joyce16 - His Smile by Susan Glaspell17 - A Cullenden of Virginia by Thomas Wolfe18 - Miss Brill by Katherine Mansfield19 - The Golden Honeymoon by Ring Lardner20 - Winter Dreams by F Scott Fitzgerald21 - Kew Gardens by Virginia Woolf22 - Ariel's Triumph by Booth Tarkington23 - Speed by Sinclair Lewis24 - Araby by James Joyce25 - The Ice Palace by F Scott Fitzgerald26 - The Fly by Katherine Mansfield27 - White Bread by Zona Gale28 - A Dill Pickle by Katherine Mansfield"
Booth Tarkington, Charlotte Perkins Gilman, D.H. Lawrence, Damon Runyon, Dorothy Parker, Eugene O'Neill, F Scott Fitzgerald, Gertrude Stein, James Joyce, Katherine Mansfield, Ring Lardner, Sinclair Lewis, Susan Glaspell, Thomas Wolfe, Virginia Woolf, Zona Gale (Author), Eric Meyers, Eve Karpf, Laurel Lefkow (Narrator)
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