No catches, no fine print just unconditional book loving for your children with their favourites saved to their own digital bookshelf.
New members get entered into our monthly draw to win £100 to spend in your local bookshop plus lots lots more...Find out more
Margaret Atwood is the author of more than 30 books of fiction, poetry and critical essays. In addition to the classic The Handmaid’s Tale, her novels include Cat’s Eye, which was shortlisted for the Booker Prize, Alias Grace, which won the
Giller Prize in Canada and the Premio Mondello in Italy, and The Blind Assassin, winner of the 2000 Booker Prize. Oryx and Crake was shortlisted for the Man Booker Prize in 2003. Her other books for children include Bashful Bob and Doleful Dorinda and Rude Ramsay and the Roaring Radishes. She lives in Toronto, Canada.
Photo © George Whiteside
This is a delightfully simple and light-hearted story told with a poetic jauntiness written and illustrated by one of the foremost literary novelists writing today. Two children love their home in a tree, they can feel the wind rushing by and they can dance in the branches. But when the ladder they use to get down is suddenly removed….life in the tree is not quite so much fun! Luckily there is a hugely satisfying resolution and the two children are able to be up in the tree and to get down when they need to!
The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs.
BY THE AUTHOR OF THE HANDMAID'S TALE AND ALIAS GRACE A recently widowed fantasy writer is guided through a stormy winter evening by the voice of her late husband. An elderly lady with Charles Bonnet syndrome comes to terms with the little people she keeps seeing, while a newly formed populist group gathers to burn down her retirement residence. A woman born with a genetic abnormality is mistaken for a vampire, and a crime committed long ago is revenged in the Arctic via a 1.9 billion-year-old stromatolite. In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game. * Praise for Stone Mattress 'Dark and witty tales from the gleefully inventive Margaret Atwood. Witty verve, imaginative inventiveness and verbal sizzle vivify every page' -SUNDAY TIMES 'Atwood has characters here close to death, dead already, unwittingly doomed or - in one memorable case - freeze-dried; but her own curiosity, enthusiasm and sheer storytelling panache remain alive and kicking. Anyone keen to consign literary fiction to an early grave will have to deal with her first' -INDEPENDENT 'Atwood's prose is so sharp and sly that the effect is bracing rather than bleak' -GUARDIAN
By the author of THE HANDMAID'S TALE and ALIAS GRACE What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature. Praise for On Writers and Writing: '...a streetwise, erudite suggestive enquiry into problems and myths of the writer's role. Her light touch on hard thoughts, her humour and eclectic quotations, lend enchantment to an argument that has as many undulating tentacles as a well developed sea anemone' -INDEPENDENT 'Her witty, occasionally self-deprecating and always ingenious approach is a delight' -SUNDAY TIMES 'A witty and profound rumination about writing' -THE TIMES
GOODREADS CHOICE AWARDS 2020 -- BEST POETRY The collection of a lifetime from the bestselling novelist, poet - and cultural phenomenon. Before she became one of the world's most important and loved novelists, Margaret Atwood was a poet. Dearly is her first collection in over a decade. It brings together many of her most recognisable and celebrated themes, but distilled -- from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend. By turns moving, playful and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in flux, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment. Dearly is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy and humour. 'A new volume of poetry by the writer of wit and optimism . . . Just when we needed her most' Gentlewoman *BOOK OF THE YEAR OBSERVER, FINANCIAL TIMES *
THE NUMBER 1 BESTSELLER AND WINNER OF THE BOOKER PRIZE 'The Testaments is Atwood at her best . . . To read this book is to feel the world turning' Anne Enright The Republic of Gilead is beginning to rot from within. At this crucial moment, two girls with radically different experiences of the regime come face to face with the legendary, ruthless Aunt Lydia. But how far will each go for what she believes? Now with additional material: book club discussion points and an interview with Margaret Atwood about the real-life events that inspired The Testaments and The Handmaid's Tale. _________________________________ PRAISE FOR THE TESTAMENTS: 'Everything The Handmaid's Tale fans wanted and more. Prepare to hold your breath throughout, and to cry real tears at the end' Stylist 'Atwood challenges us constantly and poses the question that lies like a pearl inside the shell of this frighteningly readable novel, Before you sit in judgement, how would you behave in Gilead?''' Sunday Telegraph 'She manages to write about the darkest and most terrifying parts of human psychology in a way that is still deeply funny and full of dark strange hope' Naomi Alderman, author of The Power 'A plump, pacy, witty and tightly plotted page-turner... Atwood is on top form' Observer 'She is one of the greatest writers of the past century' Sunday Times 'How did she manage to make darkness feel so effortless? How did she think to inject humour where no humour should exist? Because she's Margaret Atwood, and she can do anything' Ann Patchett, author of The Dutch House
** WINNER OF THE BOOKER PRIZE 2019 ** ** SUNDAY TIMES NO. 1 BESTSELLER ** BOOK OF THE YEAR: Daily Telegraph, Evening Standard, Stylist, Sunday Times, Financial Times, Guardian, The Times, Observer, Red Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel. More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets. As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes. 'Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.' Margaret Atwood
Brought to you by Penguin. Shortlisted for the Booker Prize 2019. The British Book Awards Audiobook of the Year 2020 The Testaments by Margaret Atwood is read by Ann Dowd, Bryce Dallas Howard and Mae Whitman with Derek Jacobi, Tantoo Cardinal and Margaret Atwood. Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel. Pre-order today. More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets. As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes. 'Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.' Margaret Atwood 'The literary event of the year.' Guardian 'A savage and beautiful novel, and it speaks to us today, all around the world, with particular conviction and power... The bar is set particularly high for Atwood and she soars over it' Peter Florence, Booker Prize Chair of Judges, Guardian
Winner of the Man Booker Prize By the author of The Handmaid's Tale and Alias Grace Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.
By the author of The Handmaid's Tale and Alias Grace Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for forty years. 'Not since Graham Greene has a novelist captured so forcefully the relationship between school bully and victim...Atwood's games are played, exquisitely, by little girls' LISTENER An exceptional novel from the winner of the 2000 Booker Prize