Crazy inventions, mad robots and a stupendous battle! Wendel and the Robots is a very funny adventure full of crazy inventions and magnificent robots from award-winning author and illustrator Chris Riddell - with a subtle environmental message.
A brilliantly funny robot adventure from award-winning author and illustrator, Chris Riddell, creator of Once Upon a Wild Wood.
Wendel is a very clever mouse - but not a very tidy one. If his inventions go wrong, Wendel just throws them away and starts again. So when Clunk, his robot assistant, fills the sock drawer with cups and saucers and makes tea in a Wellington boot, Wendel throws him on the scrapheap and makes himself a new assistant: the Wendelbot. But he gets more than he bargained for, and soon Wendel finds himself on the scrapheap. Can he win back his workshop from the mighty Wendelbot? Let the robot battle commence!
One of the smartest children's authors around. - Observer
Chris Riddell's illustrations capture the mayhem in exuberant detail, down to every last rivet. - Financial Times
Author
About Chris Riddell
Children's Laureate 2015-2017
Chris Riddell, the 2015-2017 UK Children's Laureate, is an accomplished artist and the political cartoonist for the Observer. His books have won a number of major prizes, including the 2001, 2004 and 2016 CILIP Kate Greenaway Medals. Goth Girl and the Ghost of a Mouse won the Costa Children's Book Award 2013. His includes the bestselling Ottoline books, The Emperor of Absurdia, and, with Paul Stewart, the Muddle Earth books, the Scavenger series and the Blobheads series.
Chris has been honoured with an OBE in recognition of his illustration and charity work. Chris lives in Brighton with his family.
Chris Riddell on John Tenniel : "Before I knew a thing about him, John Tenniel was a hero of mine, or rather, I should say, his white rabbit was. As a child I copied Tenniel’s illustrations from Alice’s Adventures in Wonderland obsessively, particularly his drawing of the White Rabbit in waistcoat and frock coat, umbrella tucked under one arm and a pocket watch in paw, a look of suppressed panic in his eye. I loved analysing the shading, intricate lines of cross-hatching, the folds of the sleeve, the tilt of the head, that wide-eyed rabbit stare. Tenniel was one of the reasons I became an illustrator."
