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Find out moreChildren love poetry. Perfect for sharing at bedtime, fun time and for children to read alone. Always inspirational; collections of poetry will take the reader into another world.
25% Sisters 25% Sorrow 25% Joy 25% Forgiveness | From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough.
25% Loss, 25% Memory, 25% Haiku, 25% Peace | This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
Nicola Davies celebrates the forthcoming 30th anniversary of the United Nations Convention on the Rights of the Child in this beautifully illustrated picture book. Using the metaphor of each child being a song, she explores some of the 54 rights it sets out, from the right to education, to freedom of thought and expression, to the rights of child refugees. Short, lyrical sentences of text will start discussion and conversation and Marc Martin’s rich water-colour illustrations, whether of children, scenes or vegetation, add movement and drama. A book to inspire children to think about the world and their place within it.
Shortlisted for the CILIP Carnegie Medal 2020 | May 2020 Debut of the Month | Winner of the Stonewall Book Award | Shortlisted for the Jhalak Prize 2020 | Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
Shortlisted for the UKLA Book Awards 2020 | Another insightful and compassionate free verse novel from the queen of this increasingly admired form, this time exploring the transformative relationship between an abused runaway teenager and an elderly lady with dementia. Allison has grown up “stepping on eggshells” to circumvent her father’s violence. While she often wonders whether his behaviour was “all my fault”, one of his outbursts compels her to run away. With nowhere to go, she finds sanctuary in the house of an elderly woman called Marla. Marla has dementia and thinks Allison is Toffee, her best friend from childhood. After spending some time in Marla’s company, Allison decides to “stop correcting her… I like the idea of being sweet and hard, a girl with a name for people to chew on.” Moreover, in meeting Marla, Allison has found an unlikely kindred spirit: “I am not who I say I am. Marla isn’t who she thinks she is… Here, in this house, I am so much happier than I have ever been”. Returning the favour, Allison enriches Marla’s life – she listens, she indulges Marla’s desire to dance - while Marla’s carer and son show no real regard for her happiness, as if she’s beyond life, which makes Allison’s attentiveness all the more heart warming. Both vulnerable, they find strength through each other. With incredibly moving insight, Marla says of Allison’s dad, “none of it was about you. It was about him. It’s always about him. Surely you know that.” The writing is compellingly fluid, flowing freely between Allison’s precarious present and the tragic, abusive circumstances that sent her careering down this path. While fleeting, the impact of their time together is monumental, and I felt privileged to have spent time in their company.
Encompassing works from ancient sages, classic poets, well-known thinkers and emerging contemporary innovators from all walks of life, this involving, inclusive collection inspires, entertains, enthrals and emboldens. Alongside enjoying the work of widely-esteemed names (including Sappho, George Eliot, Sylvia Plath, Carol Ann Duffy, Jackie Kay, Christina Rosetti, Maya Angelou, Emily Dickinson and Margaret Atwood), it was a pleasure to discover contemporary poets whose work I shall seek out, among them Ruth Awola and Remi Graves, and lesser-known names from the past, for example Edith Södergran and Astrid Hjertenaes Andersen. If the diversity of voices is rich, so too are the themes, with growing up, friendship, love, nature, body image and protest covered in staggering depth and diversity. This varied chorus of bold, incisive voices makes for a collection to be savoured and shared.
A super fun book of laugh-out-loud poems for adults and children alike. It’s a bundle of joy in a book by one of our favourite poets Joshua Seigal. It became part of our morning routine, start off the day with our fave poems – which by the way are Never Forget Your Trousers and What’s That Noise. Sold on poetry, sold on Joshua, sold on this beautifully silly book.
The twelve poems in this book, one for each month, will inspire a year of nature watching and who knows, quite likely some poetry writing too. There’s drama and excitement in the opening poem which describes a legendary fight between warring starlings – ‘the Rorschach of the winter months’ - over Cork in the 1600s; other poems are quieter and February’s gives a beautiful close up view of frog spawn, opening up memories from Coelho’s own childhood. Many of the poems in fact reflect his own personal experiences and responses to nature, April showers, trips to the beach, walks through winter leaves, giving the poems a particular intensity and emotional impact. Kelly Louise Judd’s folk-are inspired illustrations make this as beautiful to look at as it is to read aloud. A superb collection and a lovely book to give.
Jay is a prize-winning performance poet who is known for the emotional depth and honesty of his poetry. This collection takes Jay’s story from schooldays, as a scared and mixed up transgender child, to the hopeful young man he is now. The collection starts with poems going back to schooldays – and the anger and fear Jay experienced - and progresses slowly through to the hope of today. The poems are so heartfelt you can feel the passion in them rise from the page. The early anger and urgency are slowly replaced as the book progresses and hope and the good things of the world start to impact on the personal. There is no sense of the situation of the teenager being looked down on or belittled in any way – this will speak directly to the hearts of those who may be confused or worried, misunderstood or fearful. This is a collection to dive into, to pick up when you are in need of some self-acceptance – but you may find it hard to put down!
October 2019 Book of the Month | Written for and about “the swift and sweet ones/who hurdled history and opened a world of possible”, for those who “survived America by any means necessary. And the ones who didn’t,” this is an inspiring ode to the author’s forebears and to the world-changing feats of unforgettable Black American figures. Author Kwame Alexander’s initial inspiration for this book came in the year his second daughter was born, the same year Barack Obama became the first African American president of the USA. As a result, Alexander wanted his daughters “to know how we got to this historic moment”, which is exactly what this stirring book does. The chained slaves who kept faith, the elite Olympians, the innovative musicians, the seminal scientists, the courageous activists - people from all walks of life are celebrated in Alexander’s poetically poised words, and gloriously illustrated by Kadir Nelson, with much for young children to ponder and ask questions about. As well as being a wonderful way for parents to explore Black American history with their little ones on a one-to-one basis, this will also work well with older children in a classroom context. Indeed, this is one of those rare and wonderful picture books that defies age boundaries - a radiant, resonant unforgettable tour de force, as befits its theme.
Poems to help you change the world | Highlighted as a recommended read for National Poetry Day (3rd October), three of our best poets for children come together in this excellent new anthology with a challenge for their young audience: go out and help change the world. Alongside poems on the many threats to the environment and the natural world are poems that pose ‘tricky questions’ about how we choose to live. There are poems to make children laugh, to inspire them and inform them; above all here are poems that will provoke a reaction. It might be something practical, like deciding to change the contents of your lunchbox, or it might mean making a change to the way you understand the world. It ends with Liz Brownlee’s quiet but powerful poem ‘Snow’, a beautiful example of how the smallest things can effect change.
This captivating collection comprises intensely poignant profiles of people and places; of domestic life and wild landscapes, especially Scotland’s “dark and stormy waters”, with flashes of crimson running through the poems in the form of fire, a fox, red shoes, a red balloon. Among the cast of memorable characters is Mrs Dungeon Brae, terrifying in both life and death, and The Knitter, who “knits to keep death away” and urgently recounts big life occasions knitting has accompanied her through, all the while “casting on, casting off”. Then there’s the grandmother lamenting the fact that “it’s no like the past for grannies these days...nobody knows how to make a conversation/ let alone make a home-made meal or a fresh baked scone.” Brimming with humanity - with love, anger, frustration and flashes of humour - this engaging, accessible anthology makes a richly rewarding gift for language lovers of all ages.
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