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January 2020 Book of the Month | This is everything you could ask of a sequel to A Curse So Dark and Lonely, and then some. Readers are returned to the well-formed world of Emberfall and its neighbouring territory of Syhl Shallow, where political ambition and newly revealed secrets threaten Rhen’s crown, and where intriguing new characters take centre stage. Among these is Lia Mara, eldest daughter of Syhl Shallow’s Queen. Lia Mara has been overlooked as heir to the throne in favour of her beautiful younger sister and, in many ways, the driving message of this tale belongs to Lia, a wise, compassionate young woman who’s “used to being underestimated”, but stands her ground in the name of doing the right thing. While Prince Rhen has been freed from the curse of the malevolent enchantress Lilith, his kingdom is now subject to new threats. Rhen’s loyal right hand man, Commander Grey, has gone, assumed dead, and there are rumours that Rhen’s secret half-brother is about to lay claim to the Emberfall throne. In hiding rather than dead, Grey encounters Lia and accompanies her to Syhl Shallow. Handsome and powerful, he would make a fine husband for Lia’s younger sister, but his heart is elsewhere. The enthralling story of political struggle is thrillingly laced with conflicts of the heart - both romantic and familial - to create a satisfying feast of YA fantasy fiction, with a cliff-hanger climax that suggests a yet more explosive third installment is on its way.
The sequel to the international bestseller One of Us is Lying Welcome back to Bayview High . . . It's been a year since the events of One Of Us Is Lying. But nothing has settled for the residents of Bayview. Not now someone has started playing a sinister game of Truth or Dare. Choose truth? You must reveal your darkest secret. Choose dare? Well, that could be even more dangerous. Even deadly. When the game takes an even darker turn, suddenly no one at Bayview High knows who to trust. But they need to find out who is behind the game, before it's too late.
Inspired by 'The Prince and the Pauper', this tale relocates from Mark Twain’s Tudor setting to an imaginary Royal Family in present-day Paris where Princess Isabella is about to come-of-age at a grand party for her 18th birthday. However, all that glitters is certainly not gold for the privileged heir to the throne. In Isabella’s words, “I can’t ignore the restless notion that’s plagued me for years: that there’s so much more to life than just being a bird imprisoned in this gilded cage.” Meanwhile, across the city, but worlds away, a girl born on the same day as Princess Isabella is trapped in a somewhat different manner. Though now at boarding school, Sophia was born into poverty and “my father used to beat me - a lot. He and my mother are addicts, you see”. Then, some three weeks after their birthdays, and heavily set-up with references to how much they look alike, the young women meet and decide to trade places so they can both experience what they believe they long for. While Sophia is left in the opulent palace wondering, “Are we making a big mistake? Does she even know how to look after herself? It all feels so irresponsible”, Princess Isabella faces immediate problems in the outside world and it’s not long before matters career out of control. While the setting is modern, with references to the likes of iPhones, the language often has a timeless, old-fashioned feel. The sense of entrapment on both sides is well conjured, with many peaks of tension as the girls race against time to rectify the chaos they’ve unleashed. It’s a dramatic tale of aspiration and destiny, of bravery and breaking free, with some heartrending and romantic moments. Joanne Owen, A LoveReading4Kids Ambassador
From New York Times bestselling authors Becky Albertalli and Aisha Saeed comes a heart-warming, hilarious story about the power of love and resistance.
Sarah J. Maas devotees certainly have a treat in store with this luxurious collector’s edition of the first book in her outrageously popular A Court of Thorns and Roses series. The story that spurred the series is here presented in a beautiful black slipcase that’s embellished with gold foiling. The book itself features a stunning gold foil depiction of a forest scene on its cover, lavish metallic ink endpapers, intricate fairy tale-esque illustrative detail on every page, plus a handsome newly drawn map of the Faerie Lands of Prythian. It’s a beguiling package that befits the tale itself, an enchanting story that follows nineteen-year-old Feyre’s magical, epic quest through the beautiful, dangerous faerie lands. Reeling with romance, intrigue and outright “immortal horror”, Feyre’s journey feels timeless in setting and atmosphere, and contemporary in much of its straight-talking delivery.
Born under a blood moon, twin sister travellers, Kizzy - a brave, voluptuous bear dancer - and Lil - slight in frame and blessed with a beautiful voice – are captured after their camp is ransacked on the eve of their divining, the coming-of-age rite that would have seen them learn their fates. With many kinsfolk slain, the twins are enslaved by Boyar Valcar and set to work in the castle kitchens, where rumours about the notorious Dragon loom large over all the female slaves. Separated when Kizzy is snatched away, Lil escapes to search for her sister with Mira, a fellow slave. As they race against time to save Kizzy, encountering the terrifying strigoi (undead) along the way, powerful desires are awakened, which adds extra conflict as the story winds to its transfixing climax. Driven by the sisters’ passion and revenge, loyalty and love, and powerful on the persecution of travellers, this is a dazzling female-focused reimagining of vampire legends, with the writing infused with a lyrical earthiness throughout.
Christina is sent to stay with her terrifying uncle and her cousins at Flambards, a rambling house in the country where riding and hunting are the most prized activities. Everything about the countryside - and her relatives - is new to Christina but she soon finds she loves riding. And, in different ways, she begins to love her cousins. The first volume in a hugely romantic trilogy.
Soar into space with this glorious love story of alien folk, from the creators of The Gruffalo and Stick Man. The Smeds (who are red) never mix with the Smoos (who are blue). So when a young Smed and Smoo fall in love, their families strongly disapprove. But peace is restored and love conquers all in this happiest of love stories. There's even a gorgeous purple baby to celebrate! With fabulous rhymes and breathtaking illustrations, this book is literally out of this world!
A stunningly original ocean adventure by a one-of-a-kind author whose work defies convention and abounds with a purity of ideas and execution. Kel was “always running away from something”, seeking escape “from the world she inhabited within and the world that bullied her from the outside”. She’s a swamper, born oceans apart from the wealthy tower people who live in the same Cornish coastal community. She’s also an unforgettable heroine, a girl with danger in her eyes, a baby to care for and “a stupid heart that beat wrong and was shaped wrong and had wrongness stretched clean through it”. Kel “didn’t want what the tower people had; she only wanted two things, a heart she could rely on and freedom from kin”, which is why she kidnaps Rose, the daughter of a cargo ship captain. Kel plans to use her ill-gotten gains to travel to South America to have a heart operation, because in the UK “swamp folk don’t get operations”. Aboard the ship Kel tracks down Rose and forces her to board a smaller vessel, soon running into trouble when the engine fails amidst scenes of devastation on the mainland. Steering clear of well-worn clichés, Carthew’s stories cut to the heart of human experience, often portraying and championing life’s underdogs and outsiders. What a thrilling, thought-provoking novel this is, brimming with perilous encounters, and the rawness of real-life relationships.
August 2019 Debut of the Month | Uplifting and dazzlingly unique, this coming-of-age treasure explores identity and sexuality with an emboldening message to remember that “you have the right to be you”. As a young Barbie-loving boy, mixed race Michael wonders if he’s “only half” of everything, to which his mother poignantly replies: “Don’t let anyone tell you/that you are half-black/and half-white. Half-Cypriot/ and half-Jamaican./ You are a full human being.” But he doesn’t feel like a whole human being. Dubbed a “queerdo and weirdo” by bullies and subjected to “batty bwoy” taunts through his teenage years, he leaves London for Brighton University with hope in his heart. But even here Michael feels “like Goldilocks; trying to find a group of people/the perfect fit for me”. He doesn’t feel black enough for the Caribbean Society, or Greek enough for Hellenic Society, or queer enough for the LBGT Society. Then Michael finally finds a fit at Drag Society where he becomes The Black Flamingo, “someone fabulous, wild and strong. With or without a costume on.” Michael’s journey is complex, moving and told with a raw vitality that makes the soul soar and the heart sing, with Anshika Khullar’s magnificent illustrations and the smart design adding further depth, prompting the reader to pause for thought as his story requires.
Jason Reynolds is the master of giving voice to children and teenagers who exist - and often struggle - on the margins of society. Against tough competition, this exceptional novel might be his finest yet. Matt has recently lost his beloved mom and feels excruciatingly lonely in his grief. By page two, when Matt comes home to a house that was “totally silent. And it had no smell,” the author encapsulates the raw invisibility of grief with visceral power. Haunted by how his mom made him feel “like the luckiest kid in the world...like I was somebody important”, and needing something to occupy his mind (and some cash), Matt takes a job helping family friend and funeral director Mr Ray, and unexpectedly finds that attending funerals and witnessing the grief of others makes him feel less alone. With his dad otherwise disposed after seeking solace in whiskey, Mr Ray is heart-meltingly supportive, reaching out to Matt while his “old man is getting himself together”. It’s at one of his work funerals that Matt begins to form a beautiful bond with Lovey, a young woman who’s experienced more pain and loss than even Matt can imagine. As Lovey opens Matt’s world and heart, they discover that they’re also bonded by a tragic moment that shaped both their lives. Readers will hope with all their hearts that Lovey and Matt’s futures are presaged by Bob Marley’s “every little thing gonna be alright” lyrics that ring out during a momentous shared taxi ride. Boldly honest and bathed in empathy, Matt’s all-consuming, touching tale possesses a rare power to leave a lasting imprint.
From passionate, all-consuming love-at-first-sight, to possession, obsession, jealousy and control, the subject of emotional abuse in relationships is here explored from every complex, confusing angle. What a devastatingly vital feat of YA fiction this is. Talented country songwriter Gemma has just started college and feels like she’s riding a wave of change: “Starting college feels like such a massive step, like suddenly the world’s got that much wider.” And then a further tidal wave sweeps Gemma up when she locks eyes with a handsome stranger – Aaron, a charismatic young app-developer who overwhelms her with big romantic gestures and expensive gifts that seem to show how much he gets her, far more than her family do, as Aaron is wont to remind her. He points out that Gemma’s passion for songwriting will always play second fiddle to her brother’s football talent, that her friends don’t appreciate her like he does. Before Gemma knows it, Aaron’s controlling, manipulative ways seep through her veins like an undetected virus and, when he isolates her from her loved ones, her world closes in, with shattering repercussions. At once tense, compassionate and (importantly) brutally honest, readers will plead with Gemma, rage at Aaron, and gasp as the crippling extremes of his toxic behaviour are made manifest. But there’s a glimmer of light through the dark, especially in the form of Gemma’s friends – Ghanaian feminist Esi who warns her to slow down and step away, and kind-hearted Callum, her loyal music partner.
Set in the 1930s and inspired by Much Ado About Nothing, this thrilling feast of coming-of-age edginess is giddy with the glamour of freethinking artists, and tingles with romantic tension. Constrained by her life in England, aspiring natural historian Bea constantly battles her parents’ attempts to marry her off: “As far as my parents are concerned, daughters aren’t a terribly useful asset. I’m not supposed to go out in the world and actually do things.” But being “too big, too loud, too clever – too much”, Bea has her own ideas about her future, which she’s able to embrace when she’s sent to stay with her wealthy uncle in Italy and discovers with glee that “things at Villa di Stelle might not be so respectable after all.” Among the villa’s vibrant collective of artists is handsome painter Ben, and sparks fly between he and Bea from the off. A lighthearted challenge sees them set out to enjoy a summer romance without falling in love, until events at a decadent party to invoke rain turn out to be explosive in more ways than one. As the heavens crack open, fireworks fly between Ben and Bea and their lives will never be the same again. Alongside Bea’s awakening of body and heart, she also realises that she cannot return to her previous life. She wants what the artists’ have: an “all-consuming passion for their work...a purpose, a vocation.” With the conflict between her free-spirited nature and societal constraints exacerbated by her Italian experiences, with the world now opened up to her, the gateway cannot be closed. The author’s Great Gatsby-esque A Sky Painted Gold was a 2018 favourite of mine, and this is every bit as bathed in coming-of-age hope and a sense of being on the brink of something special.
Optimist and aspiring actress Willa is the privileged daughter of separated actor parents. Her plans to spend summer in London are scuppered when her parents decide to ship her off to rural Italy to stay with an aunt she’s never met, which is what brings her to LA airport and into contact with Alice... Glass-half-empty-Alice has lost her mum and her marine biologist dad is sending her to stay with his new girlfriend in London, the prospect of which fills her with horror. When the girls meet in the airport lounge, they’re envious of each other’s summers. Alice would love to visit Italy to fulfill a dream of her mum’s, while Willa is desperate to attend a London theatre course. While Willa and Alice live worlds apart, they look remarkably alike and so they switch identities to experience a summer holiday like no other. With slip-ups and suspicions aroused from the off, the fast-paced escapist action escalates into a flurry of comic capers and cute crushes, plus there are plenty of heart-melting moments too. Alice gets to visit the worry-purging waterfall her mum never saw, while Willa reassesses her ambitions, and both find new friendships.
June 2019 Book of the Month | Cleverly and playfully-formed, this is a sophisticated, thought-provoking novel of love, heartbreak and second chances. Eugene and Tatiana are 27 and 24. They’re both unsettled by a fortuitous encounter on the Paris Metro ten years after they last met, and the significance of the moment is made potently clear when the omniscient narrator interjects, “Look how shaken they are to see each other again. Look at their eyes”. Throughout, the all-knowing narrator directs readers’ responses in this way, introducing episodes with foreshadowing commentaries that tell us what to watch out for. It’s the narrator who announces “it’s time to go back about ten years into the past, back where it all began.” And so we’re presented with the origin of their connection, when Tatiana was a self-conscious bookish fourteen-year-old, and Eugene was the enigmatic, pessimistic seventeen-year-old friend of her older sister’s boyfriend. The narrative slips between the frisson of their re-acquaintance and the tragedy that struck their teenage years. In some ways, reading this is like observing an intense play. In others, it’s like being granted access to Eugene and Tatiana’s innermost thoughts, anxieties and desires through their impassioned soliloquies. In every way, it’s a unique and emotionally honest portrait of the grip and ache of young love.
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