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Audiobooks by Melvin Burgess

Browse audiobooks by Melvin Burgess, listen to samples and when you're ready head over to Audiobooks.com where you can get 3 FREE audiobooks on us

LoveReading4Kids Top 10

  1. Circus Maximus Rivals on the Track Circus Maximus Rivals on the Track
    1
  2. The Burpee Bears The Burpee Bears
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  3. Armadillo and Hare and the Flamingo Affair Armadillo and Hare and the Flamingo Affair
    3
  4. The Extremely Inconvenient Adventures of Bronte Mettlestone The Extremely Inconvenient Adventures of Bronte Mettlestone
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  5. The Mapmakers The Mapmakers
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  6. The Elephant in the Room The Elephant in the Room
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  7. Me, My Dad and the End of the Rainbow Me, My Dad and the End of the Rainbow
    7
  8. All American Boys All American Boys
    8
  9. Everything Sad is Untrue: (a true story) Everything Sad is Untrue: (a true story)
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  10. Cookie! (Book 3): Cookie and the Most Mysterious Mystery in the World Cookie! (Book 3): Cookie and the Most Mysterious Mystery in the World
    10
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Billy Elliot (Ungekürzte Lesung)

Billy Elliot (Ungekürzte Lesung)

Author: Melvin Burgess Narrator: Julian Greis, Oliver Siebeck Release Date: 01/10/2019

Tanzen gegen alle Widerstände. Billy Elliot ist der jüngste Sohn einer Bergarbeiterfamilie. Vater Jackie schlägt sich durch, so gut er kann, während er mit anderen Kumpels gegen die drohende Schließung der Minen demonstriert. Billy soll sich durchsetzen können, soll wie alle Männer in der Familie boxen lernen. Doch der entdeckt in der Sporthalle seine Vorliebe fürs Ballett - ein Skandal in der rauen Arbeiterwelt. Fast schon gibt Billy seinen Traum vom Tanzen auf. Als dann aber ein Stipendium für der Royal Ballet School winkt, steht er vor der Entscheidung seines Lebens.

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The Hit

The Hit

Author: Melvin Burgess Narrator: Samuel Roukin Release Date: 01/07/2014

Live the ultimate high. Pay the ultimate price. The shocking return to YA by the author of SMACK. A new drug is on the street. Everyone's buzzing about it. Take the hit. Live the most intense week of your life. Then die. It's the ultimate high at the ultimate price. Adam thinks it over. He's poor, and doesn't see that changing. Lizzie, his girlfriend, can't make up her mind about sleeping with him, so he can't get laid. His brother Jess is missing. And Manchester is in chaos, controlled by drug dealers and besieged by a group of homegrown terrorists who call themselves the Zealots. Wouldn't one amazing week be better than this endless, penniless misery? After Adam downs one of the Death pills, he's about to find out. Review Quotes: "Booklist "Starred Review Burgess' dystopian novel posits a near-future world in which the gap between rich and poor has grown to an unbridgeable chasm. In their despair, many have-nots are taking a new drug called Death that offers seven days of euphoric bliss followed by the oblivion of death. Adam, 17, is one of these. His hopes for an education are dashed, his brother is missing and presumed dead, and he's been dumped by his girlfriend, Lizzie. Seeing nothing but a bleak future, he impulsively takes the pill, but as his own options are precluded, enormous changes are underway. Led by a group called the Zealots, society is teetering on the brink of revolution. Meanwhile, a drug lord and his psychopathic son enter Adam and Lizzie's lives to potentially catastrophic effect. Will Lizzie survive? Will Adam die or is it possible that there might be an antidote to Death after all? Burgess, a master of YA literature, has written a novel of white-knuckle suspense that has considerable violence and ambitious philosophical underpinnings. How does one deal with socioeconomic inequity? Is revolution a viable strategy? Is death? If this ambitious novel has flaws, it may be a lack of attention to these very questions. In addition, the villains--though terrifying--are over the top. But all that said, the novel is viscerally exciting and emotionally engaging. Best of all, it is sure to excite both thoughtful analysis and heated discussion among its readers. A clear winner from Burgess. "Publishers Weekly " Starred Review Burgess (Smack) returns with a boundary-pushing thriller that all-too-believably builds on contemporary threads including income inequality, the Occupy movement, and a YOLO mentality. On the night he attends rocker Jimmy Earle's final concert, Adam knows that his life has changed. Earle's on-stage demise--supposedly from Death, an expensive drug that provides the consummate one-week high followed by death--has awakened a riotous fervor in depressed Manchester, England, which may mark the beginning of a larger revolution. The high of Adam's night out with his girlfriend, Lizzie, comes crashing down when Adam's older brother, Jess, is reported dead. Suddenly, taking Death means a way out. Burgess's prose is straightforward and fast-paced, and his third-person narration hopscotches from character to character while giving readers clear insight into the motives that drive them. His plot swerves are unexpected but well-maneuvered, and his characters' flaws and self-absorptions make them complex and real. Amid violent action, existential anguish, and the heightened appreciation for life that death can bring, Burgess has created a premise that readers will find hard to forget.

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