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Katherine Rundell spent her childhood in Africa and Europe and is now a Fellow of All Souls College, Oxford, where she works on Renaissance literature. She is the bestselling author of The Girl Savage, Rooftoppers, The Wolf Wilder and The Explorer. She won the Waterstones Children's Book Prize and the Blue Peter Book Award in 2014, and the Costa Children's Book Award in 2018. Her writing – mostly on books, but also on climbing, on art and on wolves – has appeared in the London Review of Books, The New York Times, the Telegraph and Intelligent Life.
A Julia Eccleshare Pick of the Month October 2020 | Katherine Rundell’s brief introduction which explains why hope is so important and why we should look for it in stories and illustrations sets a context for the wonderful range of very short stories, poems, thoughts and illustrations which will certainly give hope as well as laughs and surprises to readers of all ages. Perfect for dipping into, the anthology is a treasure trove of story treats starting with Michael Morpurgo’s uplifting ‘A Song of Gladness’ and ending with Rundell’s own ‘The Young Bird-Catcher’. Lauren Child, Axel Scheffler, Chris Riddell and Jackie Morris are just some of the wonderful artists whose black and white illustrations light up the pages of this hand this handsome volume. Dedicated to all the workers in the NHS and with proceeds going to NHS Charities Together, The Book of Hopes will certainly bring hope to all.
Longlisted for the UKLA Book Awards 2021 | After stories set in jungles and on the Russian steppes, Katherine Rundell has chosen the streets of Prohibition New York for her latest, but it’s just as full of the sense of peril and freedom from rules that characterises her earlier books, with central character Vita facing possibly the greatest danger yet. Newly arrived from England, Vita is determined to win back her family home, the fabulous Hudson Castle, acquired from her grandfather in a distinctly shady way by mob boss Victor Sorrotore. This will involve breaking and entering – and legend has it the castle is impregnable – and safe cracking, but Vita is fortunate enough to have as associates an extremely talented pickpocket and two fearless young circus performers. Rundell revels in setting her characters these kind of challenges and also in exploring the kind of physical and mental daring required to undertake them. She likes to equip her protagonists with right and with love too, the latter proves a formidable weapon for Vita. Beautifully written and full of scenes that both thrill and enchant, The Good Thieves is Rundell at her classy best. Readers who are captivated by Katherine Rundell’s wild children will also enjoy Stop the Train or The Middle of Nowhere by Geraldine McCaughrean, or books by classic children’s writers such as Joan Aiken and Eva Ibbotson.
Award-winner Katherine Rundell has already taken readers on thrilling journeys over rooftops, across the Russian steppes and of course deep into the forest. She understands absolutely children's longing for wild adventure and no-one is better suited to write new stories for Kipling's Jungle Book characters. This very handsome book, which features beautiful colour illustrations by Kristjana S Williams, tells five different stories, and with each perfectly-imagined episode adds to what we love about Kipling's unforgettable characters, including Bagheera, Baloo, Shere Khan and Kaa. It opens too with a story about one of the most interesting characters, Mowgli's fierce wolf-mother Raksha, who has long deserved more time in the spotlight. These are stories of bravery and cunning, full of excitement and danger, but most of all they are stories of loyalty and community, and by the time they reach the end, readers will be daydreaming themselves into the jungle family. Mowgli links all the stories, and has his own of course, and is exactly the same impetuous, selfish, boasting but warm-hearted, generous boy drawn so vividly by Kipling. In fact the book does exactly what sequels should but seldom manage - it tells us new stories that grow out of the originals, and enhance and enrich them.
Nominated for the CILIP Carnegie Medal 2019 | Nominated for the CILIP Greenaway Medal 2019 | Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year.
A Julia Eccleshare Pick of the Month August 2019 | Award winning author Katherine Rundell is as passionate about reading children’s books as she is about writing them. In this brief but and perfectly structured handbook she encourages all readers to think about the particular qualities of children’s books and about the special experience of reading as a child – which she remembers clearly. Drawing on her deep knowledge of children’s stories and supporting her arguments with endorsing quotes from writers of all kinds she sets out her defence of the book’s title in brief sections. She is as much at home in the factual – ‘On how children’s fiction came to be’ and ‘On children’s fiction today’ as the more personal which reflect her own views including ‘On wild hunger and heroic optimism’ and ‘The galvanic kick of children’s books’.
June 2019 Book of the Month | After stories set in jungles and on the Russian steppes, Katherine Rundell has chosen the streets of Prohibition New York for her latest, but it’s just as full of the sense of peril and freedom from rules that characterises her earlier books, with central character Vita facing possibly the greatest danger yet. Newly arrived from England, Vita is determined to win back her family home, the fabulous Hudson Castle, acquired from her grandfather in a distinctly shady way by mob boss Victor Sorrotore. This will involve breaking and entering – and legend has it the castle is impregnable – and safe cracking, but Vita is fortunate enough to have as associates an extremely talented pickpocket and two fearless young circus performers. Rundell revels in setting her characters these kind of challenges and also in exploring the kind of physical and mental daring required to undertake them. She likes to equip her protagonists with right and with love too, the latter proves a formidable weapon for Vita. Beautifully written and full of scenes that both thrill and enchant, The Good Thieves is Rundell at her classy best. Readers who are captivated by Katherine Rundell’s wild children will also enjoy Stop the Train or The Middle of Nowhere by Geraldine McCaughrean, or books by classic children’s writers such as Joan Aiken and Eva Ibbotson.
Award-winner Katherine Rundell has already taken readers on thrilling journeys over rooftops, across the Russian steppes and of course deep into the forest. She understands absolutely children's longing for wild adventure and no-one is better suited to write new stories for Kipling's Jungle Book characters. This very handsome book, which features beautiful colour illustrations by Kristjana S Williams, tells five different stories, and with each perfectly-imagined episode adds to what we love about Kipling's unforgettable characters, including Bagheera, Baloo, Shere Khan and Kaa. It opens too with a story about one of the most interesting characters, Mowgli's fierce wolf-mother Raksha, who has long deserved more time in the spotlight. These are stories of bravery and cunning, full of excitement and danger, but most of all they are stories of loyalty and community, and by the time they reach the end, readers will be daydreaming themselves into the jungle family. Mowgli links all the stories, and has his own of course, and is exactly the same impetuous, selfish, boasting but warm-hearted, generous boy drawn so vividly by Kipling. In fact the book does exactly what sequels should but seldom manage - it tells us new stories that grow out of the originals, and enhance and enrich them.
Winner of the UKLA Book Awards 2019 | Winner of The Costa Children's Book Award 2017 | After crashing hundreds of miles from civilisation in the Amazon rainforest, Fred, Con, Lila and Max are utterly alone and in grave danger. They have no food, no water and no chance of being rescued. But they are alive and they have hope. As they negotiatethe wild jungle they begin to find signs that something - someone - has been there before them. Could there possibly be a way out after all?
Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year. ~ Andrea Reece
Winner of The Costa Children's Book Award 2017 After crashing hundreds of miles from civilisation in the Amazon rainforest, Fred, Con, Lila and Max are utterly alone and in grave danger. They have no food, no water and no chance of being rescued. But they are alive and they have hope. As they negotiatethe wild jungle they begin to find signs that something - someone - has been there before them. Could there possibly be a way out after all? Inspired by an expedition the author made to the Amazon and Eva Ibbotson's Journey to the River Sea The Costa Judges say: ‘A masterful, delicious read from start to finish.’ Download a Teacher Resource pack from Blooomsbury Children's Publishing, based on The Explorer. A modern classic of an adventure that will not only transport you away from the classroom to the Amazon, but also spark the imaginations of all of the young explorers in your class. (And yes, we know there are many!) The lessons in this pack serve as a mini scheme of work with literacy objectives, providing material for five or more KS2 lessons – perfect for classes of any ability in years five to six. Even better, the final outcome of these lessons is for each child in your class to let their creative talents loose and produce some writing of their own – following in Katherine Rundell’s adventurous footsteps!
Shortlisted for the UKLA 2017 Book Award | One of our Books of the Year 2016 | September 2016 Book of the Month Wolves, wildness and freedom are at the heart of this thrilling story. Wolf wilders are employed to reintroduce wolves unfortunate enough to be brought up as pets in rich households back into the wild, and they’re easy to spot: they’ll be missing a piece of finger, the lobe of an ear, a toe or two. Feo and her mother are wolf wilders, content deep in the forest, at least until the arrival of General Rakov and the imperial army. Rakov treats their wolves with the same brutal contempt he shows to the peasants, and despite her reclusiveness, Feo finds herself fighting alongside her neighbours for what is right. ‘Wolves, like children, are not born to lead calm lives’ we are told and this a marvellous adventure, original, beautifully written, and full of scenes and ideas that will excite and inspire young readers. ~ Andrea Reece A note from Katherine Rundell …My father is a great storyteller. When we were very young he left for work at 7 a.m., so he used to wake us up at 6 a.m. and tell us stories from history: the World Wars, the slave trade and the Russian revolution. (Sometimes my understanding of the stories in my life blurred, and when I picture William Wilberforce he will always look like Wilbur, the mouse in Brambly Hedge.) My father’s picture of Russia was one of deep snow and rich food, and of revolutionaries fighting, with very mixed success, for fairness. There would always be a pair of children at the centre of the stories – who looked, coincidentally, very like my brother and me – two children who joined the fight with both fists. My dad’s stories made us feel taller, and hungrier: more capable of changing the world.The Wolf Wilder is a book built by those early stories: though it’s less a history than a fairy-tale kind of adventure informed by history. I wanted to write a book that was a little darker than the last, and a little wilder. I wanted to write about different kinds of bravery, with, I hope, an edge of danger. Most of all, I wanted to write a story about a child learning to trust other people: about a child discovering that the world is huge, and full of spectacular people. Feo, more than any other character I’ve written, is how I felt as a child: awkward and wary, but hoping always for friendship and for snow. The plot was made up of things I’ve seen or discovered and loved. The central city of the book is St Petersburg because my grandfather lived there in the years before his death, on the banks of the Fontanka canal, in the building in which (he used to claim) Tchaikovsky wrote The Nutcracker. My grandfather was so obviously and resolutely English that KGB spies used to tail him to church, convinced he was MI5. There was a small ballroom in which, as a teenager, I danced (with an immense lack of grace). So there is dancing in this book, both good and bad, and the great golden domes of St Petersburg. The story is set in the snow because snow has a life of its own: I spent one white winter in rural Scotland, in an old unoccupied shooting lodge. I went weeks without seeing another human. When the pipes froze, I boiled snow for tea. I lit fires, read books, ate icicles and mussels from the lake, and tinned meat. When the worst storms of that year came, I was rescued by an army truck and sent home. I learnt a lot about the different varieties of cold you can be. Later, I read about a Russian recluse who, in the 1970s, used to run barefoot for days through snow with elks slung over his back, and realised I was only a novice at the cold. But I have rarely in my life been so happy. The wilding of animals is a real thing: there is a programme in Zimbabwe, not far from where I spent part of my childhood, where tame lions are taught to feed themselves. And in Yellowstone park they are trying to coax wolves back into the wild. Wolves are the heroes of this book because I think wolves, more than any other animal, are electric. I met a mostly tame one on a cold day in Wales. They really do look nothing like dogs: their shoulders are more muscular and their eyes sharper. They radiate intelligence. They deserve our respect. There are many stories about wolves already, but I think they will always deserve a few more.
One of our Books of the Year 2015 - September 2015 Book of the Month Wolves, wildness and freedom are at the heart of this thrilling story. Wolf wilders are employed to reintroduce wolves unfortunate enough to be brought up as pets in rich households back into the wild, and they’re easy to spot: they’ll be missing a piece of finger, the lobe of an ear, a toe or two. Feo and her mother are wolf wilders, content deep in the forest, at least until the arrival of General Rakov and the imperial army. Rakov treats their wolves with the same brutal contempt he shows to the peasants, and despite her reclusiveness, Feo finds herself fighting alongside her neighbours for what is right. ‘Wolves, like children, are not born to lead calm lives’ we are told and this a marvellous adventure, original, beautifully written, and full of scenes and ideas that will excite and inspire young readers. ~ Andrea Reece A note from Katherine Rundell …My father is a great storyteller. When we were very young he left for work at 7 a.m., so he used to wake us up at 6 a.m. and tell us stories from history: the World Wars, the slave trade and the Russian revolution. (Sometimes my understanding of the stories in my life blurred, and when I picture William Wilberforce he will always look like Wilbur, the mouse in Brambly Hedge.) My father’s picture of Russia was one of deep snow and rich food, and of revolutionaries fighting, with very mixed success, for fairness. There would always be a pair of children at the centre of the stories – who looked, coincidentally, very like my brother and me – two children who joined the fight with both fists. My dad’s stories made us feel taller, and hungrier: more capable of changing the world.The Wolf Wilder is a book built by those early stories: though it’s less a history than a fairy-tale kind of adventure informed by history. I wanted to write a book that was a little darker than the last, and a little wilder. I wanted to write about different kinds of bravery, with, I hope, an edge of danger. Most of all, I wanted to write a story about a child learning to trust other people: about a child discovering that the world is huge, and full of spectacular people. Feo, more than any other character I’ve written, is how I felt as a child: awkward and wary, but hoping always for friendship and for snow. The plot was made up of things I’ve seen or discovered and loved. The central city of the book is St Petersburg because my grandfather lived there in the years before his death, on the banks of the Fontanka canal, in the building in which (he used to claim) Tchaikovsky wrote The Nutcracker. My grandfather was so obviously and resolutely English that KGB spies used to tail him to church, convinced he was MI5. There was a small ballroom in which, as a teenager, I danced (with an immense lack of grace). So there is dancing in this book, both good and bad, and the great golden domes of St Petersburg. The story is set in the snow because snow has a life of its own: I spent one white winter in rural Scotland, in an old unoccupied shooting lodge. I went weeks without seeing another human. When the pipes froze, I boiled snow for tea. I lit fires, read books, ate icicles and mussels from the lake, and tinned meat. When the worst storms of that year came, I was rescued by an army truck and sent home. I learnt a lot about the different varieties of cold you can be. Later, I read about a Russian recluse who, in the 1970s, used to run barefoot for days through snow with elks slung over his back, and realised I was only a novice at the cold. But I have rarely in my life been so happy. The wilding of animals is a real thing: there is a programme in Zimbabwe, not far from where I spent part of my childhood, where tame lions are taught to feed themselves. And in Yellowstone park they are trying to coax wolves back into the wild. Wolves are the heroes of this book because I think wolves, more than any other animal, are electric. I met a mostly tame one on a cold day in Wales. They really do look nothing like dogs: their shoulders are more muscular and their eyes sharper. They radiate intelligence. They deserve our respect. There are many stories about wolves already, but I think they will always deserve a few more.
Overall Winner and Winner of Fiction for 5-12's category 2014 Waterstones Children's Book Prize Winner of the Blue Peter Book of the Year 2014 - Best Story Shortlisted for the Carnegie Medal 2014 Abandoned as a baby, Sophie’s determination to find her missing mother leads her to Paris where she meets Matteo, living off the local pigeons, washing in rainwater and travelling unseen across the great roofscape of Paris. With Matteo’s help Sophie learns the tricks of roof-top living and also how to break into buildings and bamboozle officials – exactly the trick she needs to find her mother. An exciting, tender and original adventure. Shortlisted for the 2013 Guardian Children’s Fiction Prize
Go on an adventure with Katherine Rundell ... From the winner of the Costa Children's Book Prize 'A writer with an utterly distinctive voice and a wild imagination' - Philip Pullman Feodora and her mother live in the snowbound woods of Russia, in a house full of food and fireplaces. Ten minutes away, in a ruined chapel, lives a pack of wolves. Feodora's mother is a wolf wilder, and Feo is a wolf wilder in training. A wolf wilder is the opposite of an animal tamer: it is a person who teaches tamed animals to fend for themselves, and to fight and to run, and to be wary of humans. When the murderous hostility of the Russian Army threatens her very existence, Feo is left with no option but to go on the run. What follows is a story of revolution and adventure, about standing up for the things you love and fighting back. And, of course, wolves.
A Julia Eccleshare Pick of the Month October 2020 | Katherine Rundell’s brief introduction which explains why hope is so important and why we should look for it in stories and illustrations sets a context for the wonderful range of very short stories, poems, thoughts and illustrations which will certainly give hope as well as laughs and surprises to readers of all ages. Perfect for dipping into, the anthology is a treasure trove of story treats starting with Michael Morpurgo’s uplifting ‘A Song of Gladness’ and ending with Rundell’s own ‘The Young Bird-Catcher’. Lauren Child, Axel Scheffler, Chris Riddell and Jackie Morris are just some of the wonderful artists whose black and white illustrations light up the pages of this hand this handsome volume. Dedicated to all the workers in the NHS and with proceeds going to NHS Charities Together, The Book of Hopes will certainly bring hope to all.
Longlisted for the UKLA Book Awards 2021 | After stories set in jungles and on the Russian steppes, Katherine Rundell has chosen the streets of Prohibition New York for her latest, but it’s just as full of the sense of peril and freedom from rules that characterises her earlier books, with central character Vita facing possibly the greatest danger yet. Newly arrived from England, Vita is determined to win back her family home, the fabulous Hudson Castle, acquired from her grandfather in a distinctly shady way by mob boss Victor Sorrotore. This will involve breaking and entering – and legend has it the castle is impregnable – and safe cracking, but Vita is fortunate enough to have as associates an extremely talented pickpocket and two fearless young circus performers. Rundell revels in setting her characters these kind of challenges and also in exploring the kind of physical and mental daring required to undertake them. She likes to equip her protagonists with right and with love too, the latter proves a formidable weapon for Vita. Beautifully written and full of scenes that both thrill and enchant, The Good Thieves is Rundell at her classy best. Readers who are captivated by Katherine Rundell’s wild children will also enjoy Stop the Train or The Middle of Nowhere by Geraldine McCaughrean, or books by classic children’s writers such as Joan Aiken and Eva Ibbotson.
Go on an adventure with Katherine Rundell ... Winner of the Waterstones Children's Book Prize | Winner of the Blue Peter Book Award Shortlisted for the CILIP Carnegie Medal | From the winner of the Costa Children's Book Prize 'A writer with an utterly distinctive voice and a wild imagination' - Philip Pullman 'Read everything she writes' - Daily Mail Everyone tells Sophie that she was orphaned in a shipwreck - found floating in a cello case on the English Channel on her first birthday. But Sophie is convinced her mother also survived. When the Welfare Agency threatens to separate her from her guardian and send her to an orphanage, Sophie takes matters into her own hands, starting with the only clue she has - the address of a cello-maker in Paris. On the run from the authorities, Sophie finds Matteo and his network of rooftoppers - urchins who walk tightropes and live in the sky. In a race across the rooftops of Paris, will they be able to find her mother before it's too late? Hopeful, inspiring and thrilling in equal measure, this is a classic adventure story about pursuing your dreams and never ignoring a possible.
Award-winner Katherine Rundell has already taken readers on thrilling journeys over rooftops, across the Russian steppes and of course deep into the forest. She understands absolutely children's longing for wild adventure and no-one is better suited to write new stories for Kipling's Jungle Book characters. This very handsome book, which features beautiful colour illustrations by Kristjana S Williams, tells five different stories, and with each perfectly-imagined episode adds to what we love about Kipling's unforgettable characters, including Bagheera, Baloo, Shere Khan and Kaa. It opens too with a story about one of the most interesting characters, Mowgli's fierce wolf-mother Raksha, who has long deserved more time in the spotlight. These are stories of bravery and cunning, full of excitement and danger, but most of all they are stories of loyalty and community, and by the time they reach the end, readers will be daydreaming themselves into the jungle family. Mowgli links all the stories, and has his own of course, and is exactly the same impetuous, selfish, boasting but warm-hearted, generous boy drawn so vividly by Kipling. In fact the book does exactly what sequels should but seldom manage - it tells us new stories that grow out of the originals, and enhance and enrich them.
Nominated for the CILIP Carnegie Medal 2019 | Nominated for the CILIP Greenaway Medal 2019 | Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year.
Already being proclaimed a classic in children's literature and compared to the likes of Roald Dahl and Eva Ibbotson, Katherine Rundell's Rooftoppers merges fantasy and historical fiction with sophisticated lyrical prose and vivid imagery that will delight middle grade readers, tweens, teens, and parents and teachers alike. Join plucky heroine Sophie, her eccentric guardian Charles, and her intrepid orphan allies on the rooftops of Victorian Paris, as they encounter suspense and adventure that will keep kids of all ages on the edge of their seats right to the heartwarming end. My mother is still alive, and she is going to come for me one day. Readers who enjoyed the Lemony Snicket books, Ellen Potter's The Kneebone Boy, Cornelia Funke's The Thief Lord, and Sally Gardner's I, Coriander will want to put Rooftoppers on their Must Read list.
A Julia Eccleshare Pick of the Month August 2019 | Award winning author Katherine Rundell is as passionate about reading children’s books as she is about writing them. In this brief but and perfectly structured handbook she encourages all readers to think about the particular qualities of children’s books and about the special experience of reading as a child – which she remembers clearly. Drawing on her deep knowledge of children’s stories and supporting her arguments with endorsing quotes from writers of all kinds she sets out her defence of the book’s title in brief sections. She is as much at home in the factual – ‘On how children’s fiction came to be’ and ‘On children’s fiction today’ as the more personal which reflect her own views including ‘On wild hunger and heroic optimism’ and ‘The galvanic kick of children’s books’.
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