Katherine Rundell - Author
Katherine Rundell spent her childhood in Africa and Europe and is now a Fellow of All Souls College, Oxford, where she works on Renaissance literature. She is the bestselling author of The Girl Savage, Rooftoppers, The Wolf Wilder and The Explorer. She won the Waterstones Children's Book Prize and the Blue Peter Book Award in 2014, and the Costa Children's Book Award in 2018. Her writing – mostly on books, but also on climbing, on art and on wolves – has appeared in the London Review of Books, The New York Times, the Telegraph and Intelligent Life.
Award-winner Katherine Rundell has already taken readers on thrilling journeys over rooftops, across the Russian steppes and of course deep into the forest. She understands absolutely children's longing for wild adventure and no-one is better suited to write new stories for Kipling's Jungle Book characters. This very handsome book, which features beautiful colour illustrations by Kristjana S Williams, tells five different stories, and with each perfectly-imagined episode adds to what we love about Kipling's unforgettable characters, including Bagheera, Baloo, Shere Khan and Kaa. It opens too with a story about one of the most interesting characters, Mowgli's fierce wolf-mother Raksha, who has long deserved more time in the spotlight. These are stories of bravery and cunning, full of excitement and danger, but most of all they are stories of loyalty and community, and by the time they reach the end, readers will be daydreaming themselves into the jungle family. Mowgli links all the stories, and has his own of course, and is exactly the same impetuous, selfish, boasting but warm-hearted, generous boy drawn so vividly by Kipling. In fact the book does exactly what sequels should but seldom manage - it tells us new stories that grow out of the originals, and enhance and enrich them.
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Winner of The Costa Children's Book Award 2017 After crashing hundreds of miles from civilisation in the Amazon rainforest, Fred, Con, Lila and Max are utterly alone and in grave danger. They have no food, no water and no chance of being rescued. But they are alive and they have hope. As they negotiatethe wild jungle they begin to find signs that something - someone - has been there before them. Could there possibly be a way out after all? The Costa Judges say: ‘A masterful, delicious read from start to finish.’ Download a Teacher Resource pack from Blooomsbury Children's Publishing, based on The Explorer. A modern classic of an adventure that will not only transport you away from the classroom to the Amazon, but also spark the imaginations of all of the young explorers in your class. (And yes, we know there are many!) The lessons in this pack serve as a mini scheme of work with literacy objectives, providing material for five or more KS2 lessons – perfect for classes of any ability in years five to six. Even better, the final outcome of these lessons is for each child in your class to let their creative talents loose and produce some writing of their own – following in Katherine Rundell’s adventurous footsteps!
Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year. ~ Andrea Reece
Winner of The Costa Children's Book Award 2017 After crashing hundreds of miles from civilisation in the Amazon rainforest, Fred, Con, Lila and Max are utterly alone and in grave danger. They have no food, no water and no chance of being rescued. But they are alive and they have hope. As they negotiatethe wild jungle they begin to find signs that something - someone - has been there before them. Could there possibly be a way out after all? Inspired by an expedition the author made to the Amazon and Eva Ibbotson's Journey to the River Sea The Costa Judges say: ‘A masterful, delicious read from start to finish.’ Download a Teacher Resource pack from Blooomsbury Children's Publishing, based on The Explorer. A modern classic of an adventure that will not only transport you away from the classroom to the Amazon, but also spark the imaginations of all of the young explorers in your class. (And yes, we know there are many!) The lessons in this pack serve as a mini scheme of work with literacy objectives, providing material for five or more KS2 lessons – perfect for classes of any ability in years five to six. Even better, the final outcome of these lessons is for each child in your class to let their creative talents loose and produce some writing of their own – following in Katherine Rundell’s adventurous footsteps!
Shortlisted for the UKLA 2017 Book Award | One of our Books of the Year 2016 | September 2016 Book of the Month Wolves, wildness and freedom are at the heart of this thrilling story. Wolf wilders are employed to reintroduce wolves unfortunate enough to be brought up as pets in rich households back into the wild, and they’re easy to spot: they’ll be missing a piece of finger, the lobe of an ear, a toe or two. Feo and her mother are wolf wilders, content deep in the forest, at least until the arrival of General Rakov and the imperial army. Rakov treats their wolves with the same brutal contempt he shows to the peasants, and despite her reclusiveness, Feo finds herself fighting alongside her neighbours for what is right. ‘Wolves, like children, are not born to lead calm lives’ we are told and this a marvellous adventure, original, beautifully written, and full of scenes and ideas that will excite and inspire young readers. ~ Andrea Reece A note from Katherine Rundell …My father is a great storyteller. When we were very young he left for work at 7 a.m., so he used to wake us up at 6 a.m. and tell us stories from history: the World Wars, the slave trade and the Russian revolution. (Sometimes my understanding of the stories in my life blurred, and when I picture William Wilberforce he will always look like Wilbur, the mouse in Brambly Hedge.) My father’s picture of Russia was one of deep snow and rich food, and of revolutionaries fighting, with very mixed success, for fairness. There would always be a pair of children at the centre of the stories – who looked, coincidentally, very like my brother and me – two children who joined the fight with both fists. My dad’s stories made us feel taller, and hungrier: more capable of changing the world.The Wolf Wilder is a book built by those early stories: though it’s less a history than a fairy-tale kind of adventure informed by history. I wanted to write a book that was a little darker than the last, and a little wilder. I wanted to write about different kinds of bravery, with, I hope, an edge of danger. Most of all, I wanted to write a story about a child learning to trust other people: about a child discovering that the world is huge, and full of spectacular people. Feo, more than any other character I’ve written, is how I felt as a child: awkward and wary, but hoping always for friendship and for snow. The plot was made up of things I’ve seen or discovered and loved. The central city of the book is St Petersburg because my grandfather lived there in the years before his death, on the banks of the Fontanka canal, in the building in which (he used to claim) Tchaikovsky wrote The Nutcracker. My grandfather was so obviously and resolutely English that KGB spies used to tail him to church, convinced he was MI5. There was a small ballroom in which, as a teenager, I danced (with an immense lack of grace). So there is dancing in this book, both good and bad, and the great golden domes of St Petersburg. The story is set in the snow because snow has a life of its own: I spent one white winter in rural Scotland, in an old unoccupied shooting lodge. I went weeks without seeing another human. When the pipes froze, I boiled snow for tea. I lit fires, read books, ate icicles and mussels from the lake, and tinned meat. When the worst storms of that year came, I was rescued by an army truck and sent home. I learnt a lot about the different varieties of cold you can be. Later, I read about a Russian recluse who, in the 1970s, used to run barefoot for days through snow with elks slung over his back, and realised I was only a novice at the cold. But I have rarely in my life been so happy. The wilding of animals is a real thing: there is a programme in Zimbabwe, not far from where I spent part of my childhood, where tame lions are taught to feed themselves. And in Yellowstone park they are trying to coax wolves back into the wild. Wolves are the heroes of this book because I think wolves, more than any other animal, are electric. I met a mostly tame one on a cold day in Wales. They really do look nothing like dogs: their shoulders are more muscular and their eyes sharper. They radiate intelligence. They deserve our respect. There are many stories about wolves already, but I think they will always deserve a few more.
One of our Books of the Year 2015 - September 2015 Book of the Month Wolves, wildness and freedom are at the heart of this thrilling story. Wolf wilders are employed to reintroduce wolves unfortunate enough to be brought up as pets in rich households back into the wild, and they’re easy to spot: they’ll be missing a piece of finger, the lobe of an ear, a toe or two. Feo and her mother are wolf wilders, content deep in the forest, at least until the arrival of General Rakov and the imperial army. Rakov treats their wolves with the same brutal contempt he shows to the peasants, and despite her reclusiveness, Feo finds herself fighting alongside her neighbours for what is right. ‘Wolves, like children, are not born to lead calm lives’ we are told and this a marvellous adventure, original, beautifully written, and full of scenes and ideas that will excite and inspire young readers. ~ Andrea Reece A note from Katherine Rundell …My father is a great storyteller. When we were very young he left for work at 7 a.m., so he used to wake us up at 6 a.m. and tell us stories from history: the World Wars, the slave trade and the Russian revolution. (Sometimes my understanding of the stories in my life blurred, and when I picture William Wilberforce he will always look like Wilbur, the mouse in Brambly Hedge.) My father’s picture of Russia was one of deep snow and rich food, and of revolutionaries fighting, with very mixed success, for fairness. There would always be a pair of children at the centre of the stories – who looked, coincidentally, very like my brother and me – two children who joined the fight with both fists. My dad’s stories made us feel taller, and hungrier: more capable of changing the world.The Wolf Wilder is a book built by those early stories: though it’s less a history than a fairy-tale kind of adventure informed by history. I wanted to write a book that was a little darker than the last, and a little wilder. I wanted to write about different kinds of bravery, with, I hope, an edge of danger. Most of all, I wanted to write a story about a child learning to trust other people: about a child discovering that the world is huge, and full of spectacular people. Feo, more than any other character I’ve written, is how I felt as a child: awkward and wary, but hoping always for friendship and for snow. The plot was made up of things I’ve seen or discovered and loved. The central city of the book is St Petersburg because my grandfather lived there in the years before his death, on the banks of the Fontanka canal, in the building in which (he used to claim) Tchaikovsky wrote The Nutcracker. My grandfather was so obviously and resolutely English that KGB spies used to tail him to church, convinced he was MI5. There was a small ballroom in which, as a teenager, I danced (with an immense lack of grace). So there is dancing in this book, both good and bad, and the great golden domes of St Petersburg. The story is set in the snow because snow has a life of its own: I spent one white winter in rural Scotland, in an old unoccupied shooting lodge. I went weeks without seeing another human. When the pipes froze, I boiled snow for tea. I lit fires, read books, ate icicles and mussels from the lake, and tinned meat. When the worst storms of that year came, I was rescued by an army truck and sent home. I learnt a lot about the different varieties of cold you can be. Later, I read about a Russian recluse who, in the 1970s, used to run barefoot for days through snow with elks slung over his back, and realised I was only a novice at the cold. But I have rarely in my life been so happy. The wilding of animals is a real thing: there is a programme in Zimbabwe, not far from where I spent part of my childhood, where tame lions are taught to feed themselves. And in Yellowstone park they are trying to coax wolves back into the wild. Wolves are the heroes of this book because I think wolves, more than any other animal, are electric. I met a mostly tame one on a cold day in Wales. They really do look nothing like dogs: their shoulders are more muscular and their eyes sharper. They radiate intelligence. They deserve our respect. There are many stories about wolves already, but I think they will always deserve a few more.
Overall Winner and Winner of Fiction for 5-12's category 2014 Waterstones Children's Book Prize Winner of the Blue Peter Book of the Year 2014 - Best Story Shortlisted for the Carnegie Medal 2014 Abandoned as a baby, Sophie’s determination to find her missing mother leads her to Paris where she meets Matteo, living off the local pigeons, washing in rainwater and travelling unseen across the great roofscape of Paris. With Matteo’s help Sophie learns the tricks of roof-top living and also how to break into buildings and bamboozle officials – exactly the trick she needs to find her mother. An exciting, tender and original adventure. Shortlisted for the 2013 Guardian Children’s Fiction Prize
Award-winner Katherine Rundell has already taken readers on thrilling journeys over rooftops, across the Russian steppes and of course deep into the forest. She understands absolutely children's longing for wild adventure and no-one is better suited to write new stories for Kipling's Jungle Book characters. This very handsome book, which features beautiful colour illustrations by Kristjana S Williams, tells five different stories, and with each perfectly-imagined episode adds to what we love about Kipling's unforgettable characters, including Bagheera, Baloo, Shere Khan and Kaa. It opens too with a story about one of the most interesting characters, Mowgli's fierce wolf-mother Raksha, who has long deserved more time in the spotlight. These are stories of bravery and cunning, full of excitement and danger, but most of all they are stories of loyalty and community, and by the time they reach the end, readers will be daydreaming themselves into the jungle family. Mowgli links all the stories, and has his own of course, and is exactly the same impetuous, selfish, boasting but warm-hearted, generous boy drawn so vividly by Kipling. In fact the book does exactly what sequels should but seldom manage - it tells us new stories that grow out of the originals, and enhance and enrich them.
Katherine Rundell, author of Rooftoppers, Wolf Wilder and The Explorer, fills her first picturebook with the wit, verve and touches of whimsy that distinguish her novels, as well as with a series of typically striking images. Theo is spending a lonely Christmas Eve at home while his parents work late, when four battered old decorations he’s just discovered and added to the tree, suddenly come to life. The robin, tin soldier, angel and rocking horse are a demanding bunch, particularly the horse which eats anything and everything. Following their orders, Theo takes them outside and helps each find what they need, before they in turn transform his Christmas. Emily Sutton’s illustrations are perfect for the story, matching both its sense of tradition and anything’s-possible-magic and adventure. A story that is just right for Christmas but worth reading any day of the year. ~ Andrea Reece
Winner of the Children's Book Prize Winner of the Costa Children's Book Award 2017 Winner of the London Book Fair Children's Travel Book of the Year Longlisted for the CILIP Carnegie Medal 'I loved The Explorer' Jacqueline Wilson 'Rundell is now unarguably in the FIRST RANK' Philip Pullman From his seat in the tiny aeroplane, Fred watches as the mysteries of the Amazon jungle pass by below him. He has always dreamed of becoming an explorer, of making history and of reading his name amongst the lists of great discoveries. If only he could land and look about him. As the plane crashes into the canopy, Fred is suddenly left without a choice. He and the three other children may be alive, but the jungle is a vast, untamed place. With no hope of rescue, the chance of getting home feels impossibly small. Except, it seems, someone has been there before them ...
Wilhelmina Silver's world is golden. Living half-wild on an African farm with her horse, her monkey and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult. For lions and hyenas are nothing compared to packs of schoolgirls. Where can a girl run to in London? And will she have the courage to survive?
One of our Books of the Year 2015 - September 2015 Book of the Month Wolves, wildness and freedom are at the heart of this thrilling story. Wolf wilders are employed to reintroduce wolves unfortunate enough to be brought up as pets in rich households back into the wild, and they’re easy to spot: they’ll be missing a piece of finger, the lobe of an ear, a toe or two. Feo and her mother are wolf wilders, content deep in the forest, at least until the arrival of General Rakov and the imperial army. Rakov treats their wolves with the same brutal contempt he shows to the peasants, and despite her reclusiveness, Feo finds herself fighting alongside her neighbours for what is right. ‘Wolves, like children, are not born to lead calm lives’ we are told and this a marvellous adventure, original, beautifully written, and full of scenes and ideas that will excite and inspire young readers. ~ Andrea Reece A note from Katherine Rundell …My father is a great storyteller. When we were very young he left for work at 7 a.m., so he used to wake us up at 6 a.m. and tell us stories from history: the World Wars, the slave trade and the Russian revolution. (Sometimes my understanding of the stories in my life blurred, and when I picture William Wilberforce he will always look like Wilbur, the mouse in Brambly Hedge.) My father’s picture of Russia was one of deep snow and rich food, and of revolutionaries fighting, with very mixed success, for fairness. There would always be a pair of children at the centre of the stories – who looked, coincidentally, very like my brother and me – two children who joined the fight with both fists. My dad’s stories made us feel taller, and hungrier: more capable of changing the world.The Wolf Wilder is a book built by those early stories: though it’s less a history than a fairy-tale kind of adventure informed by history. I wanted to write a book that was a little darker than the last, and a little wilder. I wanted to write about different kinds of bravery, with, I hope, an edge of danger. Most of all, I wanted to write a story about a child learning to trust other people: about a child discovering that the world is huge, and full of spectacular people. Feo, more than any other character I’ve written, is how I felt as a child: awkward and wary, but hoping always for friendship and for snow. The plot was made up of things I’ve seen or discovered and loved. The central city of the book is St Petersburg because my grandfather lived there in the years before his death, on the banks of the Fontanka canal, in the building in which (he used to claim) Tchaikovsky wrote The Nutcracker. My grandfather was so obviously and resolutely English that KGB spies used to tail him to church, convinced he was MI5. There was a small ballroom in which, as a teenager, I danced (with an immense lack of grace). So there is dancing in this book, both good and bad, and the great golden domes of St Petersburg. The story is set in the snow because snow has a life of its own: I spent one white winter in rural Scotland, in an old unoccupied shooting lodge. I went weeks without seeing another human. When the pipes froze, I boiled snow for tea. I lit fires, read books, ate icicles and mussels from the lake, and tinned meat. When the worst storms of that year came, I was rescued by an army truck and sent home. I learnt a lot about the different varieties of cold you can be. Later, I read about a Russian recluse who, in the 1970s, used to run barefoot for days through snow with elks slung over his back, and realised I was only a novice at the cold. But I have rarely in my life been so happy. The wilding of animals is a real thing: there is a programme in Zimbabwe, not far from where I spent part of my childhood, where tame lions are taught to feed themselves. And in Yellowstone park they are trying to coax wolves back into the wild. Wolves are the heroes of this book because I think wolves, more than any other animal, are electric. I met a mostly tame one on a cold day in Wales. They really do look nothing like dogs: their shoulders are more muscular and their eyes sharper. They radiate intelligence. They deserve our respect. There are many stories about wolves already, but I think they will always deserve a few more.
Everyone thinks that Sophie is an orphan. Found floating in a cello case, she is the only recorded female survivor of a shipwreck on the English Channel. But Sophie remembers seeing her mother wave for help - When the child welfare agency threatens to send Sophie to an orphanage, Sophie and her guardian flee to Paris to find her mother, starting with the only clue she has - the address of the cello maker.
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