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The books in this section have been given a primary age range of 13+. There comes a point in a young life when the time is right to move on from the books and children’s authors they enjoyed as a child to reading books and authors that offer greater challenges as they grow up into adulthood. The books in this 13+ category are exactly that. They bridge that gap to introduce you and your teenager to authors who write for that early teen reader but also adult authors who also write for a teenage / young adult audience. The books in this section are suitable for 13-15 year olds. The books in this section might also be given a secondary age range. Some are suitable for 11+ year olds reading above their age. Please note, content & subject matter will be suitable for a 11 year old. Non-Fiction in this section is often fascinating and educational to a wider age range.
May 2021 Book of the Month | Honest, authentic and (ultimately) uplifting, Holly Bourne’s The Yearbook will strike a powerful chord with young women on the brink of leaving secondary school. Realistically raw in its portrayal of toxic relationships (from poisonous school peers to abusive partners), with an underdog protagonist readers will wholeheartedly root for, and a sweet, slow-burning romance that will melt the most cynical of hearts, this is classic contemporary YA. Budding journalist Paige lives a lonely, isolated life - “the undeniable truth was that I was invisible as well as unlovable. Nobody could see me see me at all, let alone look at me and see the potential to store their heart there. People don’t fall in love with wallpaper. Or silence.” At the same time, her parents’ marriage shows the jeopardies of falling in love with the wrong person. She and her mum walk on eggshells around her erratic, coercively controlling dad who flips from jolly joker to enraged monster over the tiniest thing. At least Paige has the school newspaper to keep her occupied - until it’s hijacked by malicious narcissists from the official Leavers’ Committee who want to create a yearbook. As Paige’s family life disintegrates, she realises that the infiltrators steering the yearbook are re-writing history. The same goes for Paige’s dad and his ilk - people who think “they’re the hero of their own story, but, actually, in the pursuit of being so important, they’re often the villain of everyone else’s”. Thankfully, though, hope comes in the form of her independent-minded aunt Polly (“she seemed to genuinely care for me”) and soul-lifting Elijah, who supports Paige’s quest to find her voice and speak the truth after they meet through a copy of To Kill a Mockingbird.
Not since Adrian Mole opened his diary have the thoughts and innermost feelings of an adolescent boy been examined so precisely or with such heart. Stan is twelve, shy and a worrier, so the thought of a holiday in Italy with his friend Felix and Felix’s family freaks him out. He’s going though: we meet him at the airport drawing up a ‘duck-it’ list of things he hopes he’ll never have to do. Little does he know that he’ll tick off six out of ten of them on his holiday, and enjoy it too. The first-person narrative lets us in on all Stan’s thoughts, but he’s a good observer of others so we learn loads about the others in the holiday party too, kids and grown-ups. There are laugh-out-loud scenes and moments of pure agony, and through it all Stan is learning loads about himself and life in general. Honest, revealing, compassionate and so entertaining, this is a must read for all the Stans out there – adults, give yourselves a treat and read it too.
May 2021 Book of the Month | Despite being set in the 1920’s in the imaginary country of Afalia, this stunning and inventive story, from twice Carnegie medal winning author McCaughrean, has powerful messages about the current state of politics, big business and environmental exploitation in our world and most loudly of all about the need for reliable and independent news sources. The story is partly revealed by facsimile newspaper cuttings and it is fascinating to see the progression from real information to manipulation of popular opinion by ruthless and deadly corrupt officials. Gloria, a naive 15-year-old maid to the Suprema, Alfalia’s ruler, is at the heart of the story. As flooding and disaster threaten to overwhelm the country, the Suprema runs away, and Gloria is inveigled by the Suprema’s husband into temporarily impersonating her. As they discover the full extent of the corruption and misinformation, they face an uphill battle to save lives and stand up for what is right. Meanwhile a second narrative follows the fate of people in the neglected North (in another real life parallel) and a dog’s epic quest to find his boy. The canine conversations are just one of the pleasures provided in this multi-layered narrative populated by such a vivid cast of characters and with so many twists and turns keeping the reader enthralled. Ultimately the novel demonstrates the resilience of man and nature and the ability of people to do the right thing given half a chance. This really is vintage McCaughrean and highly recommended. As our Guest Editor in April 2021 Geraldine McCaughrean tells us more about The Supreme Lie and her other brilliant novels.
A mysterious new threat arises in the southern lands of the Silver Kingdom. Lara must journey there to uncover the truth in The Feast of the Evernight, the second book in the best-selling, spellbinding new series by Blue Peter Award and Scottish Book Award winning author Ross MacKenzie. Our Kids Reader Review Panel were lucky enough to review the first in the series, Evernight - find out what they thought!
Boy lives in a caravan on his own in the woods. His dad, John, is in prison and promises to get out soon. All the boy needs to do is survive alone for a little while longer. But dark forces are circling - like the dangerous man in the Range Rover, who is looking for his stolen money. And then there are the ancient forces that have lain asleep in the woods for an age...
Gripping from the first moment on, this is a scary, an unputdownable and a brilliantly plotted fantasy. One minute all the adults are there - next they're gone! Only the children remain and they are trapped, cut off from the outside world and, scarily, left to rule themselves. Can they survive? With no guidance, gangs start to form. Danger lurks at every corner and everyone has to make a choice – to be cruel or humane. It’s a chilling prospect and the new world order is scary for all. It's Lord of the Flies for the Heroes generation with just a dash of the X-Men thrown in for good measure.
Longlisted for the UKLA Book Awards 2021 | Double Carnegie winning Patrick Ness proves yet again how effortlessly he can weave a tale that juggles apocalyptic themes and astonishing action with the truly personal sphere of beliefs and actions while dealing with issues as powerful as racism, homophobia and the morality of war and underlaying it all with deeply tender stories of love. Sarah Dewhurst, finds herself at the centre of an age-old prophecy about humans and dragons, as revealed to her by Kazimir the sardonic Russian Blue dragon hired by her father in a last-ditch attempt to save their farm from bankruptcy. She also learns that an assassin is heading her way, sent by Believers who want the world emptied of human obstacles to the dragons’ dominance. Malcolm, the putative assassin, was raised from childhood in the cult and his evangelical determination to carry out his mission is matched only by his internal regrets for the life that he might have had. The plot twists and turns and grips the reader in a vice and the multiple perspectives, including the FBI agents on Malcolm’s trail, create an intense and captivating reading experience. Every character is given nuance and depth, even the extremely unpleasant Deputy Kelby has a recognisable psychology. There are no long pages of exposition, the writing is as spare and beautifully crafted as we have come to expect and yet the world building is entirely credible as well as fascinating. While the book stands satisfactorily concluded there is a tempting suggestion of more to come and I am sure all readers would anticipate this as avidly as I do. Highly recommended.
Winner of the Wainwright Prize for UK Nature Writing 2020 | Winner of the Books Are My Bag Readers Awards for Non-Fiction | Shortlisted for Waterstones Book of the Year 2020 | Longlisted for the Baillie Gifford Prize 2020 | Diary of a Young Naturalist recounts a year in the life of an autistic and highly gifted 15 year old, struggling with school, bullies, moving house and fearing the decline of the natural world whilst rejoicing in it. Dara McAnulty is clearly an extraordinary person and a beautiful and mature writer. His descriptions of his adventures in nature are inspiring for children, but also sure to brighten the souls of many an adult too. The intensity with which nature presents itself to the author is overwhelming, and his ability to share this with the reader is enthralling. It’s a rollercoaster ride being in the head of this young man, but the book has the magic to open our eyes and ears to what beauty is around us each and every day - if only we looked! McAnulty's knowledge of wildlife and nature is simply extraordinary. His autism is a burden but also a super-power, providing him with piercing insight to a world that simply cannot be ignored with all its truth, tragedy and hope pouring out of every hedgerow, pond and dry stone wall. This is a diary which highlights our essential connection with the natural world, the landscape and our history embedded within it - but more importantly, it is also about our futures. Dara McAnulty is on a mission, and if the quality of this book is anything to go by, he will have a huge impact. For many children, this book will be the beginning of a wondrous journey. ~ Greg Hackett Greg Hackett is the Founder & Director of the London Mountain Film Festival
Exhibiting the same intense sense of place as in her highly acclaimed debut, The Smell of Other People’s Houses, and set once again in Alaska and the American West during the 1990’s, this collection demonstrates absolutely remarkable storytelling and authenticity. Every word in each short story counts in bringing another character so vividly to life that we become completely immersed in their lives. These troubled teens encounter love, loss, coming of age, grief, abuse, and friendships with the minutiae of daily life often revealing or foreshadowing a deeper and darker truth. All the narratives share the backdrop of an increasingly devasting forest fire and the history of a little girl’s disappearance. Each story relates to these major events in different ways and the links between the individual stories and these shattering events gradually become apparent. What is also revealed is the universal dichotomy of small communities, where everybody knows everybody and yet does not actually know them at all. The struggle to get your voice heard and for people to accept your truth is at the heart of these beautifully crafted stories. This is a book which should be garlanded with awards and will definitely linger long in the reader’s mind.
Sixteen-year-old Steffi has been selectively mute since she was five. No-one really knows why, least of all her, but teenage readers will recognise the different pressures that she feels so acutely. Her mutism heightens her loneliness, and the loss of her much-loved step-brother in an accident has added terribly to her isolation. We meet her as she’s starting sixth form, set on reaching university, the pressure to speak greater than it’s ever been. Things change when Steffi meets Rhys, who is deaf. Steffi can sign and as their relationship grows we realise that real communication takes many forms. This is very much a story of two individuals but it will resonate with readers, who will understand Steffi’s problems, and be reassured by its message that you don’t have to be noisy to have lots to say, or to be heard. Readers will also enjoy Holly Bourne’s excellent Spinster Club books, or the Zelah Green books by Vanessa Curtis. Find more books with Positive Images of Disability.
Fresh-voiced and thought-provoking contemporary YA exploring friendship, trust, messing up and trying to do the right thing in the aftermath of a teen girl going on the run with a teacher. Fabulously forthright Eden has always been the kind of student teachers “call ‘spirited’ when they're trying to be nice and 'disruptive' when they're not”. The last thing anyone expected was for her level-headed, flute-playing, star student bestie Bonnie to run off with the school music teacher, but that's exactly what happens, right before they're due to sit their GCSES, and Eden is the only one who knows where Bonnie is. She knows this is wrong, that Bonnie should come home, but she’s promised not to tell, and she can’t betray her friend. Bonnie was the one who made Eden feel at home in a new school when she was placed with a new foster family. Until Bonnie, Eden hadn't had a proper friend. And exploring friendship - how it feels, what it means, the joys, the obligations, the codes of loyalty - is at the heart of this involving novel. No one believes Eden when she says Bonnie hasn't been in touch, but how long can she keep lying? And what price will be paid for her loyalty, when she knows Bonnie is making a massive mistake? Alongside Eden’s struggle, understanding why Bonnie left is also thoughtfully explored - the pressures she put on herself to perform at school, the weight of expectation, the fears and doubts that made her more susceptible to grooming, the desire to feel understood. This novel tackles serious issues head-on, and with tremendous empathy, never shirking from the complexities of both Eden and Bonnie’s predicaments. Eden’s adoptive parents are a delight, as is her relationship with super-sweet boyfriend, Connor. They’re true friends, and the very model of a healthy relationship: loving, supportive and respectful of each other. Sara Bernard has done it again.
In Destination Anywhere, Sara Barnard explores love, life and friendship in this exquisite tale of the lengths one girl will go to to change her story. Peyton is pushed to the limit. She’s been bullied mercilessly at school. At sixth form college all she wants it to have friends like everyone else. But it seems that for her having friends comes at a cost. When those friends let her down in the worst possible way she decides to leave everything behind. She buys a one-way ticket to Vancouver on her dad’s credit card and sets off with her sketchpad and backpack to find happiness. But is escaping to Canada going to bring her friends – or just loneliness?
June 2021 Debut of the Month | A compelling, incendiary, and unputdownable thriller with a shocking twist, Faridah Abike-Iyimide delves deep into the heart of institutionalized racism with this compulsive debut. *** Find a must-read letter from Faridah to her readers, attached to the extract.
This companion to Beautiful Broken Things is a vital, powerful portrayal of the complexities of mental health, friendship and love. Now a legal adult, Suzanne, the self-declared “queen of fresh starts”, leaves her foster parents, acutely aware that “this time, I’m on my own”. She’s moving back to Brighton, the only place she’s ever felt a sense of belonging. “I’m overdue some goodness”, Suzanne muses as she moves into a basic bedsit, with Auntie Sarah and dear friends Rosie and Caddy on hand to help her settle in. But Rosie and Caddy soon head off to their respective universities, leaving Suzanne feeling abandoned. Lonely and struggling to make ends meet on the wages from her café job, she forms a friendship with her 79 year-old neighbour, a storyline that swells with raw, life-affirming beauty. Alongside this, painful mental health setbacks are triggered, and further rollercoaster rides come courtesy of a confusing, overwhelming romance with musician Matt. Honest, authentic, moving and entertaining, this all-consuming story is sensitive and wise on the complexities of growing up, and offers a guiding hand to young adults facing mental health struggles.
16-year-old Brightonians Caddy and Rosie have been best friends all their lives, their relationship enduring even when Caddy’s aspirational parents send her to a private school. But when an enigmatic new girl arrives at Rosie’s comprehensive, Caddy’s longing for “something of some significance to happen” in her “hopelessly average” life is set in motion, along with a shift in the dynamic of her relationship with Rosie. While Caddy is initially terrified that the beautiful, impulsive Suzanne will replace her, the three of them form a deep friendship. As Suzanne’s self-destructiveness escalates, it emerges that she’s struggling to cope with the ordeal of having suffered physical abuse at the hands of her stepfather, and Caddy finds herself laying everything on the line to save her downward spiraling friend.This powerful, punch-packing debut is an utterly compelling, authentic portrait of the intricate ebbs and flows of friendship, and of a young adult trying to navigate the tempestuous waters of past traumas. Accessible and profoundly moving, Caddy, Rosie and Suzanne’s story is sure to resonate with many a young woman - a phenomenal feat for any writer, let alone a first-time novelist.
April 2021 Book of the Month | This exquisitely creepy YA shocker whirls with gritty horror, witty one-liners, Insta-worthy visual conjurations and the menacing mystery of three bewitching sisters who vanished in childhood. “Dark dangerous things happened around the Hollow sisters. We each had black eyes and hair as white as milk...We didn’t have friends, because we didn’t need them.” So explains the youngest sister, Iris. As children, the three sisters vanished one New Year’s Eve on the strike of midnight and reappeared with their hair and eyes a different colour, tiny baby teeth in place of their adult teeth, and no memory. “In possession of an alchemical self-confidence that belonged to much older humans,” Iris’ older sisters have “set off into the world, both bound for the glamorous, exotic futures they’d always known they were destined for”, leaving her alone in North London with her mother. Sinister bells toll when seventeen-year-old Grey, a supermodel and designer of decadent couture “who looked like sex and smelled like a field of wildflowers”, fails to turn up to middle sister Vivi’s punk gig in Camden, and then there’s the mystery of the man wearing a horned skull. There are books with unexpected twists, then there’s House of Hollow - imagine losing your way in a decaying fairy tale forest, where tangled tree roots trip you up, and you have no idea what terrors skulk within its ever-shifting mists. At times grisly and always eerie, this intoxicating cocktail of contemporary horror and mythic menace is a lushly-written feast.
Unrivalled in his capacity to conjure soulful truths that transcend time and place, David Almond’s writing never fails to get to the very heart of what it is to be human and, though its setting is modern, Bone Music is a sublimely timeless masterpiece - a raw, pure, measuredly lyrical story of a girl discovering deep bonds to nature and the distant past. Underpinned by a belief that the world can be made a better place, it will appeal to a broad range of 11+-year-olds (and adults), from dedicated bookworms, to more reluctant readers. “Why had her bliddy mother brought her here?” city girl Sylvia complains. There’s no phone signal in the wilds of Northumberland, where her mother was born, where they’re currently staying. On her first night here, Sylvia is disturbed by haunting music: “It was like something she’d dreamed before, like something coming from inside her as well as from outside her, like something she’d heard before.” Then she meets a young musician, Gabriel, who wisely remarks - out of the blue - that “the world’s bloody awful, isn’t it? … It’s bloody awful and it isn’t bloody awful. It’s bloody marvellous”. Through their forest wandering and fashioning of a bone flute from the wing of a dead buzzard, Sylvia sees the world anew and experiences life’s “bloody marvellous” aspects. As Gabriel explains, bone flutes “were used to charm the living. They were used to call the dead”, and they were used in ancient rites of passage. The magic of bone music and nature casts an unceasing spell on Sylvia (“the beauty of the world poured into her”), as does Gabriel. His wisdom has timely, timeless resonance: ‘‘Something’s wrong, isn’t it? Look at the state of the bliddy world. Look at all the anxious, troubled kids. We need more, don’t we?” And that, perhaps, gets to the heart of this remarkable book - it’s a story that stimulates reflection, provokes questions and prompts us to ask what we really need (and don’t need) while celebrating primal connections to the earth and the ancient past. What a joy.
A Julia Eccleshare Pick of the Month April 2021 | Zaynab arrives in Devon from her home in Somaliland after the death of her mother, a passionate activist trying to improve lives in drought-stricken Somaliland. Unhappy, and lonely in her new environment, Zaynab begins her own campaign against the climate crisis drawing on her first-hand view of its devastating effect on her home country. She quickly finds fellow supporters among her classmates, including particularly Lucas who is equally passionate for different reasons. Challenging their school’s prohibition on campaigning is the first big step and taking part in the national protest is the second. In doing both Zaynab shows her peers that children like them need to be heard. And that they can make a difference. But the stakes are high and, when Zaynab uncovers a big company with a sinister and destructive programme, she has to decide just how hard she will fight. Zaynab’s passionate commitment is infectious – readers will be inspired.
April 2021 Book of the Month | Derek Landy’s riotously inventive Skulduggery Pleasant series first blasted its way onto bookshelves back in 2007, and fresh fantastical thrills keep on coming in Dead or Alive - no mean feat for book fourteen in a series. With the world teetering on the brink of irrevocable, devastating change, this penultimate novel sees Skulduggery, Valkyrie and Omen face their most trying test (yet…). As wildly witty and exhilarating as ever, this doorstopper of a page-turner sizzles with a burning sense of time slipping away, for if Skulduggery Pleasant and Valkyrie can’t rid the world of Damocles Creed, the world’s people will be wiped out. Even Valkyrie is thrown by the imminent prospect of making the ultimate sacrifice: “Valkyrie woke, jumped out of bed and managed to get halfway to the bathroom before she threw up. They were going to kill Creed. They were going to kill Creed and nothing would be the same again.” The dialogue dances, desperation escalates, and fans will be left longing to know how Skulduggery’s awe-inspiring story will end.
Written and illustrated by award-winning artist and current affairs specialist George Butler, Drawn Across Borders is a unique empathy-inspiring portrayal of the affecting personal experiences of twelve migrants, covering countries as diverse as Tajikistan, Myanmar, Kenya, Syria and Palestine. It’s an honest, awe-inspiring tribute to the featured individuals, a testament to the strength of the human spirit, and a timely reminder that real people lie behind every news story on migrants. Real people with real (and varied) reasons for leaving places they once called home. Butler frames the book with brilliant clarity: “People move around the world for many reasons. Some migration is voluntary; most is not.” The written portraits are deeply personal, framed by the author’s experiences on the frontlines of - for example - refugee camps, and based on his conversations with migrants. When combined with the accompanying painterly illustrations, they create a book that draws the heart and eye to a clutch of stories that should be known. Recommended for readers aged 11 upwards who have an interest in current affairs and history (adults included), this would also make a valuable springboard for discussing migration and global politics in a classroom context. The LoveReading LitFest invited George to the festival to talk about Drawn Across Borders. You can view the event by subscribing to the LitFest programme for as little as £6 per month - or you can pay per view. For just £2, go, see George in conversation with Paul Blezard and find out why everyone should read this book. Check out a preview of the event here
April 2021 Book of the Month | Bravo to Jonathan Stroud! With its cast of charismatic characters and extraordinary world-building (think broken Britain with Wild West vibes), The Outlaws Scarlett and Browne is an audacious firecracker. And, in even better news for fans of funny, inventive adventure fiction, this is but the beginning of what’s set to be an extraordinary series. “Britain was a land of ruin…the country was maimed and broken - but full of strange fecundity and strength”. It’s also brimming with the likes of bears, wolves, flesh-eating spear-birds and gruesome cannibal creatures, all of which whip-smart, cuss-uttering Scarlett takes into her swaggering stride. She makes an unforgettable impression from the off: “A slight slim figure in a battered brown coat, weighed down with…all the paraphernalia of a girl who walked the Wilds.” After killing four grown men who’d tried to rob her, Scarlett struts into a bank and proceeds to hold it up (turns out she needs money to repay a debt). On fleeing the scene, Scarlett finds a crashed bus, all its passengers dead but for a lone boy hiding in the toilet. Enter Albert Browne, “awkward, skinny and wide-mouthed, like a frightened skeleton”, and seemingly a piece of powdery chalk to Scarlett’s pungent cheese. Her scathing sarcasm (and Albert’s obliviousness to it) provides many a laugh: “You just holler if I get in your way,” she seethes as he admires a seed pod while she sets about making a fire, cooking a bird and establishing a camp for them, and all while they’re being pursued. But, for all his unworldliness, Albert turns out to have hidden talents. Sensing he might be of use to her after all, Scarlett agrees to help him accomplish his own mission. Albert wants to reach the Free Isles, remnants of London that “don’t have any restrictions on who you are or what you can do. They welcome people who are...different”, unlike the dictatorial High Council of the Faith Houses, which is “desperate to keep the old ways going”, and “on the watch for any kind of deviation.” Trouble is, as their respective pursuers close in, time and space is running out for our unforgettable outlaws. What a story, what characters, and what a wait it will be until the second instalment. I defy any reader not to fall for Scarlett and Albert, and to become gasp-out-loud, laugh-out-loud invested in their quest.
The wolves are circling and a young king will face his greatest challenge in the explosive finale of the instant #1 New York Times-bestselling King of Scars Duology. The Demon King. As Fjerda's massive army prepares to invade, Nikolai Lantsov will summon every bit of his ingenuity and charm - and even the monster within - to win this fight. But a dark threat looms that cannot be defeated by a young king's gift for the impossible. The Stormwitch. Zoya Nazyalensky has lost too much to war. She saw her mentor die and her worst enemy resurrected, and she refuses to bury another friend. Now duty demands she embrace her powers to become the weapon her country needs. No matter the cost. The Queen of Mourning. Deep undercover, Nina Zenik risks discovery and death as she wages war on Fjerda from inside its capital. But her desire for revenge may cost her country its chance at freedom and Nina the chance to heal her grieving heart. King. General. Spy. Together they must find a way to forge a future in the darkness. Or watch a nation fall.
Shortlisted for CILIP Carnegie Medal 2021 | Lauren Wolk’s Echo Mountain shimmers with timeless lyricism and rhythm. The story sings with empathy and a spirit of bravery. Its world is one young readers will be enraptured by and long to return to, making it perfect for fans of classic Eva Ibbotson novels and contemporary books by Katherine Rundell. In the wake of The Great Depression, Ellie’s fine tailor father and music teacher mother lose work, then their house, “and then the life we’d always known” when they’re compelled to leave town for Echo Mountain. While her mother and sister find mountain life especially tough (they “lived in a brew of fear and exhaustion”), Ellie and her father loved the woods, loved the mountain and “what it kindled in me.” Ellie is mystified when her dog returns home with a little wooden lamb attached to its collar, and then more objects appear, including a carving of Ellie herself left in the stump of the tree that almost killed her father. With her family reeling from his accident, Ellie’s determination to find a cure leads her to Cate, a skilled healer who’s disparaged as a witch, and wild Larkin, her young apprentice. Through Cate, Ellie too learns how to heal, and also how to see beyond appearances, and how to persevere. What a wonderfully immersive read.
Shortlisted for CILIP Carnegie Medal 2021 | Carnegie winner Ruta Sepetys seems to specialise in illuminating forgotten or unknown aspects of history. The Spanish Civil War may be widely known but Spain lived under Franco until 1975. Rather like post-Apartheid South Africa there was a reconciliation movement that did not pursue retribution for the human rights abuses and crimes of the dictatorship. But this outstanding, impeccably researched novel seeks to shine a light on those crimes. In a fascinating afterword she tells us that studies estimate over 300,000 babies were stolen from their Republican parents. This is indeed a story to shock and horrify but its power comes from the characters and the very human stories she tells. We get different perspectives from different viewpoints and voices, but very cleverly our main guide is an outsider looking in just as the reader does. Daniel is an American boy visiting Spain as his father negotiates a lucrative deal. America’s complicit dealings with the Franco regime are also under the spotlight here. Daniel aspires to be a photojournalist and he naively wants to find the real Spain. He finds fear and suspicion, makes friends and falls in love but tragedy strikes, and he must leave. The full sinister picture is only revealed many years later. This is a book which absolutely demonstrates the power of a story to reveal truth and to develop real understanding and empathy. Perfectly pitched, evocative and utterly enthralling.
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