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Real-world heartache meets inner myths in this stirring thriller about loss, love and the call of the wild
November 2020 Debut of the Month
Nimbly navigating a fine thread between real-world tragedy and elemental inner demons, Richard Lambert’s The Wolf Road is a stunning coming-of-age thriller about a boy’s battle with bereavement, and the wolf that holds the key to his healing. It’s un-put-down-able and emotionally haunting in perfectly balanced measures.
Fifteen-year-old Lucas’s life unravels when he discovers his parents were killed in a car crash caused by a dog. In an instant “the world didn’t make sense”, and now he must live with his nan, an “odd woman in purple DMs” (and socially-conscious solicitor) he’s only met twice in his life. Despite his angry protests, Lucas has no choice but to move to Nan’s cottage in the Lake District, certain the offending dog was, in fact, a wolf. It’s not long before wolves infiltrate all aspects of his life - at school he reads The Call of the Wild (a book “about a dog that really wants to be a wolf”). Local TV news reports on a local farmer who believes his livestock is being killed by a wild wolf. And then lupine menace encroaches on Lucas’s reality when he hears and glimpses what must be the wolf. As he wonders whether it’s coming for him, to “finish off the family after Mum and Dad,” he confronts his wildest pains in the wilds of the mountains.
While the theme of loss - and Lambert’s inventive handling of it - will chime with readers who loved Patrick Ness’s A Monster Calls, this also has great appeal for fans of emotion-driven adventures, such as Piers Torday’s nature-rich novels. Other plot strands skilfully untangle the complex relationship between Lucas and his Nan. The faltering understandings reached between grandmother and grandson are a joy to witness, as is the bond Lucas forms with Debs, a Sylvia Plath-reading goth-punk.
A tale of loss that is also a gripping thriller, a realistic study of grief that skirts the margins of fantasy, it walks wolf-like between worlds and genres. Richard Lambert writes with a poet's eye; he has created something magical here.
The storytelling is as bold, sinewy and uncompromising as the beast that shadows Lucas in the mountains above his home.
'Compelling debut. A significant new voice, it has something of the shock effect of Piers Torday’s There May Be a Castle and the raw force of Patrick Ness’s A Monster Calls.' Sunday Times, Children's Book of the Week
'One of the most stunning books I've read in years.An astonishing exploration of grief and love and wildness.' Hilary McKay
'A passionately told story of loss, pain, growing up and adventure to haunt any reader's imagination.' Michele Roberts
'A tale of loss that is also a gripping thriller. Bold, sinewy and uncompromising.' Jonathan Stroud
'A stunning, special debut about love and loss and how the wildness can save us.' Chelsey Flood
'A smart chilling page-turner that kept me guessing right up to the end.' Hayley Long
'Moving, menacing, written with cinematic clarity.' Andrew Cowan
'A sharp, hard, modern story of a young man's losses and loves.' Mark Cocker
'This is an insightful novel about bereavement, but also about what growing up might involve in a world that actually needs wolves.' Moniza Alvi
|Publication date:||28th October 2020|
|Publisher:||Everything with Words|
|Suitable for:||11+ readers, 13+ readers|
|Genres:||Crime / Mystery, Gritty Reads, Personal Social Health Economic , Death / Bereavement, Thrillers|
|Recommendations:||Debuts of the Month, Coming Soon, Star Books|
Richard Lambert writes poetry and fiction. His second poetry collection The Nameless Places was published by Arc in 2017, and his poems have appeared in The Spectator, the TLS, and The Forward Anthology. He is a graduate of the MA in Creative Writing at UEA. His short story 'The Hazel Twig and the Olive Tree' was shortlisted for the prestigious Sunday Times EFG Short Story Award. In 2019 he won the Fish Short Story Prize.More About Richard Lambert
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