A Julia Eccleshare Pick of the Month August 2018 | With a tremendous cast, a great plot and setting and a catchy style this fast-paced espionage story is a book that is impossible to put down. Sophie Taylor and Lilian Rose, two girls who are very different in all ways except that they both clever and brave, find their detective work leads them to working with the Secret Service Bureau. It is 1911and the girls set off on a mission to Paris. Following the twists and turns of their undercover activity is a delight – as is Katherine Woodfine’s re-creation of Paris.
Julia Eccleshare's Picks of the Month for August 2018
It's 1911, and the young detectives of TAYLOR & ROSE are turning their talents to ESPIONAGE. On a case for the mysterious SECRET SERVICE BUREAU, the daring MISS SOPHIE TAYLOR and MISS LILIAN ROSE must leave London for the boulevards and grand hotels of Paris. But DANGER lurks beneath the bright lights of the city - and INTRIGUE and MURDER lie in store. As aeroplanes soar in the skies overhead, our heroines will need to put all their spy skills to the test to face the PERIL that awaits them...
The first book in a new espionage adventure quartet for 9+ readers which features favourite characters from the bestselling and much-loved Sinclairs Mysteries series.
Katherine Woodfine was born in Lancashire in 1983, and studied English at Bristol University. She lives in London and since 2009 has worked for the literature charity Booktrust, where she is a children's book specialist and project manager of the Children's Laureate, working with leading children's authors such as Malorie Blackman, Julia Donaldson and Anthony Browne.
Katherine is the bestselling author of the Sinclair’s Mysteries and the Taylor & Rose Secret Agents series. Her first novel, The Clockwork Sparrow, was shortlisted for the Waterstones Children’s Book Prize in 2015. For Barrington Stoke, her Heroines from History Little Gems series includes Elisabeth and the Box of Colours, Sophie Takes to the Sky and Rose’s Dress of Dreams which was heralded by the Guardian as “a pink-clad paean to design and dressmaking as an artistic rebellion”
