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Find out moreHas your 11+ reader has moved on from middle grade chapter books but struggling to find something more challenging? We have a selection of books we think might fit the bill..strong storylines, excitement, social realism and sometimes a bit of danger. Guaranteed to draw even the most reluctant reader in...
September 2020 Book of the Month | Co-written by award-winning novelist Ibi Zoboi and Dr Yusef Salaam, a prison reform activist, poet and one of the Exonerated Five, Punching the Air is a timely, heartachingly powerful free verse novel. Through its shatteringly succinct lyricism, Amal’s story is a mighty call to action that rouses readers to question the deep-rooted and damaging consequences of racially biased societal systems, while radiating the light and hope of art and Amal himself. Sixteen-year-old Amal is a talented poet and artist, but even at his liberal arts college, he’s victimised by destructive preconceptions, deemed disruptive by people who “made themselves a whole other boy in their minds and replaced me with him.” Amal’s budding life careers off-course when he’s wrongfully convicted of a crime in a gentrified area. Even in the courtroom it feels to him “like everything that I am, that I’ve ever been, counts as being guilty”. Standing before judgemental eyes in his specially chosen grey suit, he’s aware that “no matter how many marches or Twitter hashtags or Justice for So-and-So our mind’s eyes and our eyes’ minds see the world as they want to/Everything already illustrated in black and white.” In the detention centre, Amal considers his African ancestry: “I am shackled again,” he says. “Maybe these are the same chains that bind me to my ancestors. Maybe these are the same chains that bind me to my father and my father’s father and all the men that came before.” He expresses society’s double standards with searing clarity too - Black boys are “a mob/a gang ghetto/a pack of wolves animals/thugs hoodlums men” while white boys “were kids having fun home loved supported protected full of potential boys.” But through the beatings and despair, through anger and frustration, Amal finds solace in the supportive letters he receives from a girl in his school, and his “poet, educator and activist” teacher. By turns soul-stirring and inspiring, this sharp exposure of injustice and testament to the transformative power of art comes highly recommended for readers who love the work of Jason Reynolds and Elizabeth Acevedo. Find a selection of recommended books that celebrate difference in our blog, Diverse Voices.
A Julia Eccleshare Pick of the Month September 2020 | Cleverly blending an upbeat story of a girl who loves Superman comics and is determined to be a super sleuth in the style of Lois Lane and a contemporary story of a child being trafficked and held in slavery, The Invisible Boy is a fast-paced read with a strong message. When Nadia’s dog is rescued by a boy she has never seen in the neighbourhood before, she immediately labels him ‘The Invisible Boy’ and is determined to find out who he is. Influenced by the comics she reads Nadia is used to making up dramas, often jumping to the wrong conclusions! How Nadia pieces together the real story of her new friend is a well-crafted drama. Nadia’s shock and horror is powerfully conveyed.
Winner of the Branford Boase Award 2020 | March 2020 Debut of the Month |Winner of the Older Readers' category of the Waterstones Children's Book Prize 2020 | Told in narrator Newt’s distinctive phonetic English, this dark debut dazzles with originality and delivers a potent case for combatting inequality. Bearmouth is home to a grim mining business, where men and children labour under inhumane conditions to make their Master wealthy. They work under the earth, under the omniscient Mayker who - so workers are told - “sen us down into the dark Earf/To atone for the sins o our forefarvers an muvvers”. Naïve Newt hasn’t seen daylight in years, but takes pride in being taught to read and write by fatherly Thomas, blithely accepting this lot until the arrival of new boy Devlin. Devlin’s talk of “revolushun” makes Newt feel that things are “unravellin slowly slowly lyke a bootlayce comin all undun.” Life in Bearmouth is beyond bleak, but the sparks of Devlin’s revolutionary spirit catch light and drive Thomas to ask the Master for “more coinage” for the workers, to question why they must pay for essential clothes, to demand to know when the promised safety lamps are coming. Then when tragedy strikes, Newt too realises that things “ent bloody well ryte” and takes on Devlin’s insurgent tendencies, with explosive effects. Emotionally engaging, this searingly original novel about standing up to abuses of power and fighting for freedom is radiant with story-telling excellence. The Branford Boase judges said : ‘Astounding!’; ‘I loved every single second’; ‘plot, story and voice are superb’; ‘I was totally invested in the characters’; ‘interesting, challenging and original’.
Highly Commended in the Branford Boase Award 2020 | Ten-year-old Frank loves code and numbers; they’re a way to make sense of the world, as well as providing secret languages to share with his friends and his mum. Frank’s five-year-old brother Max is autistic and for him the world is often a scary place, when anything unexpected, too loud or too bright can cause him to have a meltdown. The story is narrated by Frank and every reader will understand his frustration at the unfairness of life. We know that he loves Max, but we know too how hard Max makes life for all the family. Frank is then faced with something even more terrible when tragedy strikes. With the help of those around him we watch Frank find a way to make sense of what has happened and the bravery to cope with the different world. Katya Balen has worked with neuro-divergent children and there’s a powerful sense of truth and understanding in her beautifully told story. If they like Wonder by R. J. Palacio they'll love The Space We're In.
Patrick Neate’s Small Town Hero melds a sensitive handling of real-life loss with alternate world weirdness to create a surprising, unique novel. There’s grief and gaming, family secrets and football, and the interwoven themes of loss and science will appeal to readers who liked Christopher Edge’s The Many Worlds of Albie Bright and are now a little older. Everything changed for thirteen-year-old Gabe when his dad died in a car accident. First there’s his grief, which has created a “black hole inside me.” Then there’s his unsettling new ability: “the stories I imagine become real.” Reeling with grief and confusion, Gabe finds he’s not entirely alone when he spends more time with his estranged Uncle Jesse, writer of an online game called Small Town Hero, which - to make matters even weirder – appears to echo Gabe’s life. Jesse believes “there aren’t just a few realities, but a countless number” and explains that when Gabe shifts realities and sees alternate versions of his present and future life, he’s crossing something called an “event horizon”. As Gabe’s reality-shifting plays out, he also falls out with his best friend. Still, he has Soccer School to look forward to, and here Gabe takes on pertinent football wisdom from one his Watford icons: “Football’s a game of moments. You get the ball, you choose a pass and, whether you chose right or wrong and did it well or badly, the moment’s gone and you gotta move on…the game makes you live in the here and now – you can’t change what’s gone and you can’t see what’s coming.” For similar books you can find an exciting and varied selection in our new Gritty Reads section
August 2020 Debut of the Month | Will Levine has two passions in his life, the local wildlife reserve behind his school and the turtles he has found there. The rest of his life is a bit of a disaster in his eyes – he is given an unkind nickname at school, due to a facial difference, he has to cope with an upcoming Bar Mitzvah, and he has a community service he needs to fulfil for a boy who is confined to a hospital room. Then, to make matters worse, the county plans to sell off the nature reserve. Plus, there is a looming surgical procedure for Will – who hates having blood tests, never mind anything else. How can he make these things work for him – how can he survive it all, when all he really wants to do is look after his turtles and hide away. Slowly Will responds to the needs of RJ who is stuck in the hospital, and they build a strong and wildly adventurous friendship that takes Will away from his comfort zone and helps RJ experience things he would never have chance to do himself. As well as the obvious empathy the book elicits from its readers there is a wonderful amount of humour, and some passing knowledge gained about turtles too! A wonderful story for all of life’s outsiders – offering hope and new perspectives.
“How can a dog and a girl who can’t see solve a crime?” visually-impaired Libby asks herself partway through this pacey novel by the award-winning author of I Have No Secrets. But that’s exactly what Libby sets out to do. Fearing her missing classmate Charlie is in danger, Libby and Kyle make it their mission to find him. As the perilous mystery unfolds, Libby’s story gives valuable insights into living with visual impairment, including the tactless comments and “help” from strangers that hinder her day-to-day life. Her determination is nothing short of inspirational. The author’s unfussy style makes this novel particularly suitable for reluctant readers - the story is driven by snappy dialogue. The plot moves at pace. Timely insights into county line grooming are delivered in an impactful, easy-to-digest way. To add to the tension, the drama plays out against Libby’s complex family dynamics – an insensitive gran, an over-protective dad, and a high-achieving mum who wants her to be more independent. All in all, this is a strong springboard for discussing pertinent issues, and a gripping, romance-tinged thriller to boot.
“We are all family,” says Mo, the Indian-born RAF pilot who becomes irrevocably connected to thirteen-year-old Joelle when his plane crashes near her Nazi-occupied French village. “I believe that all of creation is one whole. We are bound together, each of us, by invisible links, and all are equally important.” This uplifting ethos of equality ripples through Mohinder’s War, a story of solidarity and survival against the odds; of friendship and hope through horror and loss. Joelle lived a “charmed life” in pre-war France, her English mother and French father kept busy by their family boulangerie. Following the outbreak of war and Nazi occupation they support the French Resistance. As a result, when Joelle happens upon Mohinder, they keep him safe in their home - but at huge risk, for the Germans know about Mo’s crashed plane and have placed a reward on his capture. Alongside the ever-present menace of discovery, the French Resistance want Mo as a bargaining chip. “The British left us to rot,” they say. “Now, in exchange for their pilot, they must pay too.” Then, when treachery leads to tragedy, Mo comes good on his promise to protect Joelle. Short, and driven by compelling characters, engaging dialogue and an onward-marching pace, this is perfect for reluctant readers who may struggle to keep focus. It’s also excellent for prompting discussions around WWII and broader ethical issues - betrayal, trust and what it is to do the right (and wrong) thing. Importantly, it also shows the vital role played by Indians in Britain’s WWII campaign, and shares information about Mo’s Sikh faith. Stirringly, the story is framed by a contemporary setting, with Joelle revealing this incredible - and hitherto unknown – story at Mo’s funeral.
Shortlisted for the CILIP Carnegie Medal 2020 | Storm, shipwreck, survival. Chris Vick's novel delves deep into the might and majesty of the unpredictable ocean, the strength of an unlikely friendship between a British boy and a Berber girl and their will to survive against all the odds.
A Kind of Spark tells the story of 11-year-old Addie as she campaigns for a memorial in memory of the witch trials that took place in her Scottish hometown. Addie knows there's more to the story of these 'witches', just like there is more to hers. Can Addie challenge how the people in her town see her, and her autism, and make her voice heard? A story about friendship, courage and self-belief, perfect for fans of The Goldfish Boy.
June 2020 Book of the Month | Teeming with drama and compelling code-cracking action, this WWII thriller is driven by the lives of three young people determined to make their mark on the war effort, and by the life-affirming relationship between fifteen-year-old Louisa and the elderly woman she’s employed to look after. Aspiring pilot Louisa is alone in the world. Her white English mother was killed in a London bomb blast, and her black Jamaican dad died on a ship that was torpedoed only three days after her mother died. Through her grief brave Louisa “burns to fight back” and takes a job looking after Jane, an elderly German woman who’s been imprisoned in an alien detainment camp. While travelling to stay with Jane’s niece in her Scottish pub, they form a beautiful bond, finding common ground in their love of music and the fact that they’re both outsiders in Britain - Jane because she’s German, and Louisa because she’s mixed race and subjected to racism. In Scotland they meet fellow outsider, Ellen, a driver for the local RAF airfield who tries to hide her traveller heritage. Ellen’s active role makes Louisa more determined to do something herself, so she takes her chance when a German defector lands at the airfield and leaves a codebreaking Enigma machine. It’s not long before Louisa, Ellen and young flight lieutenant Jamie step-up their war efforts, as their story builds to an impeccably conducted, pulse-quickening crescendo. Alongside being a gripping thriller, this is a truly moving, inspirational novel. Louisa’s passion for music and learning, her wit and ambition, are exhilaratingly infectious. I’d love to know what she does next.
So, so readable, Of Ants and Dinosaurs with the lightest and brightest of touches, made my brain itch with its creativity and klaxon alarm. Perfect for readers from young adult on, this sets itself as a “satirical fable, a political allegory and ecological warning”. In a time long long ago ants and dinosaurs joined forces to build a magnificent civilisation, when doom threatens will the dinosaurs listen to the ants? Cixin Liu is China’s number one science-fiction writer and his The Three-Body Problem was the first translated novel to win a Hugo award. I just love the cover, and the ants marching across the chapter pages had me smiling. As soon as I started to read my attention was well and truly caught. The prologue sets the scene with wonder and I read and believed without a moments doubt. While portraying the ant and dinosaur alliance, there is very much a warning to the human race here. Deceptively simple and brilliantly clever, I simply adored it.
25% Sisters 25% Sorrow 25% Joy 25% Forgiveness | From the multi-award-winning author of The Poet X and With the Fire on High comes Elizabeth Acevedo’s exceptional dual-voiced novel about loss, love and sisterhood across the sea, a story partly sparked by the fatal crash of a flight from NYC to Santo Domingo in 2001. Camino Rios has always lived in the Dominican Republic with her aunt Tia, “a woman who speaks to the dead, who negotiates with spirits”, a woman who’s like a mother to her: “Even when Mama was alive, Tia was the other mother of my heart.” Life’s not easy for them on the island, but they have it better than their neighbours as a result of Camino’s beloved Papi working in the US for most of year. To Camino, Papi is a “A king who built an empire so I’d have a throne to inherit”, and she lives for the summer months when he comes home to them. But all life is thrown into terrible disarray when she goes to meet Papi at the airport and learns that his plane has fallen from the sky, and then: “I am swallowed by this shark-toothed truth.” This story is blessed with such divinely piercing language throughout. At the same time, across the Atlantic, Yahaira Rios learns that her hero Papi has died in a plane crash. She already knew he had a wife on the island (but not of his secret daughter), and has always longed to reconcile her Dominican heritage with her American life: “Can you be from a place you have never been? You can find the island stamped all over me, but what would the island find if I was there? Can you claim a home that does not know you, much less claim you as its own?” When it emerges that Papi wishes to be buried back in DR, Yahaira’s Mami insists that she will never let her “touch foot on the sands of that tierra.” But Yahaira has other plans, not least when she’s contacted by a girl named Camino Rios who bears an undeniable resemblance to Papi, and to her too. As well as being exceptionally affecting on grief, forgiveness and family secrets, Clap When You Land is also devastatingly sharp on the exploitative tendencies of tourism. In Camino’s words: “I am from a playground place…Our land, lush and green, is bought and sold to foreign powers so they can build luxury hotels...Even the women, girls like me, our mothers and tias, our bodies are branded jungle gyms…Who reaps? Who eats? Not us. Not me.” Overflowing with truths of the heart, and truths about inequalities that need to be broken, while also addressing the complexities of what it means to be of a place, I can’t praise this highly enough.
Hitting rock bottom, hanging on, and coming back from the edge. Brian Conaghan has an incredible talent for telling it like it is. His characters are authentic and absorbing; flawed underdogs with serious troubles, like 17-year-old Maggie whose dad “drank his liver into a spreadable pâté”, and whose laid-off dinner lady mum is “gifted in the art of attracting pure dickheads”. And Maggie? Maggie’s “an island: the way I dress; the music I listen to; the patter my brain discharges; everything”. Maggie’s struggling to deal with the tragic loss of her best friend Moya whose death she feels excruciatingly guilty about. Moya was a “mad riot” of a girl, but as Maggie “couldn’t be arsed with all the love-struck vom” Moya was spewing, because she didn’t speak out against the Internet trolls, she believes she was a “failure friend”. Alongside her grief, guilt and self-harm, Maggie struggles with her mother’s severe depression, but also tingles with the hope that comes from starting art college: “now’s the time to make something of myself.” Indeed, she soon forms a band with new friends. Throughout, Maggie’s love of bands like The Smiths looms large, as does her relationship with her depressed mother. Maggie’s rage at her mother’s condition derives entirely from her primal love for her. She’s desperate for Mum to be happy, and her scheme to help her find happiness is heart-achingly poignant. Grief, depression, self-harm, online abuse, this novel is no walk in the park, yet it never drags the reader down. On the contrary. It’s sensitive, insightful, funny (Maggie is a master of biting one-liners), and genuinely uplifting as Maggie and Mum begin to find their way back to the world, with glinting prospects of love and new life.
25% Loss, 25% Memory, 25% Haiku, 25% Peace | This novel moves from poetry to prose, and back again, as it explores a girl’s relationship with her Grandfather. Mizuki can see something is deeply troubling to her Grandfather Ichiro, but she can’t find its source, except it is somehow connected with an old book and Ichiro’s need to create origami paper cranes from it. Mizuki’s worries are expressed in verse before we jump back into prose - to the at times brutal description of the day the bomb fell on Hiroshima and Ichiro’s role in that day and beyond. The descriptions of the effects of the bomb are based on effective research and from survivor’s tales and told in such a way that the reader is entirely there in the moment and the long days after as Hiro rebuilds a life for himself. As we return to Japan in 2018 the novel reverts to poetry to the very modern tale of how Mizuki uses the internet to try to get to the bottom of the problem facing her elderly grandfather. The illustrations in the book help create the many impressions and emotions aroused by the story – they are based on Japanese brush and ink techniques and add a further layer to this already impressive book. This is a harrowing tale but the ultimate redemption in the story leaves one with a sense of hope. Highly recommended.
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